--- Play on Spotify: spoti.fi/3Bbc5c3

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Chosen by: Tesla, Prada, Louis Vuitton x BTS, Ferrari F1, Scuderia AlphaTauri, Forever21, Barbie, GMBN Tech, Global LG Electronics, FC Bayern Munich, Paris Fashion Week, Avakin Life, Unbox Therapy, OnePlus, Mountain Bike Network, Renuar, DOLLARplays, Mr. Hacker, Mr. JWW and many more...

we2050 (2050) is a diverse and complex futuristic sound by Nir Ben Ami and Rami Shalom. we2050 (2050) specializing in creating custom-made music for your brand, Video & TV, and commercial advertisement.

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ARTLIST | artlist.io/artist/1226/2050
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SOUNDCLOUD | @2050music
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LINKEDIN | bit.ly/3BgFiCD
we2050.co | www.we2050.co/

CONTACT | we20fifty@gmail.com
BOOKINGS | we20fifty@gmail.com
PRESS | linktr.ee/2050press

Vortex

2050 - Vortex

IN A BRAVE NEW WORLD
Around this time it is clear and obvious, if you hear someone tell you, "turn your head and cough", it is clear, they have you by the balls. This is when you know you're in deep shit. Its time to get out

Music For The Apocalypse

A Brave New World

THE APOCALYPSE - ARE YOU NOT ENTERTAINED
As the antics of the state continues we get a peak into the operations of the insane asylum in this apocalypse universe. On this day we see one of the ways the specialists hack into your brain. If only Smith had this method with him when trying to hack into the brain of Morpheus, he would have had the codes to Zion. Funky beats have always been the way to hack into the brains of the masses. Are you not entertained?

The Apocalypse - Are You Not Entertained

A quiet ambient piece with simple patterns and slow movements,  
carrying a slightly nostalgic atmosphere.  
Designed as a late-night soundscape for calm listening and clear thinking.

Tools: iPad  
Tags: ambient / idm / electronic / soundscape

tc-demo

The city’s shimmer trembles on me like a faded dream,
Its drifting shadows circle round me on this pale-night scene.
Young faces pass as if they’d stepped out of another age,
And in their eyes, untold, unread, dim stories flicker on the page.

I feel their gazes, yet they never see,
The quiet world that still survives in me.
They only catch the shell time carved in place,
The mask the years have tightened round my face.

And they say: “Look, what’s he doing near the young again,
With that face that’s fought too many nights, too much pain?”
But they don’t look within, just see time’s heavy mask,
One even I can barely recognise at dawn, behind the glass.
I’m no satyr, no strange spectre on the scene,
Just an X-gen soul stuck at twenty-five, lost in between.
Who doesn’t dare to face the mirror’s deep and shattered seam,
Because he fears the crack might steal away the soul beneath.

My past’s a wrinkled, torn-out page from some abandoned diary,
Its colours fading, yet they cling to every corner deep inside me.
A younger rhythm still beats steady, certain once it had no end,
But time plays different melodies upon the skin it slowly bends.

If only they could see me once the way I used to be,
Not as I’m framed today by cruel reality.
I’m just a half-sung song, a quiet, trembling lullaby,
That tries to live, but every note is scared to rise or cry.

And they say: “Look, what’s he doing near the young again,
With that face that’s fought too many nights, too much pain?”
But they don’t look within, just see time’s heavy mask,
One even I can barely recognise at dawn, behind the glass.
I’m no satyr, no strange spectre on the scene,
Just an X-gen soul stuck at twenty-five, lost in between.
Who doesn’t dare to face the mirror’s deep and shattered seam,
Because he fears the crack might steal away the soul beneath.

If their relentless judgement ever quietened for a while,
They’d hear the song still echoing inside this borrowed exile:
A summer’s breath,
A crimson night,
A place where age had lost its hold,
And I was simply who I longed to be, and fear of growing old.

The lights burn out, the city folds into its hush at last,
Yet still I guard what little’s left of all my younger past:
A twenty-five-year shadow clinging,
Inside a body twice its age and sinking.

under the cracks

liminal

first chord-demo

gone-demo

keep-demo

FEEL THE BASS é uma viagem profunda pelo ritmo e pela vibração do grave.
Construída com camadas minimalistas, textura hipnótica e energia quente de pista, a faixa traz uma identidade marcada pela simplicidade sofisticada e pelo pulso do subgrave.

Fell the Bass Vocal Mix

AudioKronic is an electronic band influenced by Kraftwerk, Art Of Noise, & Herbie Hancock. All songs/music are human created & played.  In 2021 Dr. Shock had a life threatening situation that changed him forever. Shock survived and decided he had neglected his position as a musician. He talked to other musician friends and they thought it would be a good idea to start AudioKronic. Their mission statement is to speak up about the world that the monster wants as opposed to the world that the world wants. The goal is to give Godzilla a glass of water. From the upcoming project: Music For The Apocalypse

Beat-driven instrumental music.
Loops, textures, and imperfect rhythms.
Made without rush.
https://kaa-dance.bandcamp.com/

DJ e produtor musical, movido pela essência da música eletrônica e pela disciplina que sempre guiou as grandes pistas: respeito às raízes, atenção ao detalhe e busca constante pela evolução do som.

Apaixonado por tecnologia, une criatividade e inovação para transformar ideias em experiências sonoras consistentes, onde cada batida tem propósito e cada groove conta uma história. Entre influências clássicas da cena eletrônica e recursos modernos de produção, constrói sets e faixas pensados para conectar pessoas, momentos e energia.

Aqui, tradição encontra futuro — porque boa música pode evoluir, mas nunca esquece de onde veio. 🎧⚡



When my wife passed away, I was left alone with my teenage daughter. We were both devastated by the grief, but she completely shut herself off, as her friends had turned their backs on her, abandoning her in her time of need. I realised that through songs, I could reach her heart far better than with words. So I began writing songs for her, and in a way, I owe every song I've written to her.

Welcome to WE2050 a full-scale music production powerhouse founded by Rami Shalom and Nir Ben Ami.

We craft cinematic electronic music designed to move people and elevate brands. With futuristic sound design, emotional depth, and commercial clarity, our tracks aren’t just heard, they’re remembered.

From viral campaigns to global TV spots, our music has earned millions of streams and captured worldwide attention. We’re not just producers, we’re strategic music partners who understand how to build sonic identities that resonate, drive impact, and echo worldwide.

Brands that have featured our original music in their global campaigns include:
Tesla ,Lamborghini, Mercedes-Benz, Bugatti, Ferrari, Porsche, BMW, Toyota, Honda, Peugeot, Maserati, Audi, Louis Vuitton, BTS, Barbie, Forever 21, Prada, Roberto Cavalli, Massimo Dutti, AlphaTauri, Formula 1, FashionTV, Karl Lagerfeld, ASUS, Qatar Airways, LG, Grammarly, Zoom and many more..

we2050 - Use Our Songs For Your Video - Contact we20fifty@gmail.com

BANDCAMP:
https://bit.ly/302aNSZ

BEATPORT:
https://bit.ly/3o85U3x

CONTACT:
we20fifty@gmail.com

BOOKINGS:
we20fifty@gmail.com

PRESS: 
https://tinyurl.com/we2050

New tracks tagged #electronic,