منوعات..

منوعات

Mayada

خا

relax

3bas

يا عندية ( الأصلية ) - سيد خليفة

Get the album now: http://glitterbeat.com/glitterbeat_store/

Voiced with deep passion and grace, Aziza Brahim's music adeptly travels the expanse between her Western Saharan roots and Barcelona, the European cosmopolis where she now lives. Aziza is both a contemporary sonic poet and a prominent and eloquent spokesperson for the Saharawi people and their ongoing struggle for recognition and justice.

Born and raised in the Saharawi refugee camps lining the frontier between Algeria and Western Sahara, Aziza’s life has been marked by both daunting hardship and inspired will. Fleeing from these camps and the regime of political oppression that followed Morocco’s 1975 invasion of Western Sahara, as a young teenager Aziza travelled to Cuba for her secondary school studies. There she experienced first hand the deep Cuban economic crisis of the 1990’s and the subsequent denial of her request to pursue a university degree in music.

Music had been Aziza’s passion since she was a small girl and despite this setback she returned to the Saharawi camps in Algeria and began singing and playing in different musical ensembles, a process that continued when she moved to Spain in the year 2000. There she founded the eclectic Saharawi/Spanish band Gulili Mankoo with whom she released two acclaimed self-produced recordings: the EP “Mi Canto” (2008) and an album “Mabruk” (2012) both on Reaktion, a French label specializing in Saharan music. In the last years Aziza has performed extensively appearing at major festivals and venues including WOMAD Cáceres (2012) and Queen Elizabeth Hall in London (2009).

Aziza’s new album Soutak (“Your Voice”), her debut for the Glitterbeat label, is her first recording to predominantly focus on the cadence of her majestic voice and the soulful critique of her lyrics. The album was produced by Chris Eckman (Tamikrest, Ben Zabo, Dirtmusic) and was recorded live and direct in Barcelona in June of 2013.

In the liner notes to the album Aziza describes her vision for Soutak: 

“Feeling the need to make an acoustic record, I imagined a somewhat modest musical outline, which would not involve too many instruments and in which the voices would take the expressive emotional lead. I wanted to further explore the range of possibilities found in the Haul, the Saharawi’s traditional rhythmic sources, played on the tabal and a source of inspiration for the Desert Blues.”

The hand picked band she assembled for the album consists of Spaniards Nico Roca (percussion) & Guillem Aguilar (bass), Malian Kalilou Sangare (acoustic lead guitar), Aziza’s sister Badra Abdallahe (backing voice) and in addition to singing, Aziza contributes acoustic rhythm guitar and the tabal, the traditional Saharawi hand-drum.

The music on Soutak is a powerful and nuanced mixture of musical cultures and features Malian, Spanish, Cuban and contemporary Anglo-European motifs all held together by Aziza’s deeply rooted knowledge of traditional Saharawi song and sound.  

Throughout Soutak, the band frames Aziza’s voice with dignified restraint and leaves unvarnished space for her lyrics, lyrics which range from the sharply political “Gdeim Izik” (named after the “Camp of Dignity” crushed by the Moroccan-backed authorities) to the whispered enigmas of “La Palabra/The Word” (“Cradled by the wind it left/ it went around the world and returned/ and there beyond the word was heard”)

The song “Julud,” dedicated to Aziza’s mother, is possibly the most emblematic song on the album combining intimate and stark desert poetry with an unyielding faith in the Saharawi political struggle:

You are like the night and the stars/ Your voice goes beyond the top of the clouds/ 
You are the smiling breeze of today/ You are an example of humanity and of fight.
Resist, immortal, resist.

Though the songs on Soutak can be unsparing in their details of oppression, there is more often than not a “smiling breeze” to be found. Aziza’s essential voice, headstrong commitment and subtly inventive music are that breeze. 

With Soutak Aziza Brahim has delivered an empowered flight to freedom; an alternative world where hope is imminent and dancing is justified.


Aziza Brahim:
Homepage: http://aziza-brahim.blogspot.com/
Facebook: https://www.facebook.com/aziza.brahim.official
Twitter: https://twitter.com/AzizaBrahim1

Glitterbeat Records:
Homepage: http://www.glitterbeat.com/
Facebook: https://www.facebook.com/Glitterbeat
YouTube: http://www.youtube.com/user/glitterbeattv
Twitter: https://twitter.com/Glitterbeat_Rec

Aziza Brahim - Julud

سيد خليفه [عود] - عيني يا عيني

Mariem Hassan - Kalat Leili

Mamman Sani - Ya Bismillah

Tonight I'll be Pretty Ft. Mariem Hassan 

Composition by Ravid Kahalani
Lyrics by Mariem Hassan, Zaim Alal & Ravid Kahalani Arranged by Rony Iwryn, Shanir Ezra Blumenkranz, Itamar Borochov, Itamar Doari, Roy Harmon
￼￼￼i will be there with you Laila
i will be there with you all the time
wherever you go you will shine like the sun with your light on me and on humanity
باكون موجود معاكي يا ليلى باكون موجود معاكي في كل وقت
واين مارحتي بتضلي تشرقي كالشمس بضوش عليا وعلى كل البشر

08. Tonight I'll be Pretty ft. Mariem Hassan

Riptide - Kina Grannis & Imaginary Future (Vance Joy cover)

Original track By high dam band 

Lyrics By : Hassan Jamica 

Hassan Jamaica (vocal)
MR.Booney (Lead Guitar)
Fayrouz Kaddal (Flute)
Loai El Nakib (Vocal, Keyboard)
Ahmed Remo (Bass Guitar) 
Ahmed Khairy (Percussion) 
Mohamed Gomaa (Percussion)
Karem Mahmoud (Drums)


Ganobeya / جنوبية

طير بينا يا قلبي موسيقى محمد فوزي - بيانو نهال البباوي

Nancy Sinatra Bang Bang 
You're the one by Tracy Chapman
بلال تزورني مرة -عشة الفلاتية
Valerie (Amy Winehouse)
يا ليلى - عقد الجلاد

- ميادة : MayaMiX-  كولاج

أدرني يا حبيبي 
أنا كأسك الفارغة 
اشربني لامتلئ
بخمرك البالغة

دندنة _ بيتين لحاتم الكناني/ عزف غناء ميادة

         د.بشرى الفاضل -  حلوة عينيك
نفسـى فـى داخلـك أعايـن 
وأروى روحى وأشوف منابعك 
يــــــا ســــــلام 
الصحرا فى عينيا تتواثب جناين 
ماخدة صوتـك مـن جـداول 
وما خدة صورتك من كهـارب 
مـولـداً ميـدانـو حـافـل 
كـلـمــا يـصـبِّــح ... 
تجيهـو الـنـاس جحـافـلْ 
يـا سـلام .... يـا ســلام 
*** 
لمّـا تعبـرى فـى الشـوارع 
شوفى كيف النـاس تصـارع 
ناس تطفِّـر .. ونـاس تدفِّـر 
فى البشابـى علـى نجومـك 
وفى البخبْ .. كايس تخومِـك 
وكل زول من عِنْ سُلافـك .. 
لا لا .. قـال دايرلُـو كـاسْ 
*** 
مرّة طربان .. شلـت صوتـك 
شــــان أغــنـــى.. 
قـلــت آه يـالـيـل .. وآه 
إنتى أول .. وإنتـى تانـى .. 
وإنتى تالت .. وإنتـى رابـع 
نافـرة زى صـيـد الـخـلا 
وصافيـة زى نبـع المنـابـع 
وقلتى لى غنـاى .. خـلاص 
*** 
حلـوة عينيـك زى صحابـى 
عنيدة كيف ... تشبه شريحتين 
مـــــن شـبــابــى 
حلـوة عينيـك زى صحابـى 
وزى عِنـب .. طـوّل معتّـق 
فـــــى الـخــوابــى 
وسمحة زى ما تقول ضيوفاً .. 
دقّـــــوا بـــابـــى 
.. فرحى بيهم سال .. مـلا .. 
حــتـــى الـكـبـابــى 

مصطفى سيد أحمد - حلوة عينيك - أوركسترا

لبيك يا كليم القروح 
يا سر في أتم الوضوح
لبلاب في صريف 
موردة من نزيف
وهلال من أهل

شفناك في غيابك وهل
هل غاب من ظهر واكتمل
لبلاب في صريف
موردة من نزيف
وهلال من أهل

الطير في السما والنجوم
والكون والسديم الرؤوم
معقود الخيال
وشعوب الجبال في روحك تروح

***
ياذات في مهب الوجود
يا كل يا وحيد يا ولود
نهديك السلام
حيرة واحترام
ونغريك الخلود

كلمات نجلاء التوم . 
MANHA DE CARNAVAL MELODY
/غناء ميادة /تنفيذ أبراهيم بن البادية-

أورفيوس الأسود./ ميادة محمد الحسن. كلمات نجلاء التوم- manha de carnaval melody

حلو درب الطير- عبد العزيز داوود-  rough  cover ميادة محمد الحسن

Koresma
https://soundcloud.com/koresma
https://www.facebook.com/lindbergismusic
https://twitter.com/koresmatweets
https://www.instagram.com/koresmagrams/

Download

Koresma - Bridges

ثقبٌ أسودٌ بجوفك يجأر
قلقي ريشةٌ درويشةٌ تراود نَفَسَك
نداءك يهصر عزم المكان،
تصطكُّ مفاصلُ موتٍ خائِـر،
يُجادل مسامي الفاغرةِ صوبك
وانت الفارِعُ الشاسعُ بلا حَد
المخمور بالمسافَة بلا صد
اللاشئ فرط تمددك السَّافِــرِ ، اللاشيء   
ناهشي كل مرآة ، 
كل اغماض، 
كل صلاة ..
-------
So I'm gonna love you
Like I'm gonna lose you
I'm gonna hold you
Like I'm saying goodbye

(جلسة تلحين/ نص (تَـــنَاوُش ،FUSION with "like am gona lose you" ميادة

cheers to waste مُدَامٌ في مَقــــاماَت الهَلْوَسَة - ميادة محمد الحسن

Avishai Cohen - Tzaadi

كلمات الاغنية
يا عاشقين الغرام يا مشتاقين للقاء 
يا ورد فتح لبكرة انا بسأل فين الولا
يطول الحزن بينا وحنينا ينادينا
تهون علينا العشره ويفترق بينا الهوا
انا مرت عليا سنين انا طال بيا الحنين
واحشني قلبك الهادي في حضن الليل
سميت باسم الحب سميت نفسي شراع
ارفرف في حضن الرياح حضنك اماني انا 
علي ايقاع الموج تميل ضدي الحنان
ياتري وين اللقاء حضنك اماني انا
ولما سألوني الناس في غيابك 
نتوب ليه ؟ نتوب ليه ؟ نتوب ليه ؟
وحولو يعيبوني الناس في غرامك 
نتوب ليه ؟ نتوب ليه ؟ نتوب ليه ؟
ابواب الدنيا مفتوحة
أيود الخوف مكسورة
حبيبي غرامك رواني سقاني 
وفي ضل عيونك هديتك سماري 
ابواب الدنيا مفتوحة
أيود الخوف مكسورة
الله باقي باقي حي حي باقي باقي حي 
نتوب ليه ؟ نتوب ليه ؟ نتوب ليه ؟

The Nile Project Allah Be2y دينا الوديدي و السارة الله باقي

Golnar Shahyar: Voice, Guitar
Hadar Noiberg: Flute, Bass
Mahan Mirarab: Guitar, Oud
Rina Kacinari: Cello
Amir Wahba: Percussion
Composition: Mahan Mirarab
Lyrics: Nima Youshij 

www.asemanmusic.com

Aseman is a new exciting jazz/world music project which performs original songs influenced by the deep and rich cultures of Iran and Israel. The project was created by two Iranians and one Israeli, who are excited and curious about each other’s culture and musical heritage and who swim against the political current to form a strong and unique sound, friendship and musical bond.
Mahan Mirarab (guitar) and Golnar Shahyar (voice, guitar), both born in Tehran, made Vienna their home. They have been working together for several years in different formations such as their trio Sehrang and have been stretching the boundaries between Iranian music and jazz. So far they recorded three albums together and has played with internationally renowned musicians such as Erkan Ogur, Alain Perez, Alex Simu, Pavel Urkiza, etc. 
Hadar Noiberg (flute) was born in Israel and moved to Brooklyn when she was 21. Hadar leads her own trio where she fuses styles seamlessly. Flowing between Jazz and World Music, she has established herself as both innovative and highly skilled in the Jazz and World Music scenes nationally and internationally.

ASEMAN - RIRA

From the album God Jul - A Swedish Christmas Sing Along with Walter Eriksson & Andrew Walter with The Swedish Singers -  - www.WalterEriksson.com - www.Facebook.com/WalterAlgotEriksson 

09 Staffansvisan - God Jul - A Swedish Christmas Sing Along

This is the second album of the Swedish artist Johanna Billing on Apparent Extent featuring the original soundtrack to a film first screened at documenta 12. A group of young people learn how to set sail and navigate a boat. Arthur Russell's song "This Is How We Walk on the Moon" is the reference to the films title and soundtrack.

Johanna Billing - This Is How We Walk on the Moon (Radio Edit)

Daniel Zamir's 8th album, and the first that Daniel has produced in Israel.
"Amen" is the first album which Daniel plays the soprano sax.



השר הממונה The minister in charge

Alsarah, Nahid - Habibi Safr Mini

القمر بضوي وان شن بلاني بالنجوم -عبري -عربي -رحيلا -تراث سوداني

_לילה לילה_ - לרוז ורחלה (Laila Laila_ by Laroz Ft  Rechela القمر بضوي وان شن بلاني بالنجوم.mp3

Artist: Sona Jobarteh
Track Title: Saya
Album Title: Fasiya (2011) 

Sona Jobarteh - Saya

سابقاً: عتمة حثيثة مرجأة
مدونة موسيقية- ميادة محمد الحسن. عزف/غناء/ تلحين وإعادة توزيع .
You’ll find some home recordings of songs and musical pieces I enjoyed working on. Enjoy your stay!

أورفيوس الأسود./ ميادة محمد الحسن. كلمات نجلاء التوم- manha de carnaval melody

Mayada Mohamed Elhassan ميادة محمد الحسن