Writen by
CARL MAYOTTE
MARIE-CLAIRE LINTEAU

--

Performed by
MARIE-CLAIRE LINTEAU - vocal
CARL MAYOTTE - bass
GABRIEL CYR - guitar
JEAN-FRANÇOIS AUBIN - keyboard/piano **
NICO PLOUFFE - drum

** Special guest

60/40

Free Spirits

How could I ever know you?
When everything lies in disguise
How could I ever forget?
Those eyes looking for my weal

How could I ever know more?
When everything is held by threat
How could I ever feel you?
Once again, without losing my mind

Oh empty note
Shadows of my past
Made it to the end

How could I ever know you?
When you are miles and miles away
How could I forgive myself?
How blind and scared I was

Oh empty note
Shadows of my past
Made it to the end


special thanks to
Dragos Chiriac (production, mastering)
Jessy Caron (guitar)

Empty Note

My customers were clamoring for more heavily "complexified" Justin Bieber charts, so I've once again turned to Dirty Loops for inspiration! This is an adaptation for vocal jazz ensemble of the Swedish fusion power trio's arrangement of the massive radio hit. Of course it's got crazy rhythms and harmony, and the Part Tracks will help your singers with those elements. From here, I can quote the description from "Roller Coaster"...The bass line from the original transcribed, so your bass player can grab as much of it as they'd like to shed, and they'll have chord changes as well, to play their own figures when they like. Drum part has a lot of hits, keyboard part is detailed, as well, with a few moments of chords and slashes, but also a transcription of DL's keyboard solo. Your students will love you for programming this chart (this statement is not guaranteed, prices may vary, see stores for details).

Baby - (SSATBaB L5) - KerryMarsh.com Demo

A straight-ahead fast swing arrangement of the standard from "Brigadoon", featuring brief lyric solos and improv solo space, as well as an impressive soli section and a strong finish!  Features solo space, a group scat soli and the ensemble trading with the drums (which are played, on this demo, by Matthew Chalmers of Toronto, Canada).

Almost Like Being in Love (SSATBaB - L5) - KerryMarsh.com Demo

Depuis sa première apparition au Festival International de Jazz de Montréal en 2016, la jeune chanteuse se taille une place au sein de la scène jazz québécoise. Que ce soit au Théâtre Petit-Champlain en première partie de Michel Cusson (2017) et Wallace Rooney (2018), Upstairs Jazz Bar & Grill, Dièse onze, Bar Ste-Angèle, Kiosque Edwin-Bélanger, celle-ci ne laisse personne indifférent. 

Très vite, Marie-Claire a été invité à partager la scène avec plusieurs musiciens jazz de haut calibre dont Ariel Pocock, Jim Doxas, Chet Doxas, Guy St-Onge, Patricia Deslauriers, Jérôme Beaulieu, Gentiane MG, Rafael Zaldivar, ainsi que le guitariste de réputation internationale Stephane Wrembel. 

En 2017, elle fait la rencontre importante du célèbre chanteur canadien Gino Vannelli et se rend à Portland pour enregistrer des voix sur son prochain album intitulé Wilderness Road – sortie prévue en avril 2019.

Free Spirits

Marie Claire Linteau (Official)

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