Name: MDC.272 Lane Split by Melbourne Deepcast
Duration: 2 h

Omg! Dear Lane, please let me know the id of this gem?❤️

Wow ! These sounds.  ! Id on this slinky song please xoxo  ? 💛

Very pleased to (finally) have Passing Notes boss and @companionmelb co-founder @pjenne in the mix with a sizzling hot hour of deep and progressive house cuts.

Pjenné

Gestalt Records with Pjenné

Interview: http://truantsblog.com/2021/truancy-volume-281-central/

Soundcloud: @central8000

Access the download on our Patreon: patreon.com/truants

http://truantsblog.com

Central

Truancy Volume 281: Central

Myles Mac guides us through a masterful 90 minutes of lush grooves, deep atmospherics and hazy moods. As co-founder of the incredible Melbourne Deepcast, the mix series royalty has spent over a decade filling our living rooms with quality mixes by global powerhouses and, perhaps more important, introducing us to exciting new talent, as well as giving interesting insights in their latest adventures. With restrictions just lifted in Melbourne, we caught up to hear about his summer plans, among other things. And Myles, we salute you for your tireless work mate, keep them coming!

Full interview with Myles here: https://oddysee.fm/podcasts/myles-mac/

https://soundcloud.com/myles-mac
https://soundcloud.com/melbourne-deepcast

Interview

Oddysee 037 | 'Deep Future' by Myles Mac

Hailing from Aarhus, Denmark, C.K is the main man behind Safe Distribution and its affiliated labels, such as PRS and Help Recordings to name just two. He has been known to release under a variety of different monikers, including the ambient-focused projects 3.11 and 355.11125. C.K is also part of several collectives, namely 2 Bit Crew, Maizena, and the infamous Regelbau crew, alongside Manmade Deejay, DJ Sports, Central, and more. A keen digger, C.K has a never-ending desire to find new music (and old) for his DJ sets. Whether performing solo or back-to-back, C.K is known to represent the relaxed but recognisable sound of all the labels and artists surrounding the Safe crew – usually with a nod a bit more towards the euphoric soundscapes of Dream House, with bouncy basslines and luscious melodies. These key themes also run through the core of his spectacular two-hour-long recording. Head on over to offtherecord.net to check it out, alongside a rare in-depth interview. Enjoy! 🙌 bit.ly/PHONICAMIX91

Feature & Interview

Phonica Mix Series 91: C.K

We have invited Australian https://soundcloud.com/aditoohey for the 23rd installment of the RB mix series. Doing the amazing https://soundcloud.com/rimbombo 
parties with https://soundcloud.com/grevillegreville and https://soundcloud.com/earlgreyradio. Besides being a super nice person she's an awesome deejay. Can't recommend her and the Rimbombo parties enough :-) Enjoy!

RBMIX23 By Adi Toohey

Keeping things closer to home as we often do, we're psyched to welcome Lane Split with two-hours of delectable deep cuts and dubby atmospheres. Also known as one half of the Naarm/Melbourne based duo Handle Soundsystem, David is someone who appreciates great sound, and has been working on a variety of sound systems for local parties and large scale music festivals, all the while refining his own exquisite taste for classic deep cuts and dreamy psychedelic excursions.

We really can't speak highly enough of this mix, a deep subliminal odyssey packed full of uplifting 90s tech house and mind massaging dub grooves. Now sit back, relax and enjoy the ride.

Click here for our chat with Lane Split: melbournedeepcast.net/portfolio/lane-split

@lanesplit
@handlesoundsystem

www.melbournedeepcast.net

MDC.272 Lane Split

Alex Albrecht ( @melquiadesmusic ) is a local Naarm/ Melbourne based DJ/producer & label boss, running the charming, ethereal local imprint Analogue Attic ( @analogueattic ) alongside @sean_labrooy, which showcases the gentle side of music down under. 

Between running his label, dj'ing, and solo releases under "Alex Albrecht presents Melquiades", Alex is also known for his productions alongside his co-label head, Sean La Brooy, under Albrecht La'brooy ( @albrecht-labrooy ). The musical duo have an impressive slew of releases which combine elements of electronic and classical/ jazz influenced music, with a beautiful result. The two have also run various events in Melbourne across the last decade. 

Alex showcases his solo project in his mix here, with a bunch of his own productions embedding the mix. 

Thanks for the beautiful mix Alex!

Downloads enabled

Animix Ninety Nine: Alex Albrecht

Crown Ruler Mix #25 - Ben Fester B2B Cousin.

We’ve got another mix for you snatched from the wild - this time from iconic brothers @ben-fester and @secondcousins. Recorded at our open-air party co-presented with @planettrip earlier this year, the siblings warmed up for maestro @floatingpoints in the breeze of twilight, where they proved themselves as well-seasoned DJ’s no longer necessitating introduction. 

Sink into this mix of trippy downtempo, percussive electro and cherished vocal house from two masters of their craft. 

Illustration by Ben Keynes.

This mix was recorded on the stolen lands of the Gadigal people of the Eora Nation. We acknowledge their Elders past and present, and recognise efforts in the ongoing resistance against colonialism. Always Was, Always Will Be.

Crown Ruler Mix #25 - Ben Fester B2B Cousin

LOTR x RWW - Myles Mac - 23 September 2022

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

To the dedicated few and the newly dedicated, this is a celebration laced with appreciation. The cause for this - we’ve reached a modern-day milestone. We’ve made it to 30 (which is a total of about 3 in podcast years). Honestly, I never thought I'd make it to 30, but I soon came to realise how much good music is out there, and how I should use my powers for good rather evil, so here we are. 

For this momentous occasion, we have a very fitting transmission. Something that he and I have been working towards for the last two years. The man responsible for an audible gift from the gods is none other than Andy Hart himself, aka the slug face millionaire aka choices from the lake aka undies. I call Andy not only a good friend but also a good inspiration, a good breath of fresh country air, a good dose of realism and just a flat out good person. I’ve lived with him, I’ve traveled with him and I’ve shared more than a towel with him. I can comfortably say that Andy will be at my wedding, my funeral and everything in between. 

This mix is the perfect summary of the journey so far. I'd like to think we’ve explored quite a lot over the last couple of years, and I'd also like to think that there’s so much more out there. This perfectly woven galactic tapestry transcends every aspect that you think you know about most things and rewrites the rest. The culmination of many years of putting tracks aside has paid off immensely. The thought and the planning behind this mix actually baffle’s me. It’s the perfect narrative without the narrative, a story without words, a tale of triumph. I may sound a bit dramatic but you obviously haven’t listened to it yet. Just shy of 4 hours, this is the perfect soundtrack to your life in general. It transcends not only stages of the day but also stages of your mind. I'm yet to find the perfect moment/space to listen to it but I think a long drive back from a really good holiday would fit perfectly - or just a cruisey Sunday spring afternoon at home. 

Honestly, just press play and see what happens. 

Come talk to me after. 

Be well.

his sound >>>> https://soundcloud.com/andyhart

voyage records >>>> https://soundcloud.com/voyage-recordings

FHUO # 30 // Andy Hart

Deepcasting since '09 📡

Naarm / Melbourne / Worldwide

MDC.272 Lane Split

Melbourne Deepcast

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