Silent Preach

In the spirit of Weather Report and Pat Metheny, I created this unique instrumental fusion tune all based in the odd meter of 15/16 and the Lydian mode.
Jazz singer, CHRISTY BLUHM, joins in on this magical gathering of musical surprises, adding her wonderful voice here and there, finalizing this track in a joyous improvisation.

MAGICAL GATHERINGS (Audric Jankauskas/Christy Bluhm-2025)

76_ Waiting in Berlin-Tegel in the Sun - released on 26 February 2025 only on Soundcloud

On a sunny spring day, just after a visit to the cinema, I luckily had to wait only a short time after a police operation to see that this S-Bahn did not go into Berlin, but straight back to my destination Hennigsdorf! ;-) #minimal #nodrums #ambient  #liverecording

(produced with BlocsWave & LaunchPad)

Waiting in Berlin-Tegel in the Sun

a  demo of a song that visited me earlier today.........cheers for having a listen


What Goes On 


sometimes it feels like I'm going round in circles again
and when the train stops moving, will i get there in the end
sometimes it feels like I'm the only one who knows
and the look on your face it shows, disappointment again
it's just what goes on in my head

trying to hold back the anger the sadness and tears
it's a comfort sometimes they been holding my hand now for years
laugh without smiling when you need to fit in with the crowd
get out when its getting to loud, eyes on the exit instead
it's just what goes on in my head

life's better than nothing when nothing is all that you got
some shelter from the storm, it's not to much to ask is it not
have i turned away, from a neighbour in need
who committed some terrible deed, cos of something i said
the things that go on in my head

What Goes On

it has always been you #frawstakwapella 128bpm…

SPIN DOCTOR _

“Bach, Satie, Moog”
This piece is constructed from four-bar, and occasionally eight-bar, phrases recorded almost entirely in one-take improvisation, then combined into blocks.

The title itself was simply taken from words that happened to appear on the spines of books on my shelf. But since that would sound a bit dull, let me add some explanation.
	1.	Bach
In today’s textbooks on Western classical music, “the great Bach” always appears. Through The Well-Tempered Clavier, he demonstrated the possibility of composing in all keys and made a major contribution to the organization of musical tones. That is why this piece begins with piano and—though it didn’t exist in his era—the cry of a strange bird (in fact, it was the cat in the OJ household).
	2.	Satie
Erik Satie proposed the idea of “furniture music,” often seen as the origin of ambient music. He was known for inserting humorous performance directions, a rebellious gesture that anticipated a rock-like spirit. At the same time, his compositional skill was first-rate: beyond his classical works, he left behind many pieces that resemble what we would now call pop songs. If he were alive today, he would surely be producing masterpieces of both ambient and pop music. This track was composed while imagining such a figure.
	3.	Moog
Dr. Robert Moog turned the sounds generated by electronic circuits into something anyone could play—through the instrument known as the synthesizer. His achievement is so monumental that it helped define the very shape of modern music. I believe he deserves to be praised alongside the great composers, and so I chose to inscribe his name in the title of this piece.

Bach Satie Moog

Scars And Scalps (Inglourious)

Sacred (prod. Free Quenzy)

Driller Sur Du Boom Bap

words and music K. Gennery
image not my own


I was stood standing there all alone,
in a room I assumed on my own,
except for the ghost of my past,
who asked if I cared for a dance.
Said that I'd give it a go, oh, oh.

We took two tiny steps forward and three long strides back,
said it feels like the tracks of my life,
I asked her if she would like to stay,
she just smiled and faded away,
oh my, how I wander.

Amongst the shadows, far from the spotlight,
in the quietness I exsist,
singing and playing, playing and singing,
my heart out.

I was strolling along on the beach,
she appeared again a stretch out of reach,
asked, how do you feel at this moment in time I said,
out of touch and incomplete.

Please tell me that you will stay,
she just smiled and faded away, oh my,
how I wander.

Amongst the shadows, far from the spotlight,
in the quietness I exsist,
singing and playing, playing and singing,
my heart out.

Scars And Scalps (Inglourious)

MC KÆLLING

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