The latest single from Maz O'Connor
Co-written and produced with Will Gardner
Mixed and mastered by Pete Fletcher at Black Bay Studio

What I Wanted

Music from the Hill- Indie rock from near Oxford, UK.
NIGHTSHIFT TOP TRACK FOR MONTH OCT 2025: http://nightshiftmag.co.uk/2025/oct.pdf
Latest Nightshift review Nov 24 http://nightshiftmag.co.uk/2024/nov.pdf
Nightshift review Oct 2023 Top Track http://nightshiftmag.co.uk/2023/oct.pdf
Nightshift magazine demo review (Nov 2022): 
http://nightshiftmag.co.uk/2022/nov.pdf
Nightshift demo review from Jan 2022: http://nightshiftmag.co.uk/2022/jan.pdf
https://linktr.ee/arrowsofthesun

I was teleported hr from the year 1963 when I was captured by Dr. Emmett Brown. It’s been rough but imma trooper.

Math Jones is a poet and performer, based in Herefordshire,  UK.

eaglespit, a spoken-word album of Heathen verse (bandcamp), 2016.
Sabrina Bridge, poetry published by Black Pear Press, 2017.
The Knotsman, published by Arachne Press, 2019.

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Described as a 'highly individual singer-songwriter' by The Observer, Maz O'Connor's music is made unique by her haunting voice, her poetic lyricism and her deep connection to the folk tradition.

 “BBC Performing Arts Fellowship graduate Maz O’Connor is a real find, fusing influences from the past (Joni Mitchell) with those of the present (Bon Iver) to concoct a dazzling array of part electric, part-acoustically crafted folk that occasionally borders on the experimental.” (Drowned in Sound)

Heinrich Dahms, alias Babún @babunmusic (www.babunmusic.com), is a filmmaker, guitarist & song-writer from South Africa based in the Netherlands. Co-owner of film production company BUZZMEDIA NETWORK (www.buzzmedia.net).

Eclectic artist with diverse musical tastes.

Independent artist in Denmark. Indie/Britpop and Singer-Songwriter/New Romanticism. New album 'Cancel the Winter' out now! Thanks for stopping by.