OBAdale ADEPOJU is a Nigerian Pop Artist with a difference. His passion and the energy he brings with him is highly infectious as well as exciting.
His songs, lyrics and tunes are all geared to bring out the best of good times to everyone who dares to listen.
 
OBADALE ALABI ADEPOJU (a.k.a OBA ADEPOJU) hails from Osun State, Nigeria from a line of Kings and Royalty. Legend has it that he is 79th in the line of kings. He was born on the 14th of July, 1983 in the city of Ibadan. His parents were both school teachers and earlier on in life, his passion was to be a teacher.
 
However, a school project in secondary school brought him close to music and it was about this time that he picked up an interest in music. Little did he know that his interests would become much more serious but as time went by, he picked up musical instruments and learned to play keyboards and guitars as well as produce and arrange songs.
 
By the time secondary school was over, OBA knew he had something going, originally writing gospel tunes and changing songs on radio into his own compostions. Since that time, he has developed his talents into a fine art. Because of his deep voice, OBA initially didn’t want to sing but just performed and produced for other artistes. “It took a meeting at some point with some female singer who was so upset with me for having loads of songs and doing nothing with it to kick me out of shying away from singing”, OBA says.
 
That meeting pushed him into his destiny and ever since, he started working on his own style of music which he believes can be called ‘Naija POP’. He describes his music as a mix of everything, every genre, every idea and infact, secular and sacred sometimes. “I am a musician, I hear things in my head, I rarely attempt to filter the musical thought process. I just let it out and its amazing how your head can come up with some of these crazy stuff”, OBA says. “In fact, I love to use sounds and musicial ideas that wouldn’t naturally fit the regular mould people have in mind especially in the Nigerian context. You may call the sounds dated or too much but as long as I have a point to get across or can get people dancing and singing along, then I think my intentions are justified. It don’t matter if I am rapping or singing or talking, I just want to make memorable music”, OBA continues.
 
His inspirations for songwriting are usually drawn from real life experiences and sometimes, the absolutely mundane. His music is influenced by everything he has heard in his life. “I grew up on NTA and BCOS TV back in the 80s and then I would literarily memorise all the Fuji, Juju and Afro songs on TV and Radio. So to some extent, you will be able to hear some of these legends in my music”, OBA explains. He also says 70s Soul, Funk and Disco music have been sources of great inspiration. He is also a rhythm freak and loves things that can get people moving and mostly singing and thinking. He cites Asha, D’banj, M.I, Cobhamsand Dare Art-Alade as musicians he admires on the current Nigerian music scene. “I think those guys are quite innovative and unique in their delivery of musical ideas. Infact, when I think of their work, I really don’t know what I want to be again, a singer, a poet, a rapper or just a performer. I guess, I will just stick with everything”, OBA says with a smirk on his face.
 
OBA ADEPOJU plans to shake the Nigerian music scene with an artistic storm in the near future with his Naija Pop music. He believes the industry is getting to a point where people want to see all rounded musicians, people who can deliver on an art form and also live; musicians who can entertain, enligthten and sometimes, challenge the norms for the sake of social progress. All of these thoughts, OBA hope to bring on board with his music.
 
His first single, Iyawo has just been released on iTunes and many other digital stores and it takes its inspiration from a 1998 experience. Infact, OBA ’s first album is hoped to be titled ‘Good Boy Gone to 1998’, of which OBAexplains is a collection of ideas he’s been playing with in his mind since 1998.
 
In the words of OBA ADEPOJU himself, “Nigeria, are you ready for this?”.
 
Stay tuned for more……
 

EVERYTHING DIAMOND DEALER:
https://linktr.ee/Djdiamonddealer

With over 15 years of experience as a music producer and DJ, Diamond Dealer is one of South Africa’s leading exponents of the Afro scene. He has his own fresh take on the sound having been there since day one and is now exporting it around the world.

Diamond Dealer started off 2023 on a high, collaborating with Afro house sensation Idd Aziz on a track Pete Tong described as “the brilliant 'Peah'” when championing it on the radio. Peah was further supported by Carl Cox, Shimza and many more who
helped it climb to the top of the Afro house charts.

Diamond Dealer released Shine with Roland Clark and Forever Young with Idd Aziz this summer. Pete Tong selected Shine as one of his biggest tracks for Summer 2023 on BBC Radio 1 Dance and it also received big support in Ibiza this season at venues like Ushuaia and Blue Marlin.

Ending 2023 Diamond Dealer drops his remix of Mire featuring the extraordinary vocals for Kenyan Singer Sofiya Nzau. 

DISCOGRAPHY:

Harjex - Blame Me (Diamond Dealer's III Step Drop) [Brilliant Cut Media]

Ludwe (SA) - Oktober (Diamond Dealer Edit) [Brilliant Cut Media]

Harjex Ft. Sofya Nzau - Jamuke (Diamond Dealer Remix) [Brilliant Cut Media]


David Hopperman - Mire (Diamond Dealer Remix) [Deep In Your Soul]

Diamond Dealer & Roland Clark - Shine [Connected]

Diamond Dealer & Idd Aziz - Peah [Connected]

Propellar - Come Around (Diamond Dealer Remix) [Family Piknik]

Diamond Dealer - Ndlalifa EP Ft Tabia (Inc. Remixes from Jackson Brainwave and Kiberu) [Connected]

Diamond Dealer Ft Tabia - Mbali'nhle (Inc. Remixes from Atmos Blaq and Caiiro) [Moblack]

Diamond Dealer Ft Dorothy Masuka - Sophiatown Tribute EP (Inc. Remixes from Caiiro and Enoo Napa) [Moblack Records]

Diamond Dealer - Lagom [Brilliant Cut Media]

Diamond Dealer - Little Hungry Monster [Bedrock Records]

John Digweed - Tracer (Diamond Dealer Remix) [Bedrock Records]

Diamond Dealer - Lialuma EP [Offering Recordings]

Tarrah is one of Nigeria's fast rising AfroSoul sensation who sends her message across the world about God's love through her inspirational lyrics and style.

SEUN KUTI “You gave me your mud and I made gold from it” 

This famous Baudelaire quote could be the Kuti family motto, employed by father and son alike. Their songs, filled with the corruption, ignorance, malady, sadness, pollution and the many others ill that ravage contemporary Africa, are veritable musical treasures, flamboyant, jubilatory songs that make you want to get up and dance. So are you ready to dance like crazy to the misfortunes of Africa? Just be sure to dance and listen to what Africa is telling us. Manu Dibango, Seun Kuti’s friend has said that “the most beautiful flowers grow out of manure”. 

Seun’s songs, like those of his father, are these “flowers of evil” blossoming out of the shit, out of the foul smelling lagoons of Lagos, the most unbearable, yet most alive and most human of cities, the place that both Seun Kuti and his father would never dream of leaving. The illustrious Ransome Kuti family come from the Yoruba people, the largest ethno-linguistic group in Nigeria. It is said they descend from Oduduwa, the demi-god who founded the Ife kingdom in the 12th century. 

When Oduduwa died, he ignored the custom of leaving his throne to the first born son and instead left it to the cleverest and most capable last born. Since then the Yoruba people have always maintained a particular esteem for the youngest family member and it’s no different for Seun Kuti, born in 1982, the third son to be recognised by Fela Kuti... Seun (pronounced “Shehoun”) is an abbreviation from his Yoruban name Oluseun: “God has done great things”. It’s also, ironically, the first name of President Obasanjo, the Kuti family’s sworn enemy and originally comes from the Abeokuta village, like the Nobel literature prize winning Wole Soyinka, Seun’s uncle and friend. 

Long before the General Obasanjo became president in 1977 following a military coup, he had already organised a murderous assault with over a 1000 armed men on the residence of Fela, who had called his home “The independent Republic of Kalakuta,” and which is still where Seun Kuti and the musicians in the Egypt 80 orchestra live. 

Seun’s grandmother, Funmilayo, Nigeria’s most important human rights and feminist activist, was thrown out of a window to her death by Obasanjo’s troops. The satirical song, whose title is also that of the album, Many Things, starts off with an extract from a recorded speech by Obasanjo and is a good summary of his dotted 30 years in power: They built magnificent bridges but the people underneath them still had to drink the water into which they piss. 

There’s no doubt that Seun is the worthy heir of Fela Kuti’s hardline militancy. Moreover he has adopted his father’s second Yarouba name, Anikulapo (“I’ve got death in my quiver”). In other words his songs are arrows that never miss their targets; the corrupt, bribers and oppressors. Apart from the erotic Fire Dance, every track on this CD is a ravaging pamphlet against the corruption and carelessness of African leaders from Think Africa and Many Things to Na oil and African Problems. Seun had recently joined Youssou N’Dour in a major project fighting against malaria and Mosquito Song explains how the governments’ negligence in teaching the importance of hygiene is responsible for the effects of this plague that kills more people than AIDS... With the same energetic and booming voice as Fela, Seun has added his own raging rhythm clearly influenced by rap. He cites Chuck D, Dr Dre and Eminem among his musical heroes. Aged eight Seun Kuti was his father’s orchestra’s mascot travelling everywhere with them as his mother – who passed away last year – danced and sang in the chorus of Egypt 80. 

The name of Seun Kuti’s inherited orchestra might be seen as surprising. Fela’s renamed his original group, Africa 70, in 1983, after he’d read the resounding works of Senegalese historian-physician, Cheick Anta Diop, on black Africans originating from Pharaonic civilisation. The orchestra is legendary in the true sense of the word... it is Africa’s equivalent of what Duke Ellington’s jungle music did for the Afro-American Diaspora and boasts some remarkable resemblances. For example, just like Ellington, the baritone saxophone is at the heart of Kuti’s music, Afrobeat. Veteran musician Lekan Animasahun, nicknamed Baba Ani, has now relinquished his sax lead to the excellent Adedimeji Fagbemi, (stage name Showboy, who also plays the role of MC) as the instrument became too heavy for the seventy-year old. Baba has now taken on the keyboards but remains musical director of the orchestra. And what an orchestra it is! 

As soon as Egypt 80 blasted out their first notes, they instantly set things straight. It’s been easy to forget what big dance orchestras are all about, what the likes of Fletcher Henderson, James Brown and Sun Ra, Count Basie and Lionel Hampton really mean. And not forgetting George Clinton, another – very audible! – influence on Seun Kuti. But Seun’s orchestra isn’t a clone of his fathers, even if we do see as much crazy, frenetic movement on stage and even if two thirds of the orchestra’s members were already there in Fela’s time. Above all they are just the best funk group today, which is no surprise really. For the last 25 years they’ve played and rehearsed daily in Lagos at the Shrine Club... the name of the club says it all. Egypt 80 embody the major aspect that’s been lost in popular music; endurance. They been together for over 20 years and it shows. Music is after all about human relations. 

Duke Ellington once said that to play well with another musician, you have to know how he plays poker! And that’s where the magic of this album lies. Seun Kuti & Egypt 80 are more than just an orchestra, they’re a musical family who deserve enormous respect for having stayed united so long, especially since the last years of Fela and those that followed were so hard. This cohesion and longevity alone explains the absolutely terrifying precision of the rhythmic reflexes down to the thousandth of a second that makes their ultra-syncopated polyphony the perfect ‘swing’ model. It could seem passé to use a word like swing, but it’s difficult to find a better way to characterise Afrobeat at this level of expression. 

Let’s not forget that in the 1930s and 40s, Ghana and then neighbouring Nigeria adopted and adapted jazz to create “highlife”, the direct ancestor of Afrobeat, which Fela himself practised in the early days. Today Seun too makes the most of this long musical tradition. Aged eight, Seun would find himself back stage at the Harlem Apollo, the place where, little did he know, all the Afro-American musical greats from Aretha Franklin to James Brown, had begun. He watched his father sing and said to himself, “I want to sing too.” Fela laughed but let him try anyway... with success. From that moment on Seun never quit the orchestra, taking control after his father’s death from AIDS in 1997. He briefly studied music, as his father had long ago, in England. Nothing too serious though, just like his father he isn’t a virtuoso saxophonist and he knows it, but maybe that’s not what counts... 

When playing live Seun can’t help but pay homage to Fela by playing a couple of his tunes. But this first album is resolutely his, emphasising his own compositions and those of the orchestra. From the opening bars of Many Things, as with Fela’s records and perhaps even more so, ideas, words and notes whiz about with abandon. The Afrobeat magic is set in motion, the delirious, unrelenting machine carries us away and yet we can’t miss a second. The rhythm section is simply arresting. Then there’s drummer Ajayi Adebiyi, who follows in the footsteps of contemporary jazz greats such as Al Foster or Paco Séry. The two guitarists, David Obanyedo and Alade Oluwagbemiga have a very contrasting sound as they endlessly braid captivating riffs that weave the whole thing together. 

Both Emmanuel Kunnuji and Olugbade Okunade, the two trumpet players, perform remarkable solos on Many Things and Mosquito Song. So ten years after Fela’s death, the orchestra of which he was so proud continues, and there’s no doubt that he would be happy with what his son is doing and proud of the singer that he has become. Seun Kuti is indeed a great live performer with his daddy’s charisma and energy radiating from every pore. After several triumphant tours everyone who has seen him in concert knows this and he hadn’t even recorded an album, only a rare 12” vinyl... 

His first American tour, last summer, was certainly on everybody’s lips. The Egypt 80 musicians only got their visas after Barack Obama intervened and their concert in Chicago practically became a riot as hundreds of spectators leapt onto the stage, much to the distaste of the security services. The festival organiser declared it the best concert of his life! All you have to do now is listen to the album and understand why all other dance music seems so desperately mechanical, static and dull when compared to the incredible Afrobeat of Seun Kuti and Fela’s Egypt 80.

One Nation is an International Pop & Hip Hop duo based in Atlanta, GA. Mike Olay & Jay have a fresh new sound that combines the best of pop, hip hop, rap, and musical influences from around the globe.

Jay AKA Jonathan Igbinovia hails from Lagos, Nigeria, and has been living in the U.S. for almost 15 years. You may have heard of him before. He was ranked #1 on Nigeria's tennis circuit, an All-American at Georgia Perimeter College, and he was even ranked in the World Top 50. When he's not playing clubs or writing new hits with Mike, Jay is a tennis instructor who likes to work with kids from all over the world.

Mike Olay is an accomplished singer, rapper and songwriter who has performed throughout the U.S. and West Africa. Originally from Lagos as well, Mike served in the US Army for 5 years. His musical journey eventually brought him to Atlanta, where he continues to develop his unique sound and style, deeply rooted in the culture of his Mother Land. 

i started from secular song, then now moving to gospel.
my first written gospel song title is , "Healer" on this song healer. i decided to use the instrumental of, "Thriller" by Michael Jackson . i will release it before the end of this year.

my second gospel title, #light produced by #blizzbitz studio.


i am also one of the worker/staff under one of African music star named 2baba and also Dotun Omotoye. I designed LED Light at their entertainment company

Music on;Ultra|Salsoul|NinjaTune|
MaxiDiscs|GenBass|Okayplayer|
MadDecent(blog)|DisfiguredDubz|
BBC|STV|C4|PBS|Linn|SoundCity|
Peoplesound/Sony|SonicDesign
Agency|DropZone|LatinResiste|
MalDicen}|CarbonLogic|West End|
PostWorldIndustries|2600 Recs
+soon PEOPLE SKILLZ
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OUT NOW! **REACHED NO 1 On Juno Dec '13** DUST to DUST EP with Professor Angel Sound on Maxi Discs feat remixes from Dicky Trisco+Pete Herbert 
DJ Play: Dimitri From Paris, Tensnake, A Love From Outer Space, Horse Meat Disco, Jacques Renault, Crazy P, Drop Out Orchestra, Fingerman, DJ Harri, Yam Who?, Futuredisco, Beaten Space Probe, Marius, Sleazy McQueen, DJ BRKA and many more.

DJ Feedback:

‘Love the original of Dust To Dust. Balearic Ghetto Disco vibes!’
Dimitri From Paris

‘Always nice disco stuff on Maxi Discs. Big love.’
Tensnake

‘Very cool.’
Sean Johnston (A Love From Outer Space)

‘PH is always the man!’
Severino (Horse Meat Disco)

‘Dust To Dust is a jam.’
Jacques Renault

'Loving this.'
Drop Out Orchestra

'All versions rocking it on this one!'
Crazy P

‘Liking these.
DJ Harri

‘Awesome EP. Love the Dicky Trisco mix especially.’
Fingerman

‘Yet another Maxi killer. All very playable mixes.’
Yam who?

‘Dangerous Dicky Trisco or Pete Herbert version for me. Like it. Will play it on the show.’
Sean Brosnan (Futuredisco)

‘Dicky Trisco version is ace!’
Beaten Space Probe

‘This has to be one of the best releases on Maxi Discs…to find a spankin new artist like this and both DT and PH in such great form is just wonderful. Will support and play loud!’
Marius

‘Yeah fire!’
Sleazy McQueen

‘Love the vibe all over Dust To Dust. Top remix action by Dicky Trisco. Top shelf!’
DJ BRKA

MORE PRESS *general*

"Bloody Brilliant!..Love this!...Beautiful Music..." Joe Muggs (Mixmag,Slugrave,Guardian,Artsdesk,talking about some of the 13t tunes)

'KIlla KIlla Killa..some serious shit being developed here..' DJ UMB Generation Bass

"Fantastic Music!" Future Pilot AKA (Domino Records,BBC)

"This music is Fresh,great to hear at last man" Dema (LuckyMe,Freak Moves) 

¨Amazing Transnational Music/Moombahton tunes¨Alberto Caballo (TropcalBass.com, Mad Decent Blog,Latin Resiste,Rebel Sounds)

"Great Music! Listen and Learn!" Tony @ Burnt Progress,CDR,Attica Blues (Mo Wax)

"This is Music that soars like an Eagle and is smoother than a well chilled Red Stripe" Calvin Bush (Staff Ed of Muzik Mag,Melody Maker etc)

"Scotland's Best Kept Secret" Gill Mills NME radio.
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DJ/LIVE SHOWS with ;

Gil Scott Heron (RiP)
Run DMC 
Kemsitry (RIP) & Storm (Metalheadz)
Gilles Peterson (Worldwide,Talkin Loud,Brownswood)
Jah Wobble (PiL/Johnny Rotten's Bass player)
The James Taylor Quartet (Acid Jazz)
Snowboy
Harri (Subcluture)
dj Nick Peacock
Twitch (Optimo)
Johnny Wilkes (Optimo)
Mungos Hi Fi (Scotch Bonnet)
Teenage FanClub
Belle and Sebastian
Goldie Lookin Chain (Scottish leg of their last UK Tour)
Groove Armada
Carleen Anderson (The Young Disciples,Paul Weller), 
Peter Parker/Fingathing (DMC Champ/Grand Central)
Harry Love (Scratch Perverts)
Mark B + Blade (Ninja Tune)
Phoebe One
Krashslaughta (Kev had a residency @The Sub Club with Krash)
Dema (Lucky Me,again shared a residency with Dema) 
Eastborn (Mud Fam,Drop Zone Records,Kev is Resident producer 4 DROPZONE+ Eastborn's Dj) 
Steg G  & The Freestyle Master (PowerCut Productios) 4 RUN DMC Jason Nevins tour Afterparty
Loki (Volition Glasgow,en absenta)
AJ-Blackanised/Yush2k (PLayed in a Live band with AJ)
Mish Mash (Djd & wrote tracks for their debut Album)
Silicone Soul (Soma) 
Richard Brown (Soma)
Dot Allison (One Dove)
Kev McKay (Glasgow Underground/Mylo etc-13t gave Kevin McKay his first big break @ The Sub Club alongside Dj Harri) 
The Propellerheads and,almost the entire roster of Wall of Sound and Talkin Loud.
Martyn 'djMash' Henderson-Capital Fm
Spanish Crew;
Dj Cosy-O
JP Chronic (Ibiza)
3mv Disco Unit
Groovelives
Oscar
Dj Kanzer
Sociedad No Limit 
(Carlitos Wey,Safa,Tawas)
Mc Keishal (Foreign Beggars)
VOCA
DNOE

*Even shared the billing with The Fall,Bad Manners,Njoi & The Bassheads,Primal Scream,Oasis,Blur,The Manic Street Preachers,Bjork,Cypress Hill,Rage Against the Machine.....


RESIDENCIES - Sub Club (With dj Harri,Krashslughta + Kemal (Konflict) ,Volcano,Glasgow (Immortalised in the film Trainspotting),Spin-Valencia (co Owner+Dj),Latex/Freestyle/GrooveLives/Education,Beluga (Valencia) Blazing Fire,Bar Aisha (Madrid) + Henrys Cellar Bar (Edinburgh) plus too many Bar Residencies in Glasgow to list from Ashton Lane to City Centre eg Nice n Sleazies,Bar Ten etc Played out all over UK,Spain and Portugal from Barcelona To Barrio Alto in Lisbon and Valencia to Vigo.

FESTIVALS-T In The Park,Edinburgh Festival,Glasgow Mela,West End Festival (Glasgow) Glasgow Jazz Festival ,Villamarxante and various underground raves dotted around The Iberian Penninsula.


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More PRESS

'Khev de Leon’s Transnational Music 2.0 Productions remind us that Moombahton forms part of the Global Bass scene – and that Moombahton is about waaaaay more than a dirty Dutch plus dembow template. Heady.' Neil Queen-Jones for walmerconvenience.wordpress.com

'The 13th Tribë... expertly pulls of the global  moombahton sound. His tracks have tons of tropical influence, and neither vocals nor melodies sound like a second-thought addition to his tracks- no house-esque random lyrics here.... When Heartbreak was talking about good moombahsoul that’s meant for the home, not the club, he had tracks like these in mind. Check this guy out on SoundCloud, I really can’t recommend him enough.¨ Ziad Ramley (110bpm.wordpress.com)

"The 13th Tribe and their new single Negro are about as inspired as it gets. Negro is a tidal wave of musical and cultural influences, as they draw from their collective backgrounds, taking you from Africa to the UK to South America, to create one lethal cocktail." review by Hazard @PlanetUrban.com/au

"I watched the video a few times, Amazing arrangement, very eclectic. You can definitely tell your influences range from reggae/rock/dancehall/hip-hop. I’d love to hear more anytime :), Your releases would be well-received by our eclectic audience.' --Wax Poetics Magazine Brooklyn described as “The best and most exquisitely laid-out music bimonthly in America.”&nbsp; by The New York Times Style Magazine

" ...Thanks a million to Suchil K Dade (future Pilot AKA) for pointing me in the direction of The 13th Tribe,a marker of how vibrantly diverse the music world is here in Scotland I just loved that."
Mary Ann Kennedy on playing Negro on Global Gathering BBC Radio Scotland.

"Negro is Dooooooooooooooooope!!! Yeahhhhhh!! " - Señor Lobo (CEO of Lovemonk Records Madrid)

"I really like that Video (of Negro) That was DOPE!"
-Buddy Peace 

"Negro is great - really infectious. The video reminds me of the early days of the Hac groovin with The Jazz Defektors when the Hac screens showed vids like that with b+w movie clips-
Geoff Ellis (Founder Of T In The Park,DF Concerts)

"I love Negro and think it's a HIT, that youtube clip with the film you've used is a def winner. The whole vibe reminds me a lot of Belleville Rendez-vous - very cool style." -
dj Hobbes (Trouble,getintotrouble.com Voted "one of the Top 100 Clubs Worldwide" by DJ magazine,&amp; Voted Club of The Yr by Gilles Peterson of Worldwide Radio One .Talkin Loud &amp; Brownswood

"Love it! This is D&gt;O&gt;P&gt;E" ...thanks for taking such a big lead on our Electro Afrique project as well...loving and appreciate all your creative energy and organization." The Apple Juice Kid Drummer an Co Producer with The JUngle Brothers,Little Brother,Foriegn Exchange,Timbaland,Fatman Scoop,Camp Lo etc 

"YEAH! Well funky!"-Gilles Peterson.

'One of the best Club nites of the year - Brian Murnin Clash Magazine

'Negro sums up our club night in just 205 perfect seconds! AND I love the track (Zaza B) BIG TIME... how do you keep pumping these out? you're a machine!!.. thats pure Prefuse at times. Massive respect.Vocals are dope as too man!...Insanely prolific..." Huskiii FFTang @93 Feet East

'Superb! Like a vocal booth full of Hospitalised Kool Kieths! Fans of Dr Octagon,The Pharcyde &amp; Jurrassic 5 Will Love this' - Steve (Sony Records,Peoplesound)

'Fucking Ace!!!..Always Loved the Woody Bass and Strings sound.Dr Octagon compliment * Dr Octagon's Ghost is in the air* -seconded- " The Implosion Quartet

I am a South African female who is hopelessly inlove with trance......

Pearce Bolaji , Born in Jos Plateau state North Central Nigeria. His Love for Music Date back a long time. He was a member of the Defunct Afro Hip hop Group D'clergy. The band made waves in Jos Between 1999 and 2007. 
In the year 2008, he created his own music label Halcyon Records. The record label based in Lagos Nigeria has on it three fast growing Artistes, amongst them is DMT Martinie. Also is Eke Armstrong and K' Willey.
The record Label is waxing strong as he hopes to take is Artistes around the world and make his company world renowned. 

The Mbiras is following