[1 hourOriginal] Radiohead - Creep

exit music for a film

Download the full album here - http://quoteunquoterecords.com/qur044.htm

All songs written and performed by Owen Evans 

Additional musicians: 
Dave Gironda: trumpet
Nick Krill: group vocals
Robin Vining:  group vocals, slide guitar, glock, cello, trumpet

Recorded and mixed by Nick Krill
Additional recording by: Preston Bryant and Mike Hissong

Art by: Owen Evans

Christmas Kids

Wake from your sleep
The drying of your tears
Today we escape, we escape

Pack and get dressed
Before your father hears us
Before all hell breaks loose

Breathe, keep breathing
Don't lose your nerve
Breathe, keep breathing
I can't do this alone

Sing us a song
A song to keep us warm
There's such a chill
Such a chill

And you can laugh a spineless laugh
We hope your rules and wisdom choke you
Now we are one in everlasting peace
We hope that you choke, that you choke

We hope that you 

That you choke
We hope that you choke
That you 

#radiohead

exit music (for a film) - radiohead (cover)

love. - wave to earth (piano cover)

Indelible

Little Kingdom is Luminor stepping out of his comfort zone.

Known for powerful electronic and cinematic productions, here he strips everything back to guitar, piano, and raw English vocals. What emerges is something completely different: an intimate reflection on fatherhood, love, and the fragile beauty of time.

A deeply personal song, Little Kingdom shows a new side of Luminor — vulnerable, honest, and timeless.

Little Kingdom

STORY
The story illustrates phronesis—the classical Greek idea of practical wisdom, the kind of judgment that blends knowledge, experience, and moral insight.

The Bridge at Kalliros
The river Kalliros had flooded every spring for as long as the villagers remembered. This year the water had risen higher than anyone had seen. The young men argued for an immediate crossing to rescue sheep stranded on the far bank. “If we wait, they’ll drown,” one shouted. Another proposed building a raft from fresh-cut pine, ignoring the roar of the current.

Old Thaleia, the village midwife, said nothing at first. She had no formal training in engineering, nor the strength of youth. But she had watched the river for sixty harvests. She remembered the year the water turned suddenly when the snows melted late, the year when the bridge timbers twisted in a hidden eddy. She knew the sheep’s value and the risk to the men.

Finally she spoke.
“Cut no pine. Use the willow trunks upstream—last night’s rain has loosened them. Tie them with the reeds that grow near the oxbow bend. And wait two hours, until the meltwater from the eastern ridge has passed. You will see the mud eddies change colour; then you may cross, and not before.”

The young men grumbled, but the memory of her unerring births and quiet rescues gave them pause. They followed her plan. When the eddies paled, they lashed the willows and ferried the sheep across without loss.

Later a traveller asked why the villagers obeyed the old woman so readily.
“She knows more than rules,” the headman replied. “She knows when rules bend. That is wisdom for living—phronesis.”

This story highlights how phronesis is not just cleverness or technical skill (techne), but the seasoned judgment that grows from lived experience, moral concern, and a sense of the right moment to act.

INTERPRETATION 
The lyrics of “Willow Crossing” portray phronesis—practical wisdom—as a quiet but powerful guide amid danger and urgency.  The rising river symbolizes crises that tempt people into rash action, while the elder’s calm instructions embody the insight that comes from years of lived experience.  Her ability to “read the hour in the river’s lines” shows wisdom not as abstract knowledge but as attunement to the right moment, balancing courage with caution.  By urging the villagers to “wait for the eddies to pale,” the song celebrates patience and moral discernment: wisdom is not about rules or titles, but about sensing when to move and when to hold back, so that action is both timely and humane.


WILLOW CROSSING

from the album 'bad contestant', available on signed vinyl here www.matt-maltese.com

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Produced by Hugo White
Engineered by Jag Jago / Laurie Latham 
Mixed by Jag Jago 

Piano/Voice - Matt Maltese
Drums - Jamie Morrison
Bass - Harry Bohay
Guitar - James Donovan, Hugo White

Recorded at The Drugstore & Helicon Mountain Studios

exit music (for a film) - radiohead (cover)

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