//artists

@burroakmusic
facebook.com/burroakmusic

@lifesizemc
facebook.com/lifesizemc

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Excl. 09.04.21
& Worldwide - 23.04.21

Scruggs & Sonny Jim had ridden long since dealing the final blow to the plantoid behemoth that had first impeded their journey some many months ago. They had left that beast’s lair far behind, and happily so for the stench of commingled acrid sap and gunpowder that filled it once the pair had finished. Astonished by the wonders of this alien land, their journey had lead them through biomes never before seen, in which red rock sandstone bore forth soaring forests filled with idyllic glens and treacherous thickets alike. Through these, they had climbed in an ascent to a high plateau, and it was at this peak that the pair saw a sight unrivaled by any in their journey thus far.

Rising above the forest that continued onwards below was a great stone structure of peaks and turrets, connected by a network of bridges that hung precariously over the ravines and canyons of the mountainside upon which it was built. The building’s spires rose to a height of such impractical grandiosity that the pair wondered what the purpose of such a structure could be or, more than likely, could have been. For all of the stature that it had certainly once commanded, the building was a shell of its former self, a relic of unique hubris worn bare by the selfsame forces that allowed the forest beneath it to thrive. No light shone from its windows and no figures stood atop its balconies, for whatever cataclysm had befallen its creators had driven them from this place long ago. All of these thoughts passed through Scrugg’s mind as he gazed upwards, and to synthesize them he asked a single question of his partner, Sonny Jim.

“Hey, Sonny Jim,”
“Yeah Scruggs?”
“Why the hell would you bother hauling rocks all the way up there?”

With nothing but a grunt and a shrug in response, Sonny Jim spurred his horse onwards, and the two resumed their journey, riding into the shadow cast by the great castle that lay above.

BURR OAK drive the EATBRAIN horde into the shadowed depths of their latest EP, DARK AGE, the latest from the duo, and a follow up to their previous releases Roots of Evil & Hawkeye on the label. Within, the duo unleashes six tracks stacked with aggressive tonalities and futuristic textures that unveil the latest in the sonic tale of these twin bassline masterminds.

Dark Age

Dark Age EP

Burr Oak Ft. LifeSize MC - Dark Age (Eatbrain 120)

Available to buy now! [Surus Exclusive] → http://bit.ly/HelloWorldEP

The Critical pressure keeps on coming with an EP of epic proportions from two of D&B's leaders of heavy end, dance floor material. From the militant stance of the leading track 'Disrupted' to their own slamming remixes of each others tracks and the future-robo vibes of 'Void Main Void', this EP is destined for clubs the world over.

WORLDWIDE RELEASE - 7th April 2014

https://www.facebook.com/mefjus
https://www.facebook.com/EmperorDNB

http://www.criticalmusic.com
https://www.facebook.com/criticalmusicdnb

Mefjus & Emperor - Void Main Void [CRIT075]

GRAB A COPY → smarturl.it/SHA077
AND ON VINYL → bit.ly/4ward-Vinyl
--
Taken from the 'Countdown EP' - here's Fourward's down right nasty 'Phase Align'. Click the [↻ Repost] button if your feeling this!
--
Follow FOURWARD
FACEBOOK → www.facebook.com/fourwarddnb
TWITTER → twitter.com/Fourwarddnb
SOUNDCLOUD → @fourward
--
Follow SHOGUN AUDIO
Subscribe → bit.ly/18npMPV
Like → bit.ly/SHA-Facebook
Follow → bit.ly/SHA-Twitter

BUY NOW

Fourward - Phase Align

Following up on his landmark 'Martian Chronicles' LP for Commercial Suicide, Mindscape has carefully selected a number of artisanal craftsmen to delicately fondle and caress his excellence into a series of outstanding reworks. Witness this, the first volume of greatness, with remixes from Tech stars, Jade and Chris SU with digital bonus remixes from Nymfo and CZA.

MINDSCAPE - Stardust (JADE remix) [Commercial Suicide 081]

OUT NOW !

Hibernating against an already impressively tight discography,
Program has been biding its time in unleashing this next release.
With some of the genre’s most technically adept artists, the track-
listing alone is enough to grab your attention. There is a high
calibre of production standard present throughout the LP, audible
from start to finish.
Whether you become submerged by Freek’s rolling ‘Enamoured’,
accompanied by the pristine vocals of Pia Thaleia, or captured by
the apocalyptic sounds of Slang Banger’s ‘Slaughter House’, every
taste is catered for. Program sets aside its older sister label Ram and creates a breathing space, allowing it
to grow. The label is a heavyweight in its own right; this album is only reaffirms that fact.
And such a range of versatility comes with names both old and new. L 33 returns to the imprint, with
clashing bass conundrum ‘Manipulate’. Gerra & Stone also make an anticipated reappearance; their
contribution ‘Po’rdosol’ is a steppy riddim constructed through a medley of beats and sliced up sample.
But relative newcomer Elliott Mac uses the LP as a pedestal for another stellar production. The budding
artist flexes his capabilities across the soundscape of ‘Filter City’, delicately composed yet highly intricate.
It’s demonstrative of Program’s dedication to emerging artists, sifting through cyberspace to showcase some
of the best acts the underground has to offer.
So now it’s time to prepare your subs and plug in your speakers – Program have made a welcome return,
further solidifying their position as leading tastemakers with a quality ensured guarantee. It’s once again,
time to get with the Program!

L 33 - Manipulate [ProgRAM] #EncryptedLP

the Same Shit

Footpath / Leibniz (OUT NOW on Virus Recordings)
Spotify → http://po.st/FootpathSpotify
iTunes → http://geni.us/Footpath
Beatport → http://po.st/FootpathBeatport

Mefjus
Facebook → https://www.facebook.com/mefjus
Twitter → https://twitter.com/martinmefjus
Instagram → https://instagram.com/martinmefjus

Virus Recordings
Like → https://www.facebook.com/VirusRecordings

Listen on Spotify

Mefjus & InsideInfo - Footpath (ft. The Upbeats) OUT NOW

Forthcoming on the Obey EP.

Release date: April 15th

Obey

Telekinesis - Listen

Optiv & CZA - Strangerlands - (Terminal)

Release designation // Node 0X00A
Label designation // Terminal
Availability // 22.11.2016
Catalogue // TRMNLVA002

FOLLOW OPTIV //
SC - https://soundcloud.com/optiv
FB - https://www.facebook.com/djoptiv

FOLLOW CZA //
SC - https://soundcloud.com/markcza
FB - https://www.facebook.com/CZAMusic

FOLLOW TERMINAL //
SC - https://soundcloud.com/terminalnode
FB - https://www.facebook.com/terminalnode


Terminal release array online

NODE 0X00A access granted - quarantine dissolve complete. 4 x heavy tech components available // attributed sources: OPTIV & CZA - CURRENT VALUE - MALUX - DISPROVE & TOBAX. Sonic weapons systems active: line array audio discharge effect prediction // cataclysmic effect on human anatomy with social nocturnal environment fallout.

Deploy

The TERMINAL collective (MethLab - Eatbrain - Bad Taste) unleash 4 tracks of pure tech devastation from a tight selection of leading forces in dnb - legends and pioneers Current Value, Optiv and CZA alongside the hype fresh talents of Malux, Disprove and Tobax. Following up the first free Terminal VA that launched the entity, and Current Value's hard-hitting  'Partition' EP; the NODE 0X00A EP continues the Terminal route with its lean and sharp tech audio aesthetic, designed to devastate the dancefloors of our era, as the awe and terror of this cyberpunk age blossoms around us.

Node 0X00A

Node 0X00A EP

360 Vid - Listen Full

Optiv & CZA // Strangerlands - Node 0X00A EP (Terminal)

Evolutions, Vol. 4

Disprove & Merikan - Circle Of Confusion

//artists
@nais
facebook.com/nais.dabro/

@teddykillerz 
facebook.com/teddykillerz1/

@nuklearmc
facebook.com/nuklearmc/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

Release Dates // BP Exclusive - 22.07.19; Worldwide - 05.08.19

Created beyond the reach of time was a being of singular purpose and identity, unknowable to those who dwelt within the presence of that same ever-flowing universal force. Its existence predated the creation of their universe, an event it had watched carefully with its many eyes focused upon that which took its fancy. Aloof as it was, it took interest in the most pivotal figures of that little universe, guiding their paths with nonchalant ease as they went about heroic lives within their insignificant realms. Their greatest triumphs, their most harrowing failures, the beginnings and endings of their myriad tales: all such were born of the fleeting desires of the being which lay beyond their minuscule conception.

Those minuscule creatures had given the being many names in their many languages and portrayed its form in innumerable fashions, each uniquely fantastic and decidedly far from the truth. The being cared not of these misinterpretations however, finding instead a humor in their inability to even scratch at the surface of its incomprehensible existence. Its true title was after all for them impossible to pronounce, and thus the being held a detached amusement for the names it had been given. In times long past it had been fate, providence and even kismet, but in this new age of their world such archaic titles held little meaning, and the being styled itself around a term it found most peculiar, guiding their world under the name of SELECTA.

NAIS makes his EATBRAIN debut with the SELECTA EP as he continues his meteoric rise in the Drum & Bass scene. Hailing from Russia, NAIS has delivered recent releases across labels such as Playaz Recordings and Kosenprod, as well as collaborations with longstanding heavyweights such as the TEDDY KILLERZ and forthcoming material on RAM Records. With the SELECTA EP representing the next step in his ambitious launch sequence, NAIS holds nothing back as he broadcasts a four track selection of brashly energetic neurofunk to the EATBRAIN horde.

Selecta

Selecta EP

Nais - Pay The Bill (Eatbrain087)

Based out of Linz, north Austria, Martin Schober is a singular protagonist at the forefront of this beguiling game we call drum & bass. He likes hip-hop, skateboarding, schnitzel, Leibniz biscuits and long walks in the sunset, but he’s most respected for how he traipses across electronic music’s wildest terrains with total boundary abandonment… And is regarded as a leading influential new-gen figure in the genre. 

From his agenda-setting halftime twist of ‘Sunday Crunk’ to his rolling, emotional collabo cameo on Camo & Krooked’s acclaimed album ‘Mosaik’. From his entrance into the Fabriclive mix hall of fame with a mix album comprising entirely of his own productions (‘Fabriclive 95’) to his Drum&BassArena Award-winning debut album ‘Emulation’, Mefjus’s signature sound has been felt across the furthest expanses of the genre since he emerged in the early 2010s. 

Now working closely with Vision - the label run by kindred studio spirits Noisia - Mefjus continues to fine-tune his musical syntax, technical dexterity, eye for detail and deft groove sensibilities. The latest chapter to savour this on-going flux of development is his second album ‘Manifest’.

Released April 2018, ‘Manifest’ is the sound of Mefjus 2.0. After several years in the studio wilderness, exploring the dark science of song structure, musicality and textural contrasts, ‘Manifest’ captures a new mindset for Mefjus. Raw, energetic, playful and subversive, ‘Manifest’ is the most personal, diverse and daring body of work to date. Not so much as reminder of why he occupies such a unique position in drum & bass but a straight-up statement of intent.

So now you know. And knowledge is power. Thanks for reading.