Bookings, contact: 
wompybeats@gmail.com

House music alias: @chrismazehouse

Wompy is the electronic music project of DJ and producer Chris Stankay. Covering a spectrum that includes house, dubstep, drum and bass, trap, and funk, Wompy's music creatively merges elements of both modern and classic dance genres into his innovative original productions. 

His first single, "Brain Leak", was released on July 7th, 2017 on Sunfall Records. He has expanded his discography on the Sunfall label with multiple single releases, remixes and mashups throughout 2017 and early 2018. He will be expanding his catalog with new digital singles slated for release over the second half of 2018. 

With a live performance slate ranging from intimate clubs to outdoor festivals, Wompy's energetic live shows find him traveling throughout the East Coast to dancefloors both near and far from his hometown of Pittsburgh, PA. He was selected to appear at both the Big Dub and Clustxr festivals in 2017 and 2018, and has performed in support of artists such as Borgore, Snails, Must Die!, Apashe, Grandtheft, Golf Clap, Rain Man, DJ Aphrodite, Eliminate and Minesweepa. 

His company Bassburgh Promotions is known for their intense live music events and dance parties in the city of Pittsburgh and surrounding areas. Bassburgh specializes in pairing emerging local and regional artists with featured national acts, resulting in eclectic lineups that capture the spirit of both underground and mainstream electronic music.

➜ Returning from hiatus
building a worldwide community.

We want to hear from you DM submissions (unreleased material only) :)
peace & love

Business & platform Inquires: 
submit @ thedrunkencoconut [dot] com


The Drunken Coconut is home to The Husk and "Grow With Us" platforms.

https://6blocc.com/
https://linktr.ee/6blocc

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A couple of producers from Toronto, Canada. 
If you are an artist or producer feel free to contact us as we enjoy working with new talent. 

Also visit "The Citizens Sound" SoundCloud profile as most of our work will be posted there. ~One~

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Multi Platinum + Billboard Top 10 Producer

Knock Audio
https://knockaudio.com

Dr. Patrick Boyle is a fearless sonic explorer driven by discovery. Curiosity is his compass. His frontiers are in performance (trumpet and guitar), improvisation, composition and education. Patrick is Associate Professor of Jazz Studies at the University of Victoria 

https://patrickboyle.bandcamp.com/
www.facebook.com/patrickboylemusic
www.facebook.com/paddyjoeboyle
www.twitter.com/paddyjoeboyle
www.instagram.com/paddyjoeboyle

Originally from Newfoundland, Canada, he appears on over 50 commercial releases and 3 acclaimed solo albums. CBC Radio has called him a “trumpet personality” and “one of Canada’s top jazz musicians.” He has cultivated the rare ability to synthesize a range of influence – including jazz, rock, trad, Balkan, and South Indian music – which all come together into a rhythmically compelling musical voice. In 2009, Patrick performed at Carnegie Hall with tabla virtuoso Zakir Hussain. 
 
A provocative and prolific composer, Patrick writes for theatre, film and the concert stage. Among his many commissions is the score for the theatrical adaptation of the Wayne Johnston novel Colony of Unrequited Dreams which premiered at the National Arts Centre in January 2017. Patrick’s music is central to two films for the National Film Board: 54 Hours (2014) and Song for Cuba (2014). The CBC commissioned Patrick to compose and record Well Enough Alone (2010), a multi-movement suite acknowledging the 60th anniversary of Newfoundland's confederation with Canada. 

Career highlights include performances every major jazz festival across Canada, the Newport Folk Festival, Rochester International Jazz Festival, Mariposa Folk Festival, Sound Symposium, SXSW, Folk Alliance International, and an Australian tour with guitarist/composer Duane Andrews. Patrick concerts and compositions have been performed on numerous CBC radio broadcasts, including The Signal, Canada Live, The Performance Hour, Deep Roots, and a feature episode of Sessions in the Old Town for CBC-TV with host Tom Power. His latest release, After Forgetting (2017), is a new vinyl release with Bill Brennan (piano), Mike Downes (bass), and Mike Billard (drums) and produced by Glen Tilley. Previous solo albums include Rock Music with Curtis Andrews (2010); Still No Word (2008 ECMA Nominee); Hold Out (2005 ECMA Nominee).

Patrick balances a life in performance with dedicated scholarship and active community engagement. He holds a Doctorate of Musical Arts (2012) from the University of Toronto, a Masters Degree in Ethnomusicology (2002) from York University and a Bachelors Degree in Performance from Memorial University (2000). His innovative research investigates how improvisation, particularly collective improvisation in organizations, can help negotiate situations of tension and anxiety. Patrick has been awarded grants to study, record, and tour from the NL Arts Council, FACTOR, and Canada Council including work at the Banff Jazz Workshop and Hrvatska Matica Iseljenika (Croatian Folkloric Academy of Music) in Brac, Croatia. Patrick writes for Canadian Musician magazine. He is also a sought after clinician/adjudicator throughout North America.

Current projects include intensive work performing live music for silent film under the banner of Active-Vision; a intimate trio with pianist George McFetridge and bassist James Young; Deep in the Groove with organist Dr. Tony Genge; Carnatic explorations with Curtis Andrews; a book and online project documenting the history of jazz music in Newfoundland; an album of trad music for trumpet; and ever-evolving collaborations with Neil Conway, The Discounts, and Mark Bragg. 

An in-demand sideman, his versatility is integral to several collaborations. Select performance and recording credits include Great Big Sea, Mickey Dolenz, Mike Murley, Hey! Rosetta, Fred Penner, and many more. Twice, MusicNL recognized Patrick as Side Musician of the Year. Patrick led the rap and roll group Trimmed Naval Beef and in his heart, he still does.

Future Knock is a genre curated by DECAP. The KNOCK sound is a melting pot of Hip Hop and Trap, characterized by hard hitting drums and janky rhythms.

Submit music during DECAP Twitch Livestream - follow for going live notifications 
http://twitch.tv/decapmusic

When Prophet-Z (pronounced "Prophet Zee") is not blazing the stage at night with powerful Reggae music, he is somewhere in the inner city of Brooklyn writing his next hit to record in the studio.

meeks999 is following