It’s just a love song. Written in June/July 2022 but set in a room in an old house in Exeter in 1985.

Lyrics: 
I must accept its love

My watch strap smells of perfume from a town in Southern France
You wore my watch last weekend at a party where we danced
We were kissing in the pub, our friends were laughing,  they were singing
The band was playing loud, our lips were sore, our ears were ringing

And now, the window to my room is open to the night
Its cold but I can see the stars, and watch the trees sway in the moonlight
The tap drips, floors creak, but I’m safe within these walls
And I miss you so badly, can’t live at all

Its just so strong ,I feel possessed by these thoughts of you
I’ve tried to fight it but there is nothing I can do
I should accept its love

I hear the train announcements from platforms down the hill
And prayers are said for our love in a room that’s light and still
I love this life I live, but now its dull and slow without you
I don’t want that anymore, and now I know what I must do

And now, I’m alone and lying in the deepest bath
My fingers trace the places on my body where you kissed me in the dark
I want the movement of your body, I want the touch, I want the heat
And I miss you so badly, just got to get through this week

Its just so strong I feel possessed by these thoughts of you
I’ve tried to fight it but there is nothing I can do
And Its changed my life and now all I want is you
I must accept its love
Yes, I know its love
It’s our love 

(Fade out….)
(Sitting by an open window, cold breeze airs my mind
I’ve been writing words with lonely meaning just to pass the time
And I should be working, or reading or something, just things that have passed me by
But your image haunts, it controls my senses, you have my heart and mind
(So Lost without you)

James Whiteman June 2022 (and fade out James Whiteman, 1985) Copyright

I must accept it's love

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

I've always loved Leave No Man Behind by Hans Zimmer from his score for the film Black Hawk Down.  Whenever I listened to it, it was just calling out for some pipes to be added.

Its a shame that such a beautiful piece of music is associated with a war film, I'm a pacifist myself, but the idea of leaving no one behind is something that I can fully support.  

This is my little arrangement of the piece.

Written by Hans Zimmer
Performed and Arranged by Philleann

Leave No Man Behind (from "Black Hawk Down")

Leave No Man Behind (from Black Hawk Down)

Dedicated to my 2 fingers and 4 tendons, can't scratch my ear or play octaves on my piano or play clarinette correctly;. Thanks to this accident I learned how to compose electronic music and I love doing this more than ANYTHING.

Ode to my lost finger (instrumental)

Ode To My Lost Finger (Instrumental)

Original music by: Francois Pierre Morin/FPMORINSTUDIO

G Groove 98 Mix 2023

Spielberg’s famous anti-war film, Saving Private Ryan, depicts a mission by US soldiers, led by Captain John Miller, to extract James Ryan whose three brothers were killed in battle. The mission is ordered in order to spare Ryan’s family the loss of all their sons. Ryan is saved, but the captain is killed. His dying words to Ryan are ‘earn it’. The film ends, fast forwarding many decades where Ryan, now an older man, stands at John Miller’s grave, reflecting on whether he has led a good life, whether he has lived up to Miller’s beseeching words to ‘earn it’. ‘Tell me I have led a good life’, ‘Tell me I’m a good man’, he says. It's a moving scene, reflecting an intimate internal tale, one about self-doubts and moral debts. I always liked this film, and I thought the theme of moral self-reflection and doubt – doubts about who we are, really – might form the basis for a song. 
And this is that song.

Who am I?

oscillate

IL TE MANQUE LA MER
OUI MAIS TU AS L’AMOUR
IL TE MANQUE TA TERRE
OUI MAIS REGARDE AUTOUR
TU AS L’HOMME QUI T’AIME ET LA MÉLANCOLIE
SE DISSOUT D’ELLE MÊME SI ON LA VOIT JOLIE
MOI AUSSI MON PAYS
ME MANQUE BIEN SOUVENT MAIS L’AMOUR MOI AUSSI EN EMPORTE LE VENT AUTANT
TU VOUDRAIS REPARTIR MAIS TU AIMES RESTER LE PRÉSENT L’AVENIR EMMÊLÉS AU PASSÉ
UNE LARME UN SOURIRE UNE VAGUE UN REGRET ET LE MOT POUR LES DIRE JE SAIS QUE TU LE SAIS MOI AUSSI NEGUINHA PARTAGÉ ENTRE ICI MAINTENANT ET LÀ-BAS HIER ET AUJOURD’HUI SAUDADE
IL TE MANQUE RIO
LE SOLEIL EN HIVER MAIS TU AS PETERZINHO
A BRAS ET CŒUR OUVERTS TU VOUDRAIS REPARTIR MAIS TU AIMES RESTER
LE PRÉSENT L’AVENIR EMMÊLÉS AU PASSÉ
IL TE MANQUE LA MER
OUI MAIS TU AS L’AMOUR
IL TE MANQUE TA TERRE
OUI MAIS REGARDE AUTOUR

NEGUINHA  (Lyrics) Song for Heliane

https://dominiquelebars1.bandcamp.com/track/les-carreaux-givres

Sont arrivés six hommes mitraillés par l'état
Ont défoncé la porte, ont fusillé papa 
Je les ai vu violer maman les uns après les autres
Je les ai vu partir sans même voir que j'étais caché
Derrière les carreaux givrés

LE BARS        2023

Les carreaux givrés

This is a song that began with me laying down some bass, organ, piano, synth, and slide over a looped, heavily delayed guitar riff. I asked Ken to put some drums on it, which he did to perfection, as well as added some acoustic guitar. I then sent it to Tez, and asked him to come up with a lead part for it. He also delivered exactly what I wanted to hear. We dropped the initial looped guitar that was the whole basis for the song to begin with, which I think is pretty cool. Tez mixed and produced this, and what a fine job he did, too, as always. these two guys are wonderful collaborators--so talented and so easy to work with. What I told them was that I wanted to make sober people feel high when they listen to this. I hope it has that effect on you!

A Separate Reality (with Llanpsych and K2 and the Three)

The last time I saw Lisa,
She was standing underneath an old oak tree
With her hair down, her hands in her pockets.
Lisa broke my heart and set me free.

The last time I saw Rachel
She was crying, trying to hide her eyes.
And she told me, she told me she was leaving.
Rachel broke my heart, no surprise.

INSTRUMENTAL

The last time I saw heaven, she was standing, standing where you are.
And she whispered, “You have nothing to fear boy.
Share that broken heart, share that broken heart,
Share that broken heart with me.

The Last Time

My music is very instinctive. I like all kinds 
of music even if I attend most assiduously 
 Pop, Classical and Jazz.
I compose mostly with the piano but 
I'm experimenting  with the composition
 with acoustic guitar. I enjoy playing Sax 
and Trumpet (keys) in my tracks and in 
collaboration with other soundclouders.
I write and sing in Italian lyric and I am
 improving my singing in English. I hope
 my passion for music can give
 you some nice feeling.
 
Here on SC I have collaborated directly 
or indirectly with all musicians below:

Boon Suzuki         (@boon-suzuki)
Matthias Andrä    (@tunesma)
Milana Zilnik       (@milanazilnik)
The Gatsbys         (@the-gatsbys)
Jamie Rhind         (@jamie-rhind) 
Iren hope              ( @iren-hope )
Classical Glass     (@classicalglass-1)
Nick G.Coward    (@nick-coward)
Jamie Rhind           ( @jamie-rhind)
Mike spring          (@mike-spring) 
Piano Hibiki         (@pianohibiki)
Echosonica           (@echosonica)
Hlo                       (@hlo-64)
Cat Leblanc          (@catleblanc)
Chris Pendergraft (@chris-pendergraft)
Bharath Ram          (@brambient)
Alan Wood (@a-wood)
Dujhan2 (@dujhan2)
Paploviante(@paul-racle)
Mark Bennett (@markjbennett )
David Dunham(@david-dunhamuser589535203)
Debra Buesking(@debra_buesking)

"Easy to Please" Debra Buesking and David Dunham (vocal version)

MayaDog