honestly, this track gives me night time drive through the city vibes. like on the highway but just simple yet sleek and elegantly smooth.

Bloom

Float away with Lost In A Breeze, the final track from my new Chill Hop EP Strings—out now on Good Vibes Only label. This track wraps up the journey with laid-back hip hop drums, a funky bassline, and mellow guitar textures perfect for late-night drives or creative focus. Tap in, zone out, and let the groove take over. Now streaming everywhere.

Lost In The Breeze

"Right First Time" came about because of a joke an old friend and I used to tell. As fans of old kung fu films we watched all the good and bad movies, including where the name came from. "Story of the Dragon," staring Jason Lee, renamed to Bruce Li playing as Bruce Lee contains the beautiful Munchkin Kat funky drum groove and bass design you come to know and love. The track combines Chinese elements with psychedelic love and a yataaa kick to the face. Don't think, feel... It's like a finger pointing away to the moon. Don't concentrate on the finger or you will miss all that heavenly glory.

Munchkin /ᐠ - ˕ -マ Links:
www.munchkinkat.com/
www.instagram.com/munchkin_kat/
open.spotify.com/artist/6lBHqaAJAmZQMGlVddrGmg
@munchkinkat

Buy/Stream

Right first Time

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Exist / Coexist will be out May 29th.
https://skyence.bandcamp.com/album/exist-coexist

"Schism" by TOOL has been one of my favorite pieces of music since I heard it the first time back when their album "Lateralus" came out in 2001. I was 17 at the time and TOOL's music resonated so much with my young self. It was mysterious, complicated yet flowing and it held so many details (some I still discover today).

My first attempt to create a re-interpretation of "Schism" started over a decade ago. Since then I made countless attempts, but I never felt that what I came up with did remotely any justice to the original. It wasn't until 2023 when I figured that it was okay for me to stick more to the original and that I wouldn't have to re-invent the wheel to pay homage to it. Even after so many failed attempts I still felt the urge to make my own version work. So I concentrated more on distilling the mood of the song and pick parts that I felt I could re-arrange to something that wouldn't need to be an 8-minute opus of a song.

As a main instrument I wanted to use my piano and make a real intimate recording of the basic chords to lead through the verses. I also decided that I want the piano to stay un-tuned for the recordings to keep these slightly drifting overtones. I recorded temporary vocals myself to have a guide for the overall arrangement. What pushed the instrumental to the next level was when Rabea started recording the cello lines I composed. I also asked her to feel free to add weird sounds, bends and bow-plays wherever she sees some space for it. What I got back was a great collection of stems to play with - little details that create this wonderful depth in the final song.

The last step of recording was vocals and I think I had to listen to the instrumental over 100 times to finally nail who I wanted to sing on it - but then it was absolutely clear that Laila Nysten was the spot-on choice to achieve the airy, angel-like vibe I was aiming for. Laila is a super talented singer and instrumentalist and she was part of the string quartets on my previous album Two Windows.

I'm super grateful for all the talented people that help me bring my ideas to reality. It was my first attempt on a cover and it bulked up a lot of weight over the years, but with how it turned out, I'm finally able to let go of it.

Schism

again and again

killa

deseo

Spotify

Honey T  + Vaso Lipa + Matej Přibyl - Monoday

A collection of tracks pulled from my 2024 series SHApes. Each of this tracks captures a feeling of what it is like to be a part of the underworld. A place where all of the silent hunters are lurking in wait for the next victim to make themselves known. 

SHUnken

Whether Or Not

mblim.mgmt@gmail.com

mblim carves out moody, rhythmic spaces between house, drum & bass, and ambient textures. Each track drifts between shadow and motion, blending deep grooves with cinematic layers. Built for late nights and endless movement

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MBLIM

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