current

Different 1

3 Strange

parangate

2017/10/14 sat Shackleton with...
OPEN / START 18:30 at WWW X
ADV ¥4,300 / DOOR ¥5,000 / U25 ¥3,500 + 1 drink charge
http://www-shibuya.jp/schedule/007934.php

Shackleton with... 2017/10/14 sat at WWW X

Music Feat. Anika

SOUNDCLOUD WEEKLY

Support William Onyeabor at luakabop.com/onyeabor or at iTunes georiot.co/1uDa

Coming on Luaka Bop October 15

For questions or to work with this song, please contact eric at luakabop dot com

William Onyeabor - Good Name

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page : http://dronarivm.com/2013/08/28/aaron-martin-christoph-berg-day-has-ended/ 

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

pre-order CD

Christoph Berg - Coda (taken from 'Day Has Ended' split CD)

 In an era where so many vocalists seem to be dumbing down their sound and content, Hartley&Wolfe is quite the opposite. Think Isley Brothers meets Rick James in terms of vocal delivery; raspy deep felt, weathered classic soul with big voice meets intergalactic pimped out grooves with bass-lines that would make Lee Scratch Perry’s Upsetters proud! check them out.

Bespoke Future

Room To Breathe

Hartley and Wolfe - Room to Breath

This piece is designed using several different types of sound.  It creates an aural space in which you can do quiet work, such as read, or write. Do yoga, meditation or suchlike.

The river is a recording of the river Dove in Derbyshire, England.  It's white noise helps to mask unwanted sounds in your local environment.  And the complexity of the river sound may help the mind to stay calm.

The musical elements are made up of a combination of bell-like sounds.  They are put together using pure-tone intervals, that is whole number ratios.  These provide perfect harmonic resonance.  This is in complete contrast to the music normally heard, which is most often made up of irrational intervals (to be technical the equal tempered semitone 1.059).

Comments and feedback warmly received.  Let us know what you think!

Sacred River

Damien Jurado "Silver Timothy" off 'Brothers and Sisters of the Eternal Son' out now on Secretly Canadian. 

Get the album:
SC Distribution: <a href="http://smarturl.it/damienjurado" target="_blank">http://smarturl.it/damienjurado?iQid=vevo</a>
iTunes: <a href="http://smarturl.it/damienjurado_itunes" target="_blank">http://smarturl.it/damienjurado_itunes?iQid=vevo</a>
Amazon: <a href="http://smarturl.it/damienjurado_amazon" target="_blank">http://smarturl.it/damienjurado_amazon?iQid=vevo</a>
Your local record store: <a href="http://smarturl.it/damienjurado_indies" target="_blank">http://smarturl.it/damienjurado_indies?iQid=vevo</a>

Damien Jurado
Artist Page http://www.secretlycanadian.com/artis...
Website http://damienjurado.com/
Facebook https://www.facebook.com/jurado.damien
Twitter https://twitter.com/damienjurado

Damien Jurado "Silver Timothy" from 'Brothers and Sisters of the Eternal Son' out now on Secretly Canadian.

Brothers and Sisters of the Eternal Son

Silver Timothy

Pre-order via SCD

Damien Jurado - "Silver Timothy"

Download

Memum - Path Along The Stream (Hior Chronik Remix)

Buy Infinity Pools EP: http://smarturl.it/buyipools

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Infinity Pools EP

Volcanoes Flowing

Buy EP

Mute Forest - Volcanoes Flowing (from Infinity Pools EP)

High Mountains, Shenqi Mipu 【神竒秘譜】 (1425) transcription by Charles Tsua. 

This is the earliest version of this piece and different from the modern version usually played. 

Played on a Zeng Chengwei qin called 泉音 made in 2006 with 龍人 nylon-composite strings.

Guqin - Gao Shan 《高山》

Universe

From Nin-o-Van released on Full Spectrum Records November 16th 2015

https://fullspectrumrecords.bandcamp.com/album/nin-o-van

Pine River

Religion is opium for the masses
God is an imaginary friend you asses
Loving your god with all your mind
Really has made you fully blind




Faux Fur ( Religion=Opium Edit) - COLLAB with Wou-Wou & The Wormling

雙鶴聽泉

goat / Rhythm & Sound(UNKNOWNMIX 35 / HEADZ 202)
composed by Koshiro Hino
recorded, mixed and mastered by Nisikawa Bunsho
recorded at CONPASS
drawn by Tomoo Gokita

Solid Eye(from 2nd album "Rhythm & Sound")

This is my personal version of the Vangelis theme from the Heaven and Hell album (1975) which was used in the documentary COSMOS by Carl Sagan.

VANGELIS - Cosmos (RAUL ROJAS Cover 9-04-2015)

Made with Ableton Live 8 and some vocal chops of the amazing Hope Sandoval

Don't forget to follow for future tracks :)

Get it Here

Oniroscope

慢角吐春 Spring in the Manjiao mode

Taken from their self-titled debut album 'Exploded View', Out Now!
 New band from Berlin & Mexico City fronted by Anika.

To download "Lost Illusions", "Orlando" & "No More Parties in the Attic" instantly: https://explodedview.bandcamp.com/
Order the LP/CD: hyperurl.co/EVAMZ

Facebook: www.facebook.com/explodedviewband/
Instagram: www.instagram.com/explodedviewband/
Twitter: twitter.com/ExplodedViewBnd
Tumblr: explodedviewband.tumblr.com/

TOUR DATES: bit.ly/1R1m34M


Exploded View - Lost Illusions

Ben LaMar Gay - Recurring Moteeth

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Sleeping Pills And Habits

This simple study of sound vibrations of the ether. Penetration always chaotic,dense and intense radio noise. Resulting in the detection of barely notice the main signal.

Eternal sicret signal

from forthcoming reissue of 1981 LP+12" "What Is This Thing Called 'Disco'?" by Melbourne post-punk disco project Asphixiation. Check out the original 1981 video here: https://www.youtube.com/watch?v=MskgOkBPRiI
Reissue on LP+12" and digital via Chapter Music on June 2, pre-order here:
www.chaptermusic.com/store/asphixiation/what-is-this-called-disco
www.chaptermusic.bandcamp.com/album/what-is-this-thing-called-disco
Digital stores: http://radi.al/asphixiation

"What Is This Thing Called 'Disco'?"

Asphixiation - Aural Risk

Пісні: 
01. Булочка (4:07) 
02. Згуба (3:06) 
03. Инспектор Хома (3:12) 
04. Мало (4:53) 
05. Було (4:31) 
06. Переполох (3:38) 
07. Про Коника (5:05) 
08. Любов Моя (3:40) 
09. Карате (3:16) 
10. Мила Моя, Мила (3:09) 
11. Пролетарська Лірична (4:06)

Тривалість: 00:42:42 
Мова: українська

11 - Пролетарська Лірична

Strand

Bellows - Untitled #4

From Scratch / goat / Don't DJ / 小林うてなグループ 1

From Scratch / goat / Don't DJ / 小林うてなグループ 2

Behind the Glass (with Anika)

Shackleton With Anika - Endless Memento / Regression / Wading Through the Underworld

Shackleton With Anika - Hinter der Vitrine

Crack Mix 159 - DJ YAZI

I'm Not Afraid (feat. Anika)

I'm Not Afraid (feat. Anika) (Edit)

Taken from the forthcoming PostMap release - a printed postcard, with download code. lostmap.com/postcard-shop

Lost Map Records are delighted to announce new material by London and Manchester based spoken word artist, writer and saxophonist Angus Fairbairn AKA Alabaster dePlume. A PostMap postcard single features a remix of ‘What Do We Want’ by Teleman drummer Hiro Ama, plus a version of ‘Who Are You Asking For’ recorded live at the Total Refreshment Centre in London as part of Alabaster’s monthly development residency PEACH. Both tracks will be included on a bonus disc set to be packaged with a deluxe repressing of the wonderfully uncategorisable album The Corner of a Sphere, which is set for release February 1, 2019, after the original pressing quickly sold-out on vinyl following its release in May. Alabaster dePlume is touring widely in coming months, including a newly announced headline show at Hangar in London on Saturday, February 2 – his biggest headline show to date. 

As Alabaster explains, ‘What Do We Want’ is a song about “our refusal to include people from disadvantaged backgrounds in our society, while celebrating competitive accumulation of wealth… which implies that there is something we all want, that’s better than our general wellbeing, better than one-another. What is it?” The track’s theme about society-at-large’s fear of immigration, and refugees, is reflected in the artwork, a retelling of the poem as a sinister, bureaucratic government form.


* LIVE DATES *
THU, OCT 18-FRI, OCT 19 @ JAZZ & THE CITY, SALZBURG, AUSTRIA
SAT, OCT 20 @ GIB LAUT FESTIVAL, VIENNA, AUSTRIA
THU, OCT 25 @ KALTERN POP, SOUTH TIROL, ITALY
SAT, OCT 27 @ ATELIER 201, BRUSSELS, BELGIUM
FRI, NOV 9 @ KIN, ARNOLFINI, BRISTOL
SAT, NOV 10 @ LE GUESS WHO? FESTIVAL, UTRECHT, NETHERLANDS
SAT, DEC 1 @ WEST HILL HALL, BRIGHTON
SAT, DEC 8 @ PYMÉ THEATRE, STOCKHOLM, SWEDEN
SAT, FEB 2 @ HANGAR, LONDON

Alabaster dePlume - 'What Do We Want' (Hiro Ama remix)

Mama's Gonna Give You Love

arranged and mixed by Robert Del Naja and Euan Dickinson
songs: Terry Callier
music: Neil Davidge and Robert Del Naja
original recordings, Bristol 2005

Terry Callier - The Windmill Hill Sessions

Connan Mockasin - Forever Dolphin Love EP (with remixes from Erol Alkan & Coyote) is out now on Phantasy / Because Music.

Available on deep blue limited 12" vinyl which you can grab from:
Phantasy Webstore http://shop.phantasysound.co.uk/product/connan-mockasin-forever-dolphin-love-ep-clear-deep-blue-12-vinyl
Rough Trade http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=356145#
Piccadilly Records http://www.piccadillyrecords.com/products/ConnanMockasin-ForeverDolphinLoveErolAlkanCoyoteRemixes-Because-86810.html

Or download from
Beatport http://bit.ly/FDL2-Beatport
iTunes http://smarturl.it/FDL2

Connan Mockasin
http://www.soundcloud.com/connanmockasin
http://facebook.com/connanmockasin
http://twitter.com/connanmockasin

Erol Alkan
http://www.soundcloud.com/erolalkan
http://www.facebook.com/erolalkan
http://www.twitter.com/erolalkan

Buy from Beatport

Connan Mockasin - Forever Dolphin Love (Erol Alkan's Extended Rework Mix 2) [PREVIEW]

"Dương quan tam điệp" ("陽關三疊") - Cổ khúc Trung Hoa. 
Kể về nỗi buồn khi phải tiễn người bạn lên đường.
Nhạc cụ: Cổ cầm - 古琴
Thầy Lý Khổng Nguyên - Trường ĐHQG Đài Loan


陽關三疊 - 李孔元老師

An unedited version of Pine River from Nin-o-van.

Pine River (Original Take)

from "Visions of the Country" by Robbie Basho - LP+Mp3/FLAC reissue - Gnome Life Records
http://www.gnomeliferecords.com/visions_index.html

Available for the 1st time on vinyl for 35 years, and for the 1st time ever in high quality digital!

Robbie Basho - Blue Crystal Fire

our sound cloud is using only as sample listening for our web store. all items are distributing and selling by us. it is not intend to share sound sources. we are respect other people’s copyright. therefore if you want to remove a track from this account or any problem, please let us know the notice via our website. thank you for your understanding.

Shackleton With Anika - Endless Memento / Regression / Wading Through the Underworld

meditations