Alot of interesting sounds to take in from this. Love the tight rhythm going on

RΛVE

Common Ground

Tomorrow Will Be Like Yesterday

Cloud Walker

Murazzi is a particular location of Turin close to the "Po" river full of pubs and bars, especially way in summer night there is a lot of people and sometimes strange drunk things happen 😄🍷🍸🍻.
Originally released in 2010 this is the historic link :
https://www.jamendo.com/track/695838/murazzi

A Due Act

Murazzi

Good Thing

Bluesfest 1987

Song composed & created by The Boilerman
Eric created & plays: all rhythm guitar
Eric created & plays: beginning & second & end lead guitar
Mike created & plays: third lead guitar
2Nick8 created & sings: all vocals
Eric created & mix's: all drum, bass
Production by E.H.T Studios
Thank you, Mike & Nick for putting your awesome lead guitar & vocals on here, it was fun!
Thank you for listening!

Please visit my friend "Mike Polcari" @soundcloud.com/mikepolcari

I AM FIRE

I AM FIRE - ft. 2Nick8 & Mike Polcari

Composer: Karl Heimgartner Date: January 20th, 2024 / © Copyright
Genre: Funky – Jazz
Single: 2024
Track: 8.
Title: When the Night Falls
Lyrics: Karl Heimgartner
Drum: Jimdooley / https://jimdooley.net/user/register
Album cover: It's the shopping street inside our MSC cruise with EURIBIA.
Title: When the Night Fall


MTM has mastered real music production.
Mixed by Christine Sampson
Mastered by Alessandro Giordano from MTM

I hope my fans like this funk jazz song with only a little singing from the song.
I sent the finished track and 30 stems for mixing and mastering
to MTM Mastering True Music Production in Spain.
Listen to the professional result.
It worked very well. A very nice team from Spain.
Thank you for the cooperation, Freddie and Team MTM Mastering True Music Production




https://karl-heinz-heimgartner.jimdosite.com/

When The Night Falls

Spring

I Guess I Should Have Told You More Than I Did

Searching

The emotional feeling you get when you rediscover items from years past. 

Lost Letters

In the vibrant tapestry of Australian activism, Jack Karlson emerges as a bold and indomitable figure whose fierce commitment to social justice and human rights challenged the very foundations of oppression in New South Wales. Born on February 26, 1950, Jack's life was marked by an unyielding courage that set him apart. His iconic declaration, "this is a democracy manifest," during his arrest on a day that would reverberate throughout the country, became emblematic of his struggle against systemic injustice, symbolizing the collective yearning for freedom in a democracy that often fell short of its ideals. Jack's confrontation with law enforcement on that fateful day is not just an incident but a pivotal moment in Australian history—a moment that ignited a wildfire of discourse on civil liberties. His arrest by the notoriously corrupt New South Wales police on September 1, 1988, was not merely an individual act of defiance; it was a clarion call to all who believed in the foundational principles of democracy. Jack's words echoed in the hearts of many, capturing the raw tension between authority and the people’s right to protest. He stood firm, embodying the spirit of those who dared to speak truth to power, making it abundantly clear that issues of justice were personal, immediate, and urgent. A lover of music, Jack often channeled his fervor into the strings of his Spanish guitar, the instrument serving as both a release and a rallying cry. Those melodies spoke of rebellion and resilience, marking his identity as both an artist and activist. Jack’s favorite expletive, "fuck," often punctuated his passionate speeches, a passionate expression of his contempt for the corrupt systems that sought to silence voices like his, illustrating the raw emotion and truth he felt in the face of oppression. Jack's commitment to activism did not wane in the face of adversity. He dedicated his life to advocating for the marginalized, fighting against not only police corruption but also broader social injustices. His boldness in confronting authority inspired countless others to take a stand, igniting movements and fellowship among fellow activists. In particular, his ability to articulate the struggles faced by common people resonated deeply with those who felt voiceless in the complex machinery of governance. In a poignant moment shortly before his tragic passing on 7th of August 2024, Jack received a visit from the legendary bass man Tommy Zygote and legendary bass man JFJ from Thrashing Zombies. Zygote, who understood the depth of each protest, connected with Jack on a level that transcended mere camaraderie; it was a meeting of minds dedicated to a singular cause—human rights and freedom. Their dialogue was one of mutual respect and understanding, showcasing the profound connections forged in the heat of activism. Now, as we reflect on Jack Karlson’s remarkable life, this song serves as a tribute to his spirit and unwavering dedication to justice. It captures the essence of his unwavering stance, ensuring that his legacy is felt for generations to come. Jack's message continues to echo through our streets and hearts, reminding us all that true democracy is crafted not just in the halls of power, but in the passionate voices of those willing to stand firm against tyranny. Through his legacy, we remember that every voice, like Jack’s, has the power to ignite change, inspire action, and ultimately foster a world where justice and equality reign supreme.

Secret Empire

Democracy manifest in Spain

Democracy Manifest in Spain

Buy ✅

Linkin Bos

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/bouh-volta-mirage-sud
* Listen on Youtube: https://youtu.be/KdXvzs2_fxg
* Pre-order: https://miragesud.bandcamp.com/album/the-curvature

Mirage Sud is proud to present its third release, The Curvature, the debut EP by Bouh, a young and talented Parisian producer.

Every experience is a lesson, whether born from an accumulation of knowledge or by chance. Music, like a tale, takes us from the known to the unknown, an endless quest in the art of storytelling. It guides us through sonic landscapes that unfold, creating parallel worlds in constant evolution.

Bouh’s compositions are just this kind of story, an initiatory path resembling the monomyth of the hero. Each sound pushes us to explore further without merely being another variation. It’s a journey towards new places of transformation. Through a progressive and refined trance, he immerses us in an epic, textured, and psychedelic sonic adventure. His tracks twist, expand, and contract like a breath, leading us beyond the simple cycle.

Like a melody that takes time to reveal itself, his work invites us to appreciate the detours and deviations. When we subtly dance with uncertainty, irregularity ceases to be a flaw and becomes a form of beauty that can be found in every variation. The Curvature is the story of a line that wanted to be a curve. It’s the beginning of a spiral, a path to infinity.

PREMIERE: Bouh - Volta

Jazz in the Burbs Series by Dave Kaspar
Zoom H8 Internal Mics>FLAC 96/24>Soundcloud
Recorded & processed by Chris Fisher

LGC:
Dave Donely on Percussion
Adam Fisher on Lead Guitar & vocals 
Chris Colabello on Bass
Mike Cortese on Drums

Caravan (Duke Ellington)

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Bluesfest 1987

Mekkbuda

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