My Absynth version of Aphex Twin's - Rhubarb. This was all done using the envelopes.

Aphex Twin - Rhubarb

Gaze

voices

The Gentle Hum Of Oblivion | From the new full-length album 'DUSK UNION' (Drones for lonely souls)by a collaborative project from FOG & HTDC: https://htdc.bandcamp.com/album/dusk-union

Recorded on analog 8 track 1/2" worn-out tape (circa 1978). Composed with old vinyl crackles, guitars, JEN SM2007, ELKA Rhapsody 490, voice & whispering.

Different instruments/processed guitar noise were recorded directly to vintage 8-track cartridge tape.

All perceived silence and audio deformations were intended.

Thank you in advance for your support.

The Gentle Hum Of Oblivion

Oressa from Mer de Revs II - Music For Insomniacs: htdc.bandcamp.com/album/mer-de-revs-ii

Mer de Revs Sessions (Recorded in 2016/2017) 

A study in deliberately soothing textures designed to give the listener space to find stillness and collapse into rest - late night lullabies.

How To Disappear Completely presents Mer de Revs II, second installment of our experimental sleep music project. Almost eighty minutes of new music composed and recorded over twelve month period (a song per month), 2016/2017. Recording this album we wanted to keep the same aesthetics - simple as possible, minimal amount of gear as possible. We hope you enjoy our latest release as much as we did recording it and we can't thank you all enough for your support. As always, thanks for listening.

Oressa

Aphex Twin - Avril 14th

viola: Sebastian Stefanović
conductor: Joshua Hong

flute/piccolo: Dominique Kim
oboe: Tanavi Prabhu
clarinet/bass clarinet: Stefani Feldman
horn: Max Paulus
percussion: Aaron Smith
piano: Grace Templeton
violins: Mary Grace Johnson, Adam Woodward
cello: David Dietz

In Transitive Motion

DLP 1.1 Excerpt

Artist: William Basinski 
Title: O, My Daughter, O, My Sorrow
Album: Lamentations
Release Date: November 13, 2020

William Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on his new album, Lamentations, he transforms operatic tragedy into abyssal beauty. More than any other work since The Disintegration Loops, there is an ominous grief throughout the album, and that sense of loss lingers like an emotional vapor.

Captured and constructed from tape loops and studies from Basinski’s archives – dating back to 1979 – Lamentations is over forty years of mournful sighs meticulously crafted into songs. They are shaped by the inevitable passage of time and the indisputable collapsing of space – and their collective resonance is infinite and eternal.

Lamentations

William Basinski - O, My Daughter, O, My Sorrow

Hiroshi Yoshimura - Wet Land

by In The Woods
wanted to put this here to save space on my phone 

How To Disappear Completely - Seraphim  (2019) (Full Album) - In The Woods

Composer, bassist, improviser
Based in Princeton, NJ

contact: maxvinetz@gmail.com

https://www.youtube.com/watch?v=t8SCUUMzUDA&ab_channel=ScoreFollower
https://www.youtube.com/watch?v=MDhK67Gsq-I
https://www.maxvinetz.com/

In Transitive Motion

Max Vinetz