The Techno/House label Fragmented Records set up in the mid 90s was my label, I released music from the likes of Dan Curtin, Morgan Geist, Jay Denham, Chris Gray, Paul Mac & Jaime Read.  I've produced music with Craig Walsh under the name The Cause for various labels , I have been involved in compiling numerous compilations including Techno Nations, Deep States & Elements of Jazz. I have DJ'ed all over the world including Brazil, Uruguay, Germany, Italy, France, Belgium, Holland, Ibiza to name but a few, although I'm not active and Djing full time anymore I still keep my ear to the ground and guest spot on various Radio shows when approached. I love House, Techno & Electro but have been collecting records since the mid 80s when I first got into clubbing and the Boogie and Jazz funk sound. Follow my Instagram account for regular selections posted from my 10'000 + collection....  scott_braithwaite1968

https://move-d.bandcamp.com
http://www.discogs.com/artist/Move+D

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.
 
SAMA, meaning ‘sky’ in Arabic, started mixing in 2006 in parties around Ramallah, Palestine. Several years later she started producing her own music and expanding her interest in synthesis in 2010, with a focus on techno, house, and other deeper sub-genres of electronic music.
 
The artist graduated from the United Kingdom with a BSc in Audio Engineering and Music Production, then moved to Cairo where she worked as a sound designer for film, became a music producer and then instructor. SAMA’ now runs her own Audio Engineering & Sound Design company working across films and documentaries in the Middle East. In 2017, she was selected as a Laureate by the French Institute, and during that time attended a residency at the International City of Arts in Paris. SAMA’ also runs a publishing company called Awyav, representing independent artists from the Arab world.
 
In late 2018, SAMA’s Boiler Room performance and the associated documentary about the scene in Palestine went viral and more and more people are seeing that music has no boundaries. SAMA’ was recently listed in SheSaid.So’s Alternative Power 100 List, and plays a high-profile set at Ibiza’s World Heritage Site of Dalt Vila for the International Music Summit in late May. She is currently working on a studio album.

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

🌲 Monument is a global community bound together by the transformative power of music, art and human connection.

To keep up-to-date with all things DJ Bone, Subject Detroit, ABM, DJ Bone ... Attacks!!! Please check our other Soundcloud account: 
http://soundcloud.com/subjectdetroit

You can also find us on Facebook:

DJ Bone ... Attacks!!! 
https://www.facebook.com/home.php?sk=group_107859342640645

DJ Bone 
https://www.facebook.com/DJBone313

Subject Detroit 
https://www.facebook.com/SubjectDetroitRecords

FYI, DJ Bone does not maintain this account personally. It is looked after by the Subject Detroit Web Team. 

If you need to reach DJ Bone, you can email him at: info@dj-bone.com

Thank you!!!

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To some he is the champion of the underground. Others see him for the first time and ask the person dancing like crazy next to them, "Where did THIS guy come from?"

Think of Detroit Techno and DJ Bone might not be high on your list of luminaries because he is 100% independent and does things on his terms and on his terms only. He won't tap dance or bend to fit the "popular" dj mold. Those who recognize Bone know him for his uncompromising and innovative ways.

It's no accident that two letters always precede Bone's name whenever he's on the bill. First and foremost, Bone is a DJ---in the truest sense. When he spins, it's as if the turntables and the mixer become a physical extension of his body. He employs every possible technique in the disc jockey arsenal masterfully: blending, scratching, backspinning, no monitors or headphones; unrivaled in his use of the fader switch and he incorporates them all into every set. From his standing room only residency performances to after-hours spots, he rocks every show as if it's his last.

What the general public and far too many DJs don't realize is that Bone spins as much for his own enjoyment as he does for the audience. It's a compulsion that only those who live for what they do possess and those who don't can never understand: Bone lives to spin-it's a necessary part of his existence. His dedication to the art of dance music and DJing is so untainted and intense that the tales of his confrontational encounters with flashy booking agents and "big name" djs are already the stuff of legend. No hype or trends, just a relentless drive and passion to take the party to another level. That's why he's one of the few spin masters other DJs hate to follow.

DJBone is one of Detroit's most coveted underground vinyl technicians. This very talented and highly sought after artist plays events and clubs worldwide, has held a residency at four of Detroit's top clubs and produces music inspired by the city in which he hales from, Detroit. His record label Subject Detroit is futuristic and unearthly while still displaying the true essence of Detroit's Techno Soul.

Bone experienced the emotion, passion and energy of Detroit Techno first hand at the infamous Music Institute. What he witnessed there, along with the eclectic mix of music filling Detroit's airwaves by the legendary Electrifyin' Mojo and The Wizard, would serve to be Bone's main influences.

Bone began his DJ career spinning groundbreaking sets weekly at The Love Club (The Shelter). From there he gained a dedicated following which eventually led to him playing at three different clubs five nights a week, as well as several underground parties in Detroit. An invitation to provide fortnightly, live mixes for the Deep Space Radio show on 107.5 in Detroit was also extended.

After hearing Bone in Detroit (1996 Love Club Anniversary Party), Laurent Garnier booked him to headline at the Rex Club in Paris. Soon after word spread and Bone was invited to play events all over Europe.

A lack of electronic music which fit his style led Bone to produce his own original songs to incorporate into his funky and eclectic sets. He took it a step further and started his label Subject Detroit focusing on true Sonic Soul.

In late 1997, Bone began his residency at the Motor Lounge in Hamtramck (bordering Detroit on all sides) pioneering an underground Detroit Techno night. Within a month, the number of Bone's weekly session attendees topped 1,000 as well as tens of thousands of others tuning in to his live set broadcast on the radio every Friday from midnight until 2 am (87.9 FM). Always looking to expand minds and move bodies, Bone took on the challenge avoided by so many DJs before him familiar with Detroit by name only. For nearly three years, he amazed his crowds, which included out-of-towners from as far as Japan and Australia alongside his Detroit faithful. Unfortunately, due to Motor's attempt to exploit what Bone had founded and loved, he decided to depart from the club and his residency.

Bone's observation of the trend to book producers to spin, as opposed to actual DJs, prompted him to go against the grain and establish himself as a DJ first and foremost. He believes that an individual's talent should speak for itself and not be overshadowed or misconstrued by hype.

DJ Bone describes himself as "an uncompromising, hype hating, 100% independent, real Detroit native come auditory striker and soul controller that cannot be bought".

"If the gig is set-up with the music as the main focus (as it should be), then I have total control over the vibe. That's my duty. I'm not worried about having a Hollywood production going on or special effects with video images, smoke, etc. Just playing the best possible music as well as I can. I feel the need to constantly progress skill-wise and I feel my 3 deck sets are truly unique. Many DJs have 3 decks in front of them but how often do they actually have 3 records playing all at once (with the levels up)?” – DJ BONE


Dj_recording artist_label curator: Atmospheric Existence Recordings
Hope you enjoy the selections.
For all bookings of Miles Atmospheric  / A.E.R. (worldwide) please contact:
 
atmosphericexistence@gmail.com

Alex Downey has been supporting the UK electronic underground movement as a DJ, record-shop manager and now radio presenter for nearly 20 years. Based in Brighton on the south coast of England, he is arguably the city's most prominent purveyor of all things Techno, where he is a regular fixture at the premier high profile events, alongside acts such as Underground Resistance and Derrick May.  
As the main driving force behind the counter at Brighton's highly respected and much-missed [covert] record store & web-site, he was instrumental in bringing quality Techno & House to the city - and beyond, developing along the way a boundless knowledge, vast record collection and infectious passion for the music that's unmatched by most. 
His musical taste & experience speaks for itself and his nocturnal activities behind the decks have earned him much respect and a great reputation amongst the global electronic community. He has been invited to perform at many key events such as ‘Free-rotation’ in Wales,'The Big Beat Boutique' & 'Stompa-phunk' in Brighton, 'Retro_vert' & 'Wiggle' in London, ‘Labyrinth’ festival & ‘Haus-Tek’ in Tokyo, and at many other far-flung destinations, hundreds of smaller parties and long-forgotten club nights that rocked hard, and kept the lifeblood of the scene pumping. He is currently resident DJ at 'Our Friends Electric' in Brighton as well as the 'Split' / 'B A L A N C E' parties in London where he has recently shared the stage with Red-shape, Dave Clarke, Robert Hood, Luke Slater and Carl Craig, to name a few. You can also hear him spin on the ‘Split Show’ - a globally syndicated online radio show with a large number of keen listeners worldwide that he co-presents alongside techno legend Ben Sims.
Alex’s energetic style and enthusiasm for all things deep & electronic are sure to bring some magic to the party and are matched only by his razor-sharp DJ skills. One of the UK’s treasures, solidly and confidently attending to business while other media-hyped storms have come and gone.

OCCA has been organising ARCHIV for over 10 years at the sacred club,  Precious Hall in Sapporo, located in the northernmost region of Japan, Hokkaido. With his own party ARCHIV at the core, he has been expanding his scope of activities from all over Japan to the rest of the world.
As an entity of singularity, he aims to transform time/space/spirit into unknown realms by arranging multifaceted elements such as the spiritualism of Psychedelic Music, the storytelling nature of House Music, the sci-fi dystopian feel of Detroit Techno and the trance of Minimal Music in a three-dimensional way through his deft mixing. His rare presence has been recognised and he has been invited to play at DJ NOBU's Future Terror, Mindgames' The Labyrinth/Balance, and in recent years, has been invited to parties in Asia, Spekki Webu's Mirror Zone 5 Years Tour in EU, System Revival and Georgia's prestigious Bassiani, his circle of resonance continues to spread out.

日本の北端に位置する北海道札幌に在り聖域と称されるPrecious Hallで10年以上オーガナイズを続けるARCHIVをホームとし、日本全国から世界へと活動範囲を拡大する特異点的存在。
Psychedelic Musicのスピリチュアリズム、House Musicのストーリー性、Detroit TechnoのSFディストピア感、Minimal Musicのトランスなど、混在する多角的要素を能動的なミックスで立体的に配置する事により時間/空間/精神を未知なる領域へと変容する事を目的とする。その類稀な存在を見出され、DJ NOBUのFuture Terror、MindgamesのThe Labyrinth/ Balanceでのプレイ、近年ではAsia諸国からの招集、EUではSpekki WebuのMirro Zone 5 Years Tour、System Revival、Georgiaの名門Bassianiでのプレイなど彼への共鳴の輪は広がり続けている。

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