I grew up listening to Kraftwerk & Moroder and quickly developed a strong connection with electronic music. My roots are deep in Disco, House & Techno and these are the basis for my sets.
Enjoy,
San Carlos

Booking / Management: alexbaronbooking@gmail.com

Weekly radio shows & club mixes from Kris Keegan - STREETrave & Scottish House & Disco Festival Resident DJ. 200+ shows & mixes available on Soundcloud & Mixcloud

www.mixcloud.com/ksoundsmusic
www.facebook.com/ksoundsmusic
www.twitch.tv/ksoundsmusic
www.instagram.com/ksoundsmusic
www.ksoundsmusic.com

Update: Moved over to Spotify, please follow/like me on there please.

https://open.spotify.com/user/21w77gdp4ch332uqkjbvri44q?si=vToy91-ARo6iJTBn9Iw7-Q



INDUSTRY ears are keenly awaiting Eddy Weaver's next hotly-tipped release this summer. Bedrock, signed by Apekwolf, is due for download release.

The elusive and relentless music machine that Eddy has skirted on the periphery of prominence for more than 25 years. Eddy Weaver, the force behind the phenomenon, took to the decks at the tender age of 16 and quickly found himself firmly ensconced on the club land stage by 20.

Four years later he was charged with the daunting task of charming and chilling Passion at the Emporium’s heaving crowd in The White Room, where his weekly set featured alongside Sasha, Todd Terry and Boy George.

And so, Eddy's prolific production of music making began.

Eddy explained: “This was the time for the ‘super club’ DJs to shine. Most of the big names packing out venues had an association with recording.”

With one keen ear on his comrades and the other on the constant praise for his own mixing skills, Eddy accepted the continuing declarations that his turntable talents were by now considered among the upper echelons of the ‘super club’ status. So, with the enthusiasm of an eager audience, he had his own recording studio up and running and turning out “Infectious tunes with strong baselines” by summer.

He was signed by Peerpressure that same year. Eddy was singled-out in music industry magazines with reviewers voting uplifting anthems such as ‘I Got to Love Somebody’ as their tune of the month, and above the lofty heights of Moloko and Jamiroquai in the recommended lists.

Eddy has remained a constant source in the studio, producing a prolific infectious list of tunes, under a range of pseudonyms and varying genres. “That’s part of the fun of it, I love it when someone tips a tune by one of my alter-egos and has no idea it’s me. I don’t mind being known as elusive. It’s about the music that speaks for itself.”

Bedrock will be available to download on Juno Records and Beatport, with an expected release date (to be confirmed) at the end of June.

Chief Button Pusher at Deified House, 
Resident Dj for Rewind & Lick Events.
With over 20yrs experience playing House Music in various venues up & down the UK also venturing to a sunny island or two playing beats whilst soaking a few rays.... Also former Dj & Radio Presenter for Hull Kingston Radio.....Catch me on the Twitch Live Streams Or Over At Mixcloud/DEIFIEDHOUSE :)

For Booking info - bookings@funkthedog.com

Based in London town and with a serious history in everything dance music, you’d be hard pushed to find someone more passionate about electronic sounds than Jake Cusack. With an involvement in the scene lasting over two and half decades, he has built inimitable experience and know-how that he continues to grow and learn from. From the humble days of DJing at the age of 14, to cutting dub plates in the music house on the Holloway Road to play in his evening sets, he has experienced the underground side of dance music and watched it flourish into the huge industry we know and love today.

Specialising in a unique brand of Deep and Tech House, Cusack’s sounds have garnered him support from all corners of the genre’s fan base. Originally from Wales, but living in London for twenty plus years, he moved to become closer to the sounds that he adored, finding himself releases and shows all over the world, connecting with 12inch Thumpers and Fresh DJ Agency he found himself playing at legendary shows such as Sundissentail & God Kitchen, and playing to crowds from Kings Cross to Caesars Palace in Las Vegas. Influenced by artists such as Tony De Vit and Tall Paul, his releases were unleashed to critical acclaim.

As time has gone on, Jake Cusack has run several independent labels and releases under many different aliases, from 2017 to 2021 has seen his label Funkdog Records grow into a stable independent platform and hopes to continue his work on his own label and also bring young and upcoming talent on board, please find a path to him through https://linktr.ee/jakecusack

Jake Cusack Online
www.jakecusack.com
www.funkdog.uk
https://www.mixcloud.com/jakecusack 
https://en-gb.facebook.com/jakecusackmusic/ 
https://www.instagram.com/jakecusackmusic/
https://www.instagram.com/funkdogrecords/  
https://twitter.com/Audioslags 
https://www.beatport.com/artist/jake-cusack/130676 
www.traxsource.com/artist/67326/jake-cusack

Rob Johnstone presents Definitive House.
Bringing the best in upfront house driven club music to your ipod and MP3 player. All mixes are produced live using CDJ's (no software is used to produce these podcasts).


Subscribe to these podcasts and get them as soon as they are released using the links on this page.

Contact me
johnstone.rob@hotmail.co.uk
 
Follow me on Twitter @djrobjohnstone

Thank you for your support and I hope you enjoy the Definitive House podcast.



It all started for me at around 13 years old as a secondary school boy, when I became fascinated with Electronic Music. I was a big Depeche Mode, Yazzo and Tears for Fears fan, so I liked modern bands using technology. I used to go to Trax Records in Greek Street with my best pal at the time Charlie,  and we'd spend the day in Soho Record shops, and listen to the music they played. One of the first tracks I bought was the beautiful Balaeric classic, 'Song for Denise' by Piano Fantasia in 86' when I was just 13 years old. From then I was hooked and passionately in love with this new electronic sound with a beat.

I'd scraped money working in the school holidays to buy my 1210's and a vinyl addiction continued.

I got my first DJ residency in 93' at Labrynth,which was all down to my new friend at the time Vinyl Matt (a resident DJ at the club). It was filled to capacity every Friday and Saturday at the infamous Four Aces club (orignally a Reggae venue) in Dalston Lane and ran by the enigmatic Joe Wieczorek & lovely Sue, who I idolised at the time. 

A rave club at heart, however having house music secondary rooms where I played my first sets. I used to also visit all the record stores within the M25 making sure Joe's Labrynth flyers were stocked up. and giving out the free comps he'd give me for store managers and owners, picking up obscure but brilliant music along the way.  I was in heaven during this period of my life!

After finishing at Labrynth, and missing DJ'ing to a crowd badly, I started putting on my own parties in 95'. These were small local nights, hiring restuarants and bars and filling them up with friends and their friends. some of my pas played at various London nights such as Release the Pressure and Just Can't Get Enough. I also managed to get CJ Mackintosh play for me as he was a lifetime friend of a pal of mine ar the time. 

After moving upwards with bigger venues, I took the plunge in 98' and hired a proper club with a bigger capacity, Imperial Gardens, and Kinky Malinki was born. 

I had to lie blatantly to Raymond at Imperial to even hire the club as I had no big venue history at all.  These were the days before social media existed.  It was sacks and sacks of letters getting franked at the post office and lots of weekends without much sleep giving out the 60,000 flyers we'd had printed.

Together with co-promoter Paul, we put on nights at Imperial Gardens., The Glasshouse, Aquarium, The Ministry of Sound, The Cross, Turnmills, El Divino and my favourite parties at our monthly residency at Pacha London (where we were the longest running residency). 


We were also guests around the UK at some of the most popular nghts of that era, such as Ultra Vegas, Eye Candy, Hotdog and many, many others.

I stepped away from running the parties years ago for personal reasons, but the passion for house music never, ever fades. 

I'm still as in love with the music 35 years later, as I ever have been ❤️ My music? it's underground baby!

Kinky Malinki 25th Anniversary Part 2 30.11.2024 at 93 Feet East 

Details of all Kinky Malinki events at www.kinkymalinki.com


Followers of McKay