The calm, soothing sounds make me feel like I’m exploring new places

great guitar tone and deep atmosphere, nice work

Thank you. You performed a wonderful performance and the background was wonderful. I envy you for creating songs with soul.

Watch the video clip for this track : www.youtube.com/watch?v=lSsW4L3VfaA
Maya Demarle: Vocal Improvisation (at the Recording she were 6 Years old) Franz Kuppler: Flute, Mekkbuda: Instruments, Editing

Maya lost in universe, yearning to be at home, at home

Main Room Essentials Vol 20

#Synthpop #Electro #Jungle #House #Dub #Ghetto #Coldwave

Radio Edit (edited for radio play).

Music, Lyrics, Songwriter, Producer, Engineered by Faris Ingle 
Lyrics, Vocals by Wile E. Coyote (aka Kelsey Coyote)

118 BPM: This tempo is relatively moderate, which aligns well with some of the moods I've identified, such as calm, relaxed, and leisurely.

Key: E minor: Minor keys are often associated with more melancholic or introspective moods, which can help explain some of the emotions conveyed in the track, such as sadness and introspection.

Predominant Vocal Gender: Male: This detail may be less relevant to the mood and genre analysis, but it can still provide useful context for understanding the vocal performance and the artist's style.

Vocal Presence: High: A high vocal presence indicates that the vocals play a significant role in the track, which can impact the overall mood and emotional expression of the song.

Meter: 4/4
The 4/4 meter, also known as common time, is the most widely used meter in Western music. It consists of four beats per measure, with each beat typically subdivided into smaller units of two or four. This meter provides a steady and stable rhythm, which can contribute to the overall cohesiveness of the track. It can also enhance the danceability and accessibility of the song, making it easier for listeners to tap their feet or move along with the beat.

Musical Era: Late 1990s / Early 2000s
Identifying the musical era can help contextualize the song's creation and influences. The late 1990s and early 2000s were a time of significant musical experimentation and innovation, with electronic, hip hop, and alternative rock genres gaining widespread popularity. During this period, artists often blended elements from various genres to create unique sounds and styles.

Kelsey Coyote's Reflections

Canyon Echoes - Kelsey Coyote's Reflection

🦊 Kelsey Coyote 🦊-🏔️⛰️Canyon Echoes⛰️🏔️-🔊🔉🪞Kelsey Coyote's Reflection🪞🔉🔊 📻(Radio Edit)📻

"Who you decide to be" is a reminder of a beautiful truth ... which is the power of the moment and how it is totally up to you if you continue repeating yourself or change behaviors so you can serve the light! Almost like a mantra, this track lifts you up with sweet singing melodies, leaving the listener with both an earworm and an expansion of the heart chakra ... We bless you and wishing you all a deep healing!

https://haleen1.bandcamp.com/track/who-you-decide-to-be-i-create-reality-rewind

Let the sky dance for me
I create reality
Are you ready to return to an eternity of glory and
Blessedness

You are not your mistakes
You are not your wounds
It doesn't matter who you used to be
You are not your past
You are not your mishaps
What matters is
Who you decide to be
Who you decide to be

Don't try worry
Struggle to change
You know deep inside
You will one day
Trust that feeling
Accept the moment
Transcending a natural flow

You are not your mistakes
You are not your wounds
It doesn't matter who you used to be
You are not your past
You are not your mishaps
What matters is
Who you decide to be
Who you decide to be

Who you decide

You are not your mistakes
You are not your wounds
It doesn't matter who you used to be
You are not your past
You are not your mishaps
What matters is
Who you decide to be
Who you decide to be

Who you decide to be

from Rewind, track released August 2, 2024
Composers - Hans De Bruck - Kathleen Merckx
Lyrics - Kathleen Merckx - Hans De Bruck 

Who you decide to be ( I create reality - rewind )

Who you decide to be (  I create reality - rewind )

You know that feeling inside 
You can no longer hide 
Seizes control of you
And you just gotta let go 
Let the music flow thru you 
Start Dancin around 
Start dancin around

jRicks - Dancin Around

Afrohouse remix of Ishq Bina from the classic Bollywood film Taal.

Follow me on Soundcloud for all of the latest releases and send any songs you'd like to hear transformed into Afro/Deep house songs that will keep you grooving!

Ishq Bina (Toofaan Edit)

A nostalgic dive into the golden era of 90s house, "Pleasure" is a celebration of dancefloor energy, timeless piano riffs, and soulful beats that nod to the roots of classic house music.

Library Fighter draws on his eclectic music background to create sounds that feel both familiar and fresh. His love for vintage synths, house piano, and deep grooves shines throughout, offering listeners a full spectrum of dance music’s emotional highs.

In his own words, Library Fighter describes the project as a passion piece that captures the essence of what he loves most about house music.

"I wanted to create something that felt like an homage to the golden era of house — those 90s tracks that really made you feel alive on the dancefloor. The piano in 'There's A Light' and 'The Time is Right' is all about that infectious energy, and with 'Pleasure,' I wanted to take things a bit deeper, more emotional. The whole process was really about tapping into that raw feeling of joy and connection that great house music gives you."

The "Pleasure" EP will be available on all major streaming platforms on 20th September.

Library Fighter - The Time Is Right (Radio Edit)

(Lyrics & Links below)
Twitter - https://twitter.com/mightbdabest
Insta - https://instagram.com/dazhonbabyg?igshid=M2RkZGJiMzhjOQ%3D%3D&utm_source=qr
TikTok- https://www.tiktok.com/@randomrapguy97?_t=8ho5F7s8wNn&_r=1
SoundCloud- https://on.soundcloud.com/6n7UtJZeqKGN1Af69

(Lyrics)
They say the eyes are the window to the soul, so how was I suppose to know that someone so beautiful would lack a soul, I know that sounds cold, but baby the world is, you gave what no other girl did, then you questioned me about what another girl did, things went left when objects you would hurl quick, I Lost all my patience feeling like this girl’s sick, plot twist, you preach gospel but only worshiped gossip, you played games with my heart like who’s not it, stop it, real eyes realize the most important optics, You’re Jalen green with envy watch me take off like a rocket, your tendencies are chaotic, your eyes were hypnotic, made me psychotic, body out of this world kind of telescopic, astrology type, you were too perfect  I should’ve known something wasn’t right, now in my songs I tend to write, about this angel that ruined my life, you were my everything yeah right… Baby don’t address me, please don’t text me, don’t try to switch up like next week, talking about you can’t forget me, You’re smart but something is missing, in college but moving only on you’re intuition, my flow is worth your tuition, sit down and listen, stop playing the victim, who’s really the villain, I’m the artist, but you’re painting a perfect image, you claim that you’re different, but low class girls you tend to mimic, let me finish, forget being being timid, cry me a river I hope you drown in it, how you lack a character, and act like the main character, I’m like she has to know that’ll embarrass her, or even worse embarrass me, I’m a stand up guy I put you on your feet, treated you like a queen please, but that’ll cease, indefinitely, before this day is complete, I need to set her free, and flee from this flea that’s a pest to me, I just exterminated this beat, R.I.P…

- Da’Zhon Davis.
Striving For Greatness

No Hook Just Emotions

Nishul (Skelly) - Stereolithica 653

JUMP

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

Maya lost in universe, yearning to be at home, at home

Mekkbuda

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