Sam Laxton is a British producer and DJ who has transcended genres to create his unique blend of Techno & Trance. Globally recognized in the industry for his varied musical output, Sam has a vast catalogue of releases ranging from Breakbeat to Progressive and Tech-Trance. He is the resident of international festival brands Inakoma and Unkonscious. 

Kicking off in 2013, Sam has released singles across multiple genres, receiving support from industry heavyweights such as Armin Van Buuren, Paul Van Dyk, Maddix, Trym, I Hate Models, Indira Paganotto, Mha Iri, Azyr, Omaks, TDJ, Aly & Fila, and many more. His tracks have been heard at events such as Verknipt, Boiler Room, Timewarp, KNTXT, Face 2 Face, Gotec, Drumcode, Tomorrowland, EDC, A State of Trance, and Transmission Festival to name a few. 

Releasing singles and EP’s on Armada, Sonaxx, Bonzai, FSOE, Black Hole, and via self release, Sam has built a fanbase of regular listeners who contribute to over 1,500,000 streams per year. As a DJ, Sam has an innate ability to read the crowd and set the vibe at any venue while maintaining his unique energy, often blending genres with nods to Hard Techno, Hard Trance and Hardcore.

Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Grammy-nominated Andy Moor is an icon in the electronic dance music industry. Undeniably one of the most respected producers in the genre whose substantial talents and work ethos have earned him a catalogue of accolades. Recently nominated for the 2009 DJ Awards, Andy is currently rapidly scaling the DJ Mag’s Top 100 @ 15th. Named Best Trance Producer and Best Trance Track at the 2004 Trance Awards, Best Dance Record at the 2006 International Dance Music Awards, Andy received his Grammy nod with a magical remix of Delerium-Angelicus in 2008.

Despite his impressive fan base, Andy remains humble and serious about his craft. His producing and remixing magic has already set fire to the work of celestial artists Britney Spears, Avril Lavigne, Paul Oakenfold, Brian Eno, Tiesto, Arthur Baker and Nadia Ali, to name but a few. This follows enthusiastic acclaim for his albums Explorer with Tilt, and Common Ground with Leama & Moor and the highly anticipated artist album due for release in early ‘10.

Andy Moor’s last remix, Nadia Ali – Love Story soared to the climatic #1 spot on Billboard Breakout Chart, the Billboard Dance Chart and Beatport Trance. Not to be outshone, this summer’s collaborations with Ashley Wallbridge on Faces and Stadium Four with Lange are receiving the highest possible acclaim and support from the industry. Up next is the highly anticipated follow up Delerium remix, released on the self-titled album early 2010. A new mix compilation series, Breaking the Silence has just been released on his own record label AVA recordings, capped by a world tour. AVA recordings has gone from strength to strength, beginning life in 2006 to become one of the leading labels in the scene today..

A landmark on the tour scene, Andy mesmerizes clamoring EDM fans with his technical ability, turntable skills and creativity. Mixing with a white-hot sense and individual style, it’s not difficult to understand why Moor’s talent is so much in demand. Moor Music Podcast, Andy’s iTunes-available radio show, defines the essence of EDM with a cult following responsible for more than 150,000 downloads per episode.

Moor began his journey at an early age. At five he mastered his first piano piece. Six additional musical instruments by the age of eleven, he later spun his first record at the age of thirteen. Twenty-one saw him dominating stages the world over and now at the experienced age of twenty-nine, he is considered a veteran in the industry. Humility and raw talent have proven an undeniable attraction to fans and novices alike. His work is identifiable and his ethic authentic. Andy Moor’s future is definitively unlimited.

❤️ ℂ𝕠𝕟𝕟𝕠𝕚𝕤𝕤𝕖𝕦𝕣 𝕠𝕗 𝕗𝕖𝕖𝕝 𝕘𝕠𝕠𝕕 𝕞𝕦𝕤𝕚𝕔 ❤️

DJ/Producer from Belfast, Northern Ireland.

Hailing from Belfast, Northern Ireland, Shugz combines high-energy, air-tight mixing and electrifying productions to boot. From humble beginnings rising through the ranks in Trance to now diversifying with a more polished open-format sound whilst still maintaining the sounds of his early influences and roots. Shugz’ sound breaks down the barriers of dance music, no rules and straight up energy is a mainstay in his productions and live sets, with no problems producing a plethora of unique styles including Techno, Trance, Hard Techno as well a more recent commercial sound. 

  

Starting 2024 with a bang, the Belfast man secured himself a multi-track major record deal with one of the biggest record labels in the world in Colombia Records/Room Two, pinning himself alongside of the world’s global elite artists such as Calvin Harris, Adele, Daft Punk & Harry Styles to name a few. Shugz’ musical accolades do not stop there, with already requested remixes from MK, Rita Ora & Joel Corry to compliment his new deal & ability. 

  

In 2023 he produced a total of 38 tracks and accumulated an impressive 12.5 million Soundcloud streams with each one of his Soundcloud uploads hitting the "New & Hot" chart consistently as well as a top 3 "All Music Chart" hit with "King of My Castle". 

  

Shugz also is no stranger to the world’s dance music circuit, with a stacked passport each year from 2016 when he started his journey professionally with his first international artist agency. Having played 41 gigs in the last 12 months alone, touching down in over 20 countries with regular tours in Australia, Asia, UK, and regular visits to South America and all over Europe.  

  

In his native Belfast he achieved local-hero status with 6 sell-out shows in the famous Telegraph Building with his own brand ‘Kill your Idols’ as well as regular summer appearances at major festivals such as Creamfields, Coloursfest, Lost Minds, Escape in the Park, Planet Love & the Felie An Phobail in Belfast. 

  

Stay tuned as Shugz continues to grow, explore & improve in new sonic territories with his newfound sound & direction.

Factor B, the sonic architect hailing from the sun-soaked shores of Australia, has carved a distinct niche in the trance music landscape with his emotive and uplifting productions. Born Brendan Blatt, Factor B's journey into the world of electronic music began & evolved into a career marked by dedication and a relentless pursuit of musical transcendence.

Factor B's musical journey reached new heights with the release of his critically acclaimed album, "Theatre of the Mind," which soared to the number 1 spot on charts worldwide. This milestone not only solidified his position as a leading force in trance but also showcased his ability to craft a cohesive and immersive musical experience.

With his finger on the pulse of trance's evolution, Factor B continues to push boundaries and shape the future of the genre, ensuring that his musical legacy remains firmly etched in the hearts of his global audience.

The foreseeable future of #propertrance is no doubt in safe hands with Brendan taking his music and shows to the next level in 2024 including his ‘Theatre of the Mind’  open to close / Extended set TOTM tour which is taking the world by storm, selling out from San Francisco to Australia!

UK & worldwide enquiries please contact lee@uaagency.co.uk

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

www.facebook.com/coldbluemusic
Dates: http://www.bandsintown.com/ColdBlue
Bookings/Management: neal@musicfirstagency.net

Cold Blue’s ascension into a Trance superstar over the last two years has been nothing short of extraordinary. He has consistently delivered release after release for the world’s top Trance labels including Subculture, Kearnage, WAO138, Pure Trance and FSOE, as well as compiling and mixing the Subculture 2018 CD, which was a 70 minute club mix containing all his own productions. It is momentum like this that has now put Cold Blue in the Top 10 Trance artists on Beatport achieving three #1’s and countless Top Ten positions.
 
As a DJ his ever-increasing popularity is reflected in his touring schedule. Debut festival performances at EDC Las Vegas, Dreamstate So Cal, Tomorrowland, Airbeat One, alongside arena shows in Australia, the United States and the UK have propelled him into a position amongst the Trance elite.

2019 will see Cold Blue shift up another couple of gears again and his studio has already gone into complete overdrive. This year big releases are forthcoming on Subculture whilst there are also whispers of a debut artist album. It’s these artistic capabilities that have cemented Cold Blue as a premier league artist who has a massive part to play in shaping the future of Trance Music.

McVegas is following