The Less I Know The Better

Written by Blake Ewing
Performed by Blake Ewing with cello performances by Craig Hultgren
Album art by Matthew Salleh and Rose Tucker

Spotify: open.spotify.com/album/6pyl44xfQw…e4aca961eded4a88
Apple: music.apple.com/us/album/we-dont-…dtrack/1566426258

Film, CD, vinyl: www.wedontdeservedogs.com

We Don't Deserve Dogs (Original Motion Picture Soundtrack)

New Chapter

Eliot James & Tom Hobden of @petraleksander have been working away on new music for the last year, and we’re thrilled to be releasing the resulting LP ‘Collage’ this September! 

The record's sparkling first single ‘Fireworks in G’ is out now, and you can give it a listen wherever you find your tunes: IDOL.lnk.to/pa-fireworks

“A crackling modular synth, reminiscent of a firework display in the distance, provides what we can imagine as a spectacular backdrop for the unfurling of a far more intimate scene, played out between a mournful viola and its string family counterparts…”

Collage

Fireworks in G

Pre-Order 'Collage'

Pêtr Aleksänder - Fireworks in G

New Winter
Spade Brooks
Produced by Brock Hewitt

https://open.spotify.com/artist/2GCSNNNTph8mnMlU40Q9ne

https://music.apple.com/ca/artist/spade-brooks/1368707840

Stream

New Winter - Spade Brooks

The modern royalty-free background music features a flowing piano melody in an expressive mood.
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► Listen to our music on Spotify: https://open.spotify.com/artist/3RJEH9kG2WiFynk0sqeu4m
● iTunes / Apple: https://itunes.apple.com/us/artist/1495275679
● Deezer: https://bit.ly/4e2Q7f0

If you like my music and would like to support me, you can buy me a coffee here:
https://www.buymeacoffee.com/melodrama
Thanks!

Buy License

Sacred Waterfall - Mélo | Time Laps Piano (Free Download)

From "Going Home", Tristan's new album of solo piano improvisations.  Listen to/download the album:  https://tristaneckerson.com/

For "Going Home", Tristan Eckerson's first full length album in two years, the composer/pianist decided to shy away from his normal compositional approach, opting instead for an album of completely improvised pieces for solo piano. Recorded by Tristan with the unique sound of the Una Corda piano, the stream of consciousness tracks evoke the sounds of Tristan's influences, including Ryuichi Sakamoto, Tigran Hamasyan, and Ballaké Sissoko, and hover between the worlds of classical and jazz.

Endless Field (From The New Album - Going Home)

@akirakosemura invigorates the ivories in his marvellously executed new piece Osmanthus. Occupying a special place on the cusp of night and day & summer and fall, this reflective lullaby evokes the alluring fragrance of the historic osmanthus flower...

To celebrate our 3rd release with Akira, we've bundled Osmanthus as a mini-EP which you can find now wherever you listen to music: li.sten.to/osmanthus

Osmanthus

⊜ spotify

Akira Kosemura - Osmanthus

We could not be happier to announce that we'll be releasing Ole-Bjørn Talstad's debut record 'Ferd' on February 24 2023. 'Ferd' is an old Norwegian word meaning journey or voyage, which can also be used to indicate someone's journey through life. It is an apt name for Ole-Bjørn's album, which, while containing doses of nordic melancholy, perfectly captures his hopeful and optimistic outlook. 

We'd love for you to check out the first single 'Her' which is out now : moderna.lnk.to/her

Ferd

Ole-Bjørn Talstad - Her

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@edcarlsen
Ed Carlsen: piano, programming
Recorded by Ed Carlsen 
Mixed by Ed Carlsen
Mastered by Emil Thomsen

distorted strings:
Matias Emil Fyhn: Cello
Sofia Kongsgaard Lang: viola
Nanna Treu: violin

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Ed Carlsen - Weaved (Algorithmics/Piano Day 2017)

Nocturnal blue (Solo piano - Meg Blumberg)

Wind (ft. Daniel Calabro)

Influenced by the likes of Dustin O’Halloran, Ólafur Arnalds, Max Richter and other neo-classical giants, Meg's piano compositions are truly a blend of old and new. Her style is deliberate and visceral, weaving rich narratives through measured shifts in movement and dynamics. She oftentimes implements a melody-driven discipline in composition, whereby the central theme of a piece takes an unrivaled lead and establishes the character or mood with which to build around. This is not to say that Meg’s work is minimalist; she isn’t afraid to take a piece somewhere unexpected or furnish it with complementary layers. Rather, she doesn’t let harmony or instrumentation overshadow the main communication of her work, which is to be found in the melody. 


For inquires: Megbcomposer@gmail.com