Drackfreeee - Dark Sunny Days

Ana Roxanne - It's a Rainy Day on the Cosmic Shore (Best part)


This song is not mine.
All credits to desert sand feels warm at night

desert sand feels warm at night - Yesterday, 2095

F 14

Premiered by Aspen Contemporary Ensemble, August 14, 2024 at Harris Concert Hall, Aspen, CO

Aspen Contemporary Ensemble
Tim Weiss, conductor
Sasha Ishov, flute/piccolo
Clayton Luckadoo, bass clarinet
Liam Kaplan, prepared piano
Reed Puleo, percussion
Herdis Guðmundsdóttir and Laura Gamboa, violins
Felix Vesser, viola
Miles Reed, cello

Program note:
HAUTEPÂTE is named after the painting technique pioneered by French artists Jean Fautrier and Jean Dubuffet. The technique itself, haute pâte, translates to “matter painting” and involves using paper, gravel, and sand in addition to oil paint to create three-dimensional, relief-like surfaces that project outwards from the canvas. Years ago, I was introduced to Fautrier’s “Les Otages” series, which the artist created after hearing Nazi troops abusing and executing prisoners in the forest near his studio space in Paris. This series features abstracted and disembodied human remains that bear little resemblance to living human forms. While writing this work, I was thinking of violent, institutional brutality (both abroad and within the US) as well as how we compartmentalize this terror away. I attempted to represent this mental rift with two highly contrasting musical materials–one heavy and aggressive with frayed edges and forceful onsets, the other chipper and bright with tight rhythmic synchronicity. In the spirit of the haute pâte technique, I was interested in composing and developing complex musical gestures that, to me, sounded three-dimensional, almost as if rising from the surface of a painted canvas.

HAUTEPÂTE

A Stream With Bright Fish

©2015 Dream Catalogue & Nmesh.  All Rights Reserved.  Nmesh "ロストエデンへのパス" (DREAM_111) is available to purchase here: https://dreamcatalogue.bandcamp.com/album/--24

Trailer: www.youtube.com/watch?v=04_CZM16Oow&list=PL6D77BF0AC9C7E259&index=24

Bleep Store: bleep.com/release/65186-nmesh-and-t-e-l-e-p-a-t-h-dream111

The Needle Drop video review: www.youtube.com/watch?v=FTSBTLLr4lU

https://dreamcatalogue.bandcamp.com/
@nmesh 
facebook.com/nmeshmusic 
youtube.com/nmeshtv 
twitter.com/nmeshofficial 
https://nmesh.bandcamp.com/
mixcloud.com/nmesh

CASSETTE + MP3

Nmesh - 心はシダであります

https://illuminatedpaths.bandcamp.com/album/no-sleep

IP182  m a l i b l u e : ( - Falling

aphex twin:::avril 14th

From the album '一人で'

https://desertsand.bandcamp.com/album/--11
https://desertsand.bandcamp.com/album/--11
https://desertsand.bandcamp.com/album/--11
https://desertsand.bandcamp.com/album/--11

雰囲気

http://green-house.bandcamp.com
Green-House is the project of Los Angeles based artist Olive Ardizoni.

Approaching the project with an intentional naivety, they craft songs that find freedom through simplicity. As a non-binary artist, they hope to create a space with fewer barriers as both a performer and a listener.

Their first release as Green-House, “Six songs for Invisible Gardens” (out Jan 15, 2020) was written with the intention of transforming the listening environment and augmenting domestic space. The music is designed as a communication with both plant life and the people who care for them.

Green-House - Soft Meadow

Composer, bassist, improviser
Based in Princeton, NJ

contact: maxvinetz@gmail.com

https://www.youtube.com/watch?v=t8SCUUMzUDA&ab_channel=ScoreFollower
https://www.youtube.com/watch?v=MDhK67Gsq-I
https://www.maxvinetz.com/

HAUTEPÂTE

Max Vinetz

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