Space Dragon is unabashedly and unapologetically the rock and roll equivalent of a flying drop-kick off the top rope to the temple. Brought together by cosmic coincidence and a warm bowl of friendship, the members of Space Dragon have begun to unleash the fury on audiences all over Hudson Valley; their master plan includes dominating the Tri-State, the world, and of course, the deepest reaches of the unknown universe... Featuring super crunchy and tricked-out grooves, powerful vocal harmonies, thrash rock, and bugout jam improvisations, Space Dragon leaves the listener happily bewildered and drenched in sweat on an interstellar auditory journey through a parallel consciousness. Their fans are often referred to by the casual observer as "victims" or conversley, "success stories", but to Space Dragon, they're all Moms and Dads. The band is comprised of a super group of Newburgh-based hard rock mainstays: Alpha Male Gorillas, Dylan Doyle Band, Jeremy Torres and The Strange, and Das Super Gruppen. Spacey D is pure HeaVy Mellow Hudson Valley rock and roll at its grungiest, trippiest, funkiest and most guttural. As the Dragon takes flight, audiences are encouraged to take notice, take medication, and take cover.

This Never Happened is a record and event series created and curated by Lane 8.

Experience the moment. Don’t record it. This Never Happened.

Nocturnal Hip-Hop Artist from Newburgh, NY

WATCH BACK TO MY DEMONS PT II VIDEO HERE:
https://www.youtube.com/watch?v=EPmyzoZ_OPQ

WATCH BACK TO MY DEMONS PT I VIDEO HERE:
https://www.youtube.com/watch?v=1EjW9Cbi4hI

Dirtwire is a traveler’s collage of Earth-borne instruments and electronic sounds foraged from Electric Forest to the mountains of Tuva. From their home on the west coast of the United States to far-flung destinations all over the world, these troubadours are welcomed for speaking the most unifying language there is: music.

Every live set is a magician’s surprise show, an invitation to experience instruments that are usually heard only as samples in electronic music. It is a celebration of the art of the instrument, not just the sound you can record from it. Future revival, swamptronica, spaghetti-step, electro-twang — whatever you call Dirtwire’s music, what matters is that you can dance to it, as sure as a lizard dances in the desert.

Dirtwire, comprised of lifelong friends and musicians Evan Fraser, David Satori, and Mark Reveley, are touring now in support of their new record “Road Goes All Night”. The road goes further yet, friends. Come see where it leads at a show near you.

Visit http://dirtwire.net for more info. Email MRunner@paradigmagency.com to have us over to your neck of the woods.

Big love and thanks for the reposts, favs, and share love. 

David Satori & Evan Fraser & Mark Reveley

Now Touring. Coming to a city near you!
https://thepolishambassador.com

Music I like =  @jumpsuit-records

Download Lossless Files at
www.JumpsuitRecords.Bandcamp.com

Forgive my curiosity but I have to see it all 

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

Spotify: http://buff.ly/1CZt8xT
iTunes: https://itun.es/us/1dOl0
TikTok: https://www.tiktok.com/@evvymusic

Contact: EVVYofficial@gmail.com

Aspiring Hip Hop artist from Newburgh, NY named drievedota (pronounced 'dreev-dot-uh'). His passion for the art and culture of hip hop began rooting early on in his childhood around the age of three. It was his older brother who first introduced Adam to a genre of music that would end up becoming the love of his life. His passion for Hip Hop has only grown stronger since. His lyrics paint vivid images in graphic but truthfully tragic detail, semi-autobiographical views of a generation tormented by the current state of affairs in society, its authority and judgments, relationships and family, and the effects on his generation resulting from the never ending war on drugs. All music is now solely written, recorded, engineered, mixed, mastered, and produced by Adam "drievedota" Driever at his home recording studio. His company, named after iconic intro track, "Striving For Perfection" from Raekwon's classic debut, "Only Built 4 Cuban Linx...," was inspired by both the raw content of the intro track and the title itself. "Striving For Perfection", couldn’t be a more accurate description of the passion and drive, drievedota, has for his life in music and the direction of his art.

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Eames High is a performer, multi-instrumentalist, producer, and engineer based out of New York. Eames transcends different genres by blending the allure of pop, indie, electronic, and r&b into a petri dish of hypnotic excellence. Through strong lyricism and addictive melodies, Eames speaks to the past, present and future posterity.

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