Wrong Space Wrong Time - Jeff Phelps Cover

Vinyl rip from "Non-Sequitur Segues" bonus picture disc included with the deluxe vinyl of Dedicated to Bobby Jameson, plus two tracks from the Another Weekend 7" and the digital version of the album

Ariel Pink - Non-Sequitur Segues +1 More

Blood Of An American - Bobby Wright Cover

Antena - Bye Bye Papaye (ACCELERATO) - YouTube

Eliuné Kai Tare is the continuation of a ceremonial journey.

Where Eliuné Sora Liora opened the space of harmony,
this album brings movement, breath and expansion into the body.

This is not just music.
This is a guided energetic experience.

A journey through:
– Breath (Kai)
– Transformation (Vora)
– Expansion (Tare)
– Inner awareness (Stei & Nai)

Each track is designed with intention.
To move energy.
To open the heart.
To activate the body.
To bring you deeper into yourself.

From stillness…
into rhythm…
into release…
into expansion.

Let the breath guide you.
Let the body follow.
Let the mind soften.

Eliuné Kai Re

Mamman Sani - Samari Da Yan Matan

Art Feynman - Near Negative EP available December 15th, 2017 from Western Vinyl

Near Negative showcases Art Feynman's signature grooves, krautrock slink, and staccato bounce, all captured on his trusty four-track cassette recorder.

Earlier this summer, Art Feynman released his debut full-length album Blast Off Through the Wicker and toured the US with Stereolab's Laetitia Sadier. Pitchfork describes him as "a cool purveyor of coked-out dub-kraut." Consequence of Sound calls his debut a "funky, psychedelic slice of afro-pop" and Tiny Mix Tapes regards it as an "analog masterpiece."

In 2018 Art Feynman will return with his sophomore LP that takes us even further into his motorik and afrobeat inspired world of sound.

Near Negative

Art Feynman - "Love You Even More"

Late Night Tales: BADBADNOTGOOD

Admas - Anchi Bale Game

The Durutti Column - Sketch For Summer

Marilyn - Mount Kimbie ft Micachu (Slowed)

Montenegrin born in Istanbul, precocious pianist growing up in an embassy, brilliant musician. Prolific composer speaking eight languages, he arranged music for jazz, pop music, adopting multiple identities.
For one label, he is Andy Loore; for another, Emiliano Orti. For others, he is called Alan Blackwell or Johnny Montevideo, but behind all these aliases, there is only one man: Janko Nilovic.
						
Exploring the shelves of musical production, venturing into the less-illuminated corners of library music, Janko Nilovic's name lights up dozens of shelves on which his soundtracks, his records for Editions Neuilly or Sforzando, but above all his twenty albums for Editions Montparnasse, are stored. A considerable and imposing work, rich in orchestrations of keyboards, strings and brass instruments, themes, atmospheres and melodies. A repertoire in which the cinema, television and advertising have come to find their delight ...
						
Subjected to the sharp blades of samplers, reduced to a few effective  seconds, joined with rhythmic beats, some of his tracks have infiltrated hip hop for a long time , leading the most curious to go back to the source to get the complete albums from which the precious loops had been taken. 
Almost unknown to the general public, Janko Nilovic is a master for the initiated, whether  they are at his side in the studio or comfortably seated in their armchair savouring the final result on their turntable. His discretion combined with his long years of silence on the record could lead one to believe that he had cleverly arranged his disappearance from the radar to make Janko Nilovic a mystery that has never been completely solved.
						
Until this message from The Soul Surfers.
A few miles away, in their studio fired up by analog funk, the Muscovites had been put back on the Nilovic track by multi-instrumentalist Shawn Lee. A few passionate discussions later, and the desire for a joint album was already lighting up the amps, making the bass strings shiver and the drum skins tighten.			
Initiated by the coming and going of scores, the collaboration finally continued in studio for a real exchange, instantly bouncing off proposals, developing ideas in a live group dynamic that distance would have made impossible.
									
To feel the vibrations accumulated for decades at the CBE studio (like Chatelain Bisson Estardy), a mythical place founded in 1966, in which many albums, especially library, were immortalized. A place where consoles, equipment and instruments were kept as they were, accumulating in their wiring, meters and speakers, endless hours of experimentation and recording.
						
A place that Janko knew well and where an old acquaintance was waiting for him. A Hammond organ with a Leslie booth whose keys he had already flattered in the past and behind which an improvisation and a single take were enough to complete the eponymous title.					
Together, Janko Nilovic and The Soul Surfers have built Maze Of Sounds, a musical labyrinth paved by the master's keyboards where the soul-funk groove of the fiery Russians is the listener's thread, his point of reference in this maze of atmospheres and emotions, at once cinematic, nostalgic, dancing, dreamlike and contemplative.
				
An album where, however, nothing is compartmentalized. Where, blown by the whirlwind strung by a violin quintet, the barriers move preparing the entrance of a Slavic choir, letting a screaming guitar come and go alongside the crystalline liveliness of the Fender Rhodes, organize some rhythmic aerations at the disposal of the samplers.				
A fusion between the cleverly blackened scores, between the science of precisely written arrangements and the soul-funk feel of The Soul Surfers. An album such as Janko Nilovic has been dreaming of making for years.

Maze of sounds

Maze of Sounds

Janko Nilovic & The Soul surfers - Maze Of Sounds

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Mamman Sani - Samari Da Yan Matan

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