I don't post music to this soundcloud anymore...my new stuff can be found at : 
https://soundcloud.com/kintsukumusic

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

The Psychedelic Squirrel is an artist from Leeds, UK, known for his unique blend of psychedelic rock, electronic beats, and experimental soundscapes. The artist's music is a reflection of his diverse influences, ranging from classic rock and punk to avant-garde and ambient music. The artist's music caught the attention of BBC Introducing, a platform for up-and-coming musicians, and He was also named Soundclouder of the Week, featuring tracks such as "Back to Berln" and "Blues 12."

Music producer, Sound Designer, DJ

Mixing & Mastering Engineer

Contact: afruitsounds@gmail.com

Releases on
@yukumusic
@cosmic-bridge
@medschoolmusic
@hyperboloid
@worstbehaviorrecs
@teklife57
& more
__________________________________________



________________________________________

Geek woman's crowded workday schedule:
1. 13:00 waking up with neighbor's drilling works
2. recording drilling works
3. shower 
4. recording eggs frizzle
5. 14:00 breakfast
6. glitching noises
7. knoсking things with a Japanese stick
8. 19:00 lunch
9.  making love with one shots
10. having sex with gears
11. 0:00 going out for a walk
12. standing in the dark  copse beyond the shed with a branch
13. recording knocking the fence
14. recording a huge dumptruck
15. 3:00 dinner
16. red hot night with Ableton Live
17. 6:00 to sleep, perchance to dream

Producer, sound designer, musician from Leeds. just expanding my worship of music and sharing the things i create :)

Multidisciplinary Artist working in sound, film, paper and theatre.

MINIMAL BASS MUSIC

BOOKINGS: thegrimsynthetic@gmail.com

There is music in all of us. As the neural circuits - do it - they make sounds, fizz pop hum, and we dance, it is chaotic, it is the sound of life, the sound of life feeding upon itself in order to recreate itself, we and all the rest of what our senses tell us, are its manifestation, doing exactly the same thing, feeding upon ourselves in order to recreate ourselves, which, in its turn, makes a lot of noise, so much that we cannot hear the original sounds and even though we dance to the tune we remain deaf to the music. So we make our own
And every now and then someone gets close to the original and upon hearing it something happens with our emotions and we FEEL alive.

When I was 15 - 1962 - I heard Mississippi Fred McDowell and something happened, John Lee Hooker, Robert Johnson, Bukka White, Big Joe Williams, there was so much of it, Muddy waters, Howlin Wolf, Sleepy John Estes, there seemed to be an inexhaustible amount of this blues stuff and all of it was pure no shit beautiful, it made me feel alive, in touch with something inside. I been searching for that experience ever since. I was in Leeds looking for like-minded folk. Every one just wanted to get stoned and talk about it
I wanted to do it. I moved to Harrogate and found some people who wanted to do it. It became a band called Wally. We did it. We made music. It went around the world

I was a slide guitar player in Wally. I never set out to be a slide guitar player. I was a bass player in Wally. I never set out to be a bass player. All the time I was writing stuff - angsed prose - I was looking at the world and people around me. They seemed to know what they were doing and why. It looked like blind faith (good band) to me. I was compromising. I never wanted to compromise. I don't want to be Fred McDowell, Robert Johnson etc.

Got involved with other bands after Wally. Freddy Alva etc. etc. etc.
Too much compromise.
So started a business get a mortgage get a wife.
Inevitably it goes pear shaped so I think fuck it.
It's now or never.
Started playing.
But now
My own stuff-
Nothing is original
Can it be peculiar?
Should I have done this 30 years ago?
Could I have done this 30 years ago?
No
Now is the time

TREWITT is following