hehr

ulubione

PART 1

(dropped the pitch of vocals btw, no co-vocalist, aint nobody got tym fo dat)

Long Way Home

Station

Pre-order the 'Swept EP' on 12"/DL: www.erasedtapes.com/store/index/ERATP078
or via iTunes: snip.ftpromo.net/sweptep

Following on from their Record Store Day ‘Looped EP’ release, which featured remixes by Dauwd and Lubomyr Melnyk, Kiasmos – made up of Ólafur Arnalds and Janus Rasmussen – return with three new tracks and a remix by Tale Of Us.

Recorded in various locations including Reykjavík and Berlin, the EP opens with ‘Drawn’, a four-minute percussion fuelled track with gentle piano motifs. ‘Gaunt’ features the addition of ambient synths and a drum loop, underpinned by slow-moving chords. Title track ‘Swept’ which the duo offered to fans as a surprise gift in form of a free download card at previous show dates, showcases a more club-oriented beat structure alongside Kiasmos’ signature emotive instrumentation. 
 
Closing the EP is a remix from Berlin-based duo Tale of Us who met Kiasmos in London and twist the original downbeat title track
into their distinctively dark aesthetic. Pulsating hats and a driving bass loop add pace as the track builds toward an epic breakdown.

The ‘Swept EP’ will be released on 12”/DL via Erased Tapes on November 20th, 2015.

Kiasmos - Swept (Tale Of Us Remix)

Mastered by Sameer Sengupta.  Mixed by Klue, with thanks to Jack Prest.

Written, Performed and Produced by Klue
Trumpet - Moody (@moody-53) facebook.com/moodymakesmusic
Saxophone - Klue

https://www.facebook.com/kluebeats
https://soundcloud.com/kluebeats
https://twitter.com/KlueBeats



Hiding

Release Date: February 12, 2016
madeline (at) teamclermont (dot) com

self-released
------------------

Takénobu is the moniker for classically trained cellist and independent composer Nick Takenobu Ogawa. 'Reversal' is his 5th full-length album, consisting of one lyrical and 12 instrumental tracks.  Ogawa composed and performed the tracks on 'Reversal' using a variety of traditional and non-traditional techniques to highlight the rich sound and dynamic range of the cello.  He records using multi-layered and multi-textural arrangements, bringing the classical instrument into a modern realm.  His self produced recordings often contain dozens of layers, highlighting a diverse range of playing styles that combine to create a cohesive and unified musical composition. 

Ogawa was raised in rural Vermont in a small town with a population of roughly one thousand residents.  He grew up spending most of his time playing in the woods, since there was no cable tv, and no next door neighbors.  His parents, both college professors at nearby Middlebury, introduced him to the cello at age 6.  Ogawa took private lessons until he was 18, and daily practice was a regimented part of his upbringing.  After years of private study and orchestral playing, Ogawa veered away from classical music and began to focus on a self-taught style of play and composition based on a variety of roots and world music influences, borrowing techniques from his guitar playing. Ogawa moved to Kyoto, Japan, where he spent a year experimenting with and cultivating his unique playing style and sound, at one point even injuring his wrist due to intense practice.  He then returned to Philadelphia, where he graduated from Haverford college thinking that he would attend law school.  

Instead, upon graduation, Ogawa moved to Vancouver, where he recorded his first full length album.  Ogawa then moved to Brooklyn, New York and won the 2006 Williamsburg live singer songwriter competition.  With the prize money he was able to independently release his first album, Introduction in 2007.  The release was modest and received favorable reviews, but did not gain widespread exposure.  At that point, Ogawa all but gave up on his dreams of pursuing music.  However, before doing so, he submitted his album to Pandora internet radio.  Over the course of the next 4 years, thanks to Pandora’s recommendation algorithm, Ogawa’s music began receiving enough streams and sales to pay the bills.  At this point, Ogawa was able to devote himself full time to music, and he has released 3 full-length albums since.  He has enjoyed frequent spins on NPR’s morning edition, opened for Kishi Bashi, and performed and arranged cello for Dessa’s “It’s Only Me”, on 'Parts of Speech' via Doomtree Records. Ogawa has lived and performed in New York,  Philadelphia,  Vancouver, BC,  Kyoto, Japan and currently resides in Atlanta, Georgia.  

Takénobu - Curtain Call

Tracklist and download here: http://blrrm.tv/Gfu4uY

It wouldn't be a Boiler Room birthday without inviting back one of Berlin's biggest weapons, Dystopian frontman Rødhåd. And man did he deliver.

Rødhåd Boiler Room Berlin 5th Birthday DJ Set

występują m.in.: Roman Wilhelmi, Adam Woronowicz, Magdalena Cielecka, Zbigniew Konopka.
Głos Romana Wilhelmiego pochodzi z archiwum Polskiego Radia.

Andy - reżyseria Krzysztof Czeczot

blogger (about media, marketing and advertising) - http://www.blog.mediafun.pl 