Working on my second Game. Wannabe Part-time Music Producer.

Pedro Balse
Professor of Music Education in Sintra, Portugal.
Devotes much of his free time to composition and production of lounge and ambient music, as well as research worldmusic and different cultures, which easily can be noted in his chill songs

Pedro Balse
Professor de Educação Musical e de Música no ensino oficial em Sintra, Portugal.
Dedica grande parte do seu tempo livre à composição e produção de lounge e música ambiente, bem como à pesquisa de worldmusic e de diferentes culturas, o que facilmente se nota nos seus temas downbeat, portuguese and world chill


Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

A tiny radio show about design, architecture &amp; the 99% invisible activity that shapes our world.

http://99percentinvisible.org/

New episodes every Wednesday.

On the radio on 91.7 KALW in San Francisco. Fridays at 7:35am and 4:30pm, Saturdays at 8:35am.  And public radio stations across the country.

Created by Roman Mars.


Organic City Sounds aims to capture the heart of Portland in audio.

‘Weekly Portraits’ focus on a notable person, trend, or current event taking place around the city. We also feature the thoughts and opinions of normal, everyday Portlanders, and bring you homegrown sounds from around the city. The project itself is part of a larger fellowship program supported by the amazing folks at SoundCloud.

You can contribute too! Feel free to submit recordings of your own, or suggest a great Portland personality.

Founded in 1987, Vancouver Film School is Canada's premier post-secondary entertainment arts institution and one of the most distinguished in the world. With 13 production-oriented programs and a world-leading one-year education model, VFS prepares students to join the creative economy. 

In the Sound Design for Visual Media program students learn to unite sound and image in film, television, animation, and video games. Students develop vital, industry-ready skills in key areas including sound effects editing and recording, Foley, and dialogue editing. Sound Design alumni have worked on such films as Iron Man, Despicable Me, Zombieland, Ratatouille, and How to Train Your Dragon, and hit games like Mass Effect 2, Crysis 2, and World of Warcraft. To find out more, visit <a href="http://vfs.com" rel="nofollow" target="_blank">vfs.com</a>.



All music is original music, Copyright Beat Creep 2018. 

Get at me if you need mixtape beats. Exclusive album tracks available, if you are sick I will fuck with you.

WTFTW

Beat Creep

Mdb Audio is following