спасибо)) очень приятная задумчивая и разслаблятся музыка 

Japanese voice artist Hatis Noit returns with explorative new single Fernweh as a precursor for an Erased Tapes compilation titled Music for kō coming out on April 1.

Fernweh is a hymn for imaginary travel, allowing the music to take you on a journey. This self-produced piece, sung in a universal wordless language, sees Hatis Noit transcend boundaries through eerie, atmospheric sound explorations. Its German title, meaning a longing for exploring faraway places, captures the artist’s headspace at the time of recording.

“During the third UK lockdown in early 2021 I finally challenged myself to self-produce a whole song, which I hadn’t done before. Before, I wanted to focus on just using my voice rather than making music sitting in front of a computer, but the situation of lockdown challenged me to go on this new journey. Whilst making the piece, I felt a sense of missing going on physical journeys, and that sense of wonder that comes with travelling. So the song turned out to be a collage of memories of journeys I had so far as well as imaginary journeys I might have in the future. The whole process of making this healed the painful feeling of Fernweh for me somehow, and I hope it might have the same effect on others.” — Hatis Noit

The track is the opening piece to an upcoming Erased Tapes compilation featuring Rival Consoles, Masayoshi Fujita and Daniel Thorne, originally commissioned by Folie À Plusieurs in partnership with the Noguchi Museum in New York.

Music for kō

Fernweh

Hatis Noit — Fernweh

Otto A. Totland - Julie

From The Deep

Hartland

Angus MacRae & Curve Ensemble - Hartland

Music, much like dialogue, becomes the canvas where the depths of our soul paint their silent struggles. Expressing ourselves feels like navigating a stormy sea; words falter, leaving the heart's wounds unhealed, seeking solace in melodies that resonate with our pain.

Father

Insa Donja Kai - Expansion II

For Piano Day 2019 | www.medardfischer.com |
medardfischer.bandcamp.com | Instagram: @medardfischer

Borrowed

Untitled 28 was a sculpture, video and sound installation created in 28 days by artist Marie-Louise Jones and composer Lucy Claire. It was exhibited in July 2017 at Here East in London as part of Gavin Turk and Anna Maloney’s show, Inside Out. 

The music reflects each sculpture in the installation and explores themes of duality and pairs through atmospheric binaural recordings, beautiful violin melodies and vocal textures. The materials used in the physical installation; wood, stone and metal play a prominent role in the soundtrack and the sounds created when collided together were used to create unusual textures which were weaved into the piece.

Symbiosis

Most Things Are Beautiful (Piano Day 2020)

For Radio Nova (Fr), HØJDE composed, recorded, and clipped a track in Lockdown. It illustrates the apprehension of this period, through moments of doubts, creation, impatience, troubles, pleasures. It's called 𝗟 '𝗮𝘂𝘁𝗿𝗲 𝗠𝗮𝗶𝗻, or how intimacy can become captivating.

I invite you to watch the video clip here:
https://www.facebook.com/129336307138013/videos/550186348974322/

L'autre Main #pianoday2021

this melody came to me 2 weeks ago, i whistled it into my phone, started up the una corda virtual piano (thank you nils frahm and klavins piano), and i chose to include that whistle in the recording.  

image: type 55 polaroid taken in milan, italy by me, of a model called marta.

enjoy!

Borrowed

Medard Fischer|Arc Lab|Tyyson

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