Emerging from the vibrant realms of trance and melodic dubstep, Grammy-nominated songstress and American performer HALIENE stands as a visionary force, redefining the very essence of an artist in electronic dance music. Crowned as Female Artist of the Year in 2023’s EDMAs, she is a unique exception to an industry that principally uplifts male DJ producers. Not only has she dramatically altered the game but she’s paving an inspiring trail for vocalists and live acts in the changing topography of EDM.

Spring 2023. Just found that SKIO Music and Milky Chance started remix contest of Stolen Dance. I thought I should try.. And Now I want to try myself as a fulltime music producer. I'll be happy to make remix for your track or some coworking! Feel free to contack me, let's play a music game in a team.

Margot’s new album entitled Power Flower, builds on her unique and emotive interpretations of American Standards. A deeply soothing homage to her influences in the Jazz, Pop, and Funk of the 70s and 80s, Margot spent two and a half years building the work; selecting seasoned titans Geoffrey Keezer, Billy Kilson, Seamus Blake, Ingrid Jensen, and Munyungo Jackson. Included in the liner notes is the phrase ‘All vocals recorded without use of any pitch correction technology,’ which sums up the attention she has paid to Power Flower. The song selection reveals the same care; three rare covers from Stevie Wonder, Wayne Shorter, and Joe Sample are balanced with three originals and a wonderful arrangement of the traditional song “Black Is The Color (Of My True Love’s Hair).” Power Flower released in Japan in December 2019 (Coreport), globally in October 2020 (Ropeadope Records) and on vinyl in March 2021. 

Having an exquisite voice, a disarmingly wide range and a style that is deeply rooted in the tradition of the great jazz vocalists, Gillian Margot possesses a gift of storytelling and stunning lyrical delivery. A native of Toronto, Canada, Margot studied under a generation of jazz legends including Oscar Peterson, Freddy Cole, Carol Welsman, and Norman Simmons. Equally at home in the musical worlds of jazz, R&B, chamber, and pop, she has been invited to perform in major venues worldwide with a long list of top-tier talent, including rock icon Sting, famed soprano Kathleen Battle, jazz stars Jeremy Pelt and Chris Botti, and pianists Robert Glasper and Geoffrey Keezer. Additionally, her voice can be heard in commercials, feature films, and television programs including Jane Goodall’s Wild Chimpanzees (IMAX 2002), New Year (Doublesee 2010), Lethal Weapon (FOX 2016), The Young and The Restless (2016-2019), and One Good Reason (Alone.Calm 2020).

“Margot’s smoky contralto, solid pitch and warm delivery might remind some listeners of Dianne Reeves and the multi-tracked background voices are a creative plus.” – New York City Jazz Record

Margot projects her magnificent contralto to equally compelling effect both when conveying her tender, sensuous lyric and then improvising in dialogue with the piano.” – Ted Panken (Music Journalist)

“Gillian has a love for song and the storytelling aspect of musical performance. The tone and sincerity of her voice, her remarkable presence and knowledge, use of phrasing, and ability to communicate with an audience make her relatable and personable. She has a penchant for hard work and a tendency to win over an audience.” – Jeremy Pelt (Trumpeter/ Recording Artist/ Producer)

“With a full, oaky voice, and a keen perception of harmony, it is no wonder that Gillian Margot stands out from today’s top vocalists. The ability to beautifully depict a songs melody with a vast alto range is what allows her to lead a band as a dynamic vocalist, but also function as an in-demand sideman.” – Marcus Strickland (Saxophonist/ Recording Artist)

“Gillian Margot has made a fantastic, genre-bending new album featuring some of jazz’s hottest current players. The music spans the spectrum from Jazz to R&B and Gillian nails all of it. ….she’s got something to say, not just another cookie-cutter female jazz singer.”– Geoffrey Keezer (GRAMMY®-nominated Pianist/ Arranger/ Producer)

“…a rich, clear and earthy voice that was both rhythmic and free…strong in voice yet vulnerable in spirit, conversant and still melodic as she delivered the lyrics of resignation…This lady needs to be heard…” – L.A. Jazz Weekly

I am a new Vocalist to the EDM scene. I reside in Tampa, Florida, USA & Love Music. The thing I do best is put life experiences into words & I just hope people can relate. Enjoy:) xoxo

🦋 iu âm nhạk vì âm nhạc không chỉ để nghe, mà còn là để listen 🤓🤌🏻 🐈😺
#UMIE 

In sì ta gram: umie.68
Fây Bút: https://www.facebook.com/Hi.MyLaEm
Diu túp: https://www.youtube.com/channel/UCte1ajIre53fI09W6nnALEA?view_as=subscriber

I’m a new artist/ song writer straight out of S. FLA. My music has substance some even call it a breath of fresh air ;) Check me out! 

Email: kooki33.doe@gmail.com
Twitter: @kooki3_doe
Ig: @kooki3_doe

New Artist 
La_Nita_Babyyy💜😈
#ThatBitch!👅🖕🏾

Influenced by multiple genres, local singer-songwriter and musician based out of northern New Jersey.

New vocalist for Canamara, bassist for Discreet Charm of the Bourgeoisie.

https://open.spotify.com/artist/4leFWNgixuqZdkGPgCYO5e?si=6NJuwDwCTJKguQrJMAQMsA

Singer from Brazil. 	
 
It has always been a musical environment. Carol Saboya, the composer Antônio Adolfo's daughter, was raised surrounded by inspired chords, scribbled scores and songs being born: The art in its full creation process.
 
When she was eight, she had her voice recorded for the first time along with Miéle for the compact disc A menina e a TV. When she was still a little girl, she took part as a vocalist in albums of Erasmo Carlos and Ângela Ro Ro. She also took part in the historical musical presentation Verde que te quero ver and infantile soundtracks.
 
She spent three years studying singing in the United States, taking part in Sérgio Mendes' Brasileiro CD. After returning to Brazil, she made a recording with the North American pianist Joyce Collins and participated in a tribute to Aldir Blanc, who was moved to listen to Carol featuring the song Carta de pedra at Canecão. The girl with that sweet voice and impeccable tuning started getting the media's attention.
 
Carol's expected solo work came in 1998. Dança da voz, produced by Almir Chediak, awarded Carol the 1998's as new vocalist by "Prêmio Sharp". On the following year, she jumped into Tom Jobim's work and recorded the album Janelas abertas, accompanied by Nelson Faria's guitar.
 
In 2000, it is time to make a collective unconscious visit with the cinematographic repertoire of Sessão Passatempo. In the same year, she featured Imaginária by Suely Mesquita and Mário Sève in the Brazilian Music Festival (Festival da Música Brasileira) promoted by 'TV Globo'.
 
The next album, Presente (2003), recovers the first album's sophisticated and successful mix of popular and traditional music.
 
Two years after, a new CD was released: Antonio Adolfo e Carol Saboya ao vivo/live , wich was recorded in Festival Miami. In 2008 another CD, Chão aberto, focusing on songs by brazilian young talent Mário Sève. In 2010, once again an album with Antonio Adolfo (Lá e Cá/Here and There). Mixing Brazilian and American standards by some of the most inspired composers, such as Jobim and Cole Prter.
 
For the first time, in 2012, a solo album released in the US, the CD Belezas – The Music of Ivan Lins and Milton Nascimento. Produced and arranged by Antonio Adolfo, with a dream team of Brazilian musicians and guest such as Dave Liebman (sax) and Hendrik Meurkens (harmonica). The songs were sung in both, Portuguese (lyrics by Ivan's and Milton's partners such as Vitor Martins, Fernando Brant, Marcio Borges, among others) and English, with lyrics by Brenda Russell, Kim Nazarian and Jane Monheit.
 

New vocalist, jazz inspired. I'm looking to collaborate. Hope you like these versions of some classics. 

McVemm is following