cro / snoop dogg / dr dre seul un génie aurais put y penser beau travail

old scool

Lucy

Final track from our 5 track B-Side Compilation. Enjoy

Written by Matt foz

Artis - The Art {November B-Side Compilation 5/5} *FREE DOWNLOAD*

Behind your Soul

https://inirecordings.bandcamp.com/album/attic-edits

Attic Edits is a three-track EP of light-hearted summer delights from Moiety & Manik. These two producers are no strangers, they’re kinfolk - part of the INI family. Both producers have appeared on our ‘De Gulden Snede’ Series and several other releases. In the heat of the summer between DJing and the countless demands of life, the duo found the time to collaborate and dusted of an old Johny Guitar Watson record. From there on several sessions took place forming the Attic Edits. 


Moiety: soundcloud.com/moietyofficial 
Manik: soundcloud.com/manik

Catalog: INI019 
Artwork by Youp Wehnes www.youpwehnes.com 
Mastering by J. de la Porte

Moiety & Manik - You're Gone

Thank you Chill Music for premiering it !
https://soundcloud.com/chilll-music
https://www.facebook.com/LaChillMusic


FREE DOWNLOAD

Dr. Dre - Still D.R.E. Ft. Snoop Dogg (Jules Dubreuil Remix)[FREE DOWNLOAD]

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

Cro Easy feat. snoop n dre

maxulver

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