Denver-based producer ILLENIUM is one of the most successful crossover electronic artists today, topping the U.S. dance charts, garnering over 10 billion streams and headlining the world’s top festivals. 

Following his 2016 debut album, ‘Ashes,’ ILLENIUM broke into the mainstream via his 2017 album, ‘Awake,’ which includes his classics "Crawl Outta Love," "Fractures" and "Feel Good," with Gryffin ft. Daya. A critical and commercial success, ‘Awake’ topped the iTunes Top Electronic Albums Chart in 12 countries with +100M streams. 

In 2019, ILLENIUM released ‘Ascend,’ his third full-length album and his major label debut. As one of the biggest electronic releases of the year (+1B collective streams), the album topped Billboard's Top Dance/Electronic Albums chart and secured a Top 20 hit on the Billboard 200. The album includes the hit tracks "Takeaway" with The Chainsmokers ft. Lennon Stella, "Good Things Fall Apart" with Jon Bellion, "Crashing" ft. Bahari, "In Your Arms" with X Ambassadors and “Take You Down,” which chronicles his past battles with drug addiction. 

Recognized as one of Billboard’s Top Dance/Electronic Artists of the 2010s, ILLENIUM brings his dynamic music to life via his live show, which has dominated festivals like Coachella, Lollapalooza, Bonnaroo and EDC. His 2019 Ascend Tour, which featured a five-piece live band, sold out landmark venues like Madison Square Garden (NYC), STAPLES Center (L.A.) and three consecutive nights at Red Rocks Amphitheatre (Denver).

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

mblackmagic3 is following