Yours Lo-fi  ( you are exactly where you need to be )

You can listen to Gujarati songs in lo-fi versions : )

🌊 Artist Name - Yours Lo-fi

🌊 Artist Social Media Links:-

🔥INSTAGRAM- http://bit.ly/instayourmusicprodction
🔥SPOTIFY- https://cutt.ly/OnxLiE0

Moti Veraana ( Lo-fi Remix )

Shree Ram Janki | Remix | ITS SK REMIX श्री राम जानकी बैठे है मेरे सिने मे Dj Remix Song 2K22

Music Produced by : ITS SK REMIX

⚠️Don't Upload This Song On Your Channel⚠️

Get Connected :
Instagram : https://www.instagram.com/Itsskremix

Facebook : https://www.facebook.com/Itsskremix

High Quality Download Link :- Search Itsskremix On YouTube 

Credits :
Music - saregama
Lyrics/Singer -  Lakhbir Singh Lakha

Some Lyrics -  श्री राम जानकी बैठे हैं मेरे सिने मे देखालो चाहे दिल के नगिने मे... Ram Bhajan Hanuman Bhajan

Shri Ram Janki Circuit Drop Remix ITS SK REMIX.mp3

RRR Music bgm

Chandaliyo Ugyo Re

Yaniv Gabay - Shabbat Malka

CELESTIAL NORTH Viking Battle Music Epic Nordic Music Game & Film Instrumental Soundtrack Music No ON V 15 by Ali OKUR

CELESTIAL NORTH Viking Battle Music Epic Nordic Music Game & Film Instrumental Soundtrack Music No ON V 15

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


THE LOWEST CHAMBER

Govyachya Kinaryav DJ Manoj Mumbai And DJ Sunil Sky [UT](MumbaiDJs.Net).mp3

VIKRAM VEDHA BGM (Original Background Score)

Mission Impossible Indian Version | Tushar Lall

KGF: Garbadhi Song 8d audio

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music is my life