Somebody know the track id?? CRAZYYY 💚💚💚

@hugoincognito what's this beautiful track 🥵

Thanks for this beauty 🥹💔 really best mix

Crown Ruler Mix #25 - Ben Fester B2B Cousin.

We’ve got another mix for you snatched from the wild - this time from iconic brothers @ben-fester and @secondcousins. Recorded at our open-air party co-presented with @planettrip earlier this year, the siblings warmed up for maestro @floatingpoints in the breeze of twilight, where they proved themselves as well-seasoned DJ’s no longer necessitating introduction. 

Sink into this mix of trippy downtempo, percussive electro and cherished vocal house from two masters of their craft. 

Illustration by Ben Keynes.

This mix was recorded on the stolen lands of the Gadigal people of the Eora Nation. We acknowledge their Elders past and present, and recognise efforts in the ongoing resistance against colonialism. Always Was, Always Will Be.

Crown Ruler Mix #25 - Ben Fester B2B Cousin

"She rode with her hat pulled down in the front and fastened under her chin with a drawtie and as she rode her black hair twisted and blew about her shoulders and the lightning fell silently through the black clouds behind her and she rode all seeming unaware down through the low hills while the first spits of rain blew on the wind and onto the upper pasturelands and past the pale and reedy lakes riding erect and stately until the rain caught her up and shrouded her figure away in that wild summer landscape: real horse, real rider, real land and sky 
and yet a dream withal."

Artwork by @tamara-marrington

Cassette

...and yet a dream withal

For Trushmix 200 we got two mixes by the founders of it all!
LA 2000 and DJ Fett Burger in the mix.

LA 2000 recorded a fantastic balearic mix in 2007. It was early on when the balearic genre was rediscovered as a thing. Really good tunes selected in a masterful way!
Just to put it in context, This was in 2007, so balearic wasn’t as familiar like now, only heads started to pick this up again after the heydays in the 80’s, so some really good compilations started to float around, and that became a spark. Also DJ Harvey hadn’t yet made his euro comeback so it was a whole different time back then, it was very marginal. Very nice in many ways. A fantastic mix, that is recorded a bit too loud on a lousy PC.

The second mix, by DJ Fett Burger is a quite eclectic mix recorded in 2009 for a CDR label called Sony Norge, under a different DJ alias. 
This mix matches the previous mix in an odd way, a proper out there balearic interpretation, with some Norwegian cuts that make it local in a global way. So we got a package full of surprises here! You never know what will come next! 

As one mix, these two become quite something, a perfect journey for a 200 mix celebration on Trushmix! It’s a listening party for people who want to take things to a special level. And it really catches the essence of what Trushmix is about!

Music from the top!
Enjoy!

To read the special Trushmix interview on Inverted Audio go HERE:
https://inverted-audio.com/feature/12-years-of-trushmix-dj-fett-burger/

Trushmix.com

Trushmix 200 - LA 2000 & DJ Fett Burger

https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-16th-janaury-2023 :)

NTS Radio Show - Episode 33

@midnighttenderness is back at it with 2hrs of romantic lovers, covers and heartbreakers.

Graphical wizardry courtesy of Alex Crampton

Midnight T - Valentines Lovers Special - Volume 2

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-4th-april-2023

PENDER STREET STEPPERS w/ Inner Totality 040423

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Let’s lift dem spirits! let’s make being indoors fun again. A new ISO soundtrack to smash your head against the wall too, to reorganise your room too, to clean the fridge too, to pretend to work from home too, to do yoga in your cramped living room too. Actually fuck it, this is to have fun too. Fill up your cup and turn the volume up. 

the provider of the prozac is none other DJ Earl Grey, a real ‘leave the bag in’ type operator, Sydney’s own steezelord, A bitta Rimbombo royalty. A gentleman, a scholar and all round top notch human. 

This mix absolutely slaps. A contagious neck jerker, A Friday after work special, just some straight up feel good shit, which is exactly what we need right now. Be prepared to wear out the play button. 

their sounds >>> https://soundcloud.com/earlgreyradio

                     >>> https://soundcloud.com/rimbombo

c'est la vie mah’fuckers (stay inside)

FHUO # 35 // DJ Earl Grey

Moonshoe Selects 00013 - Mike Who

Click here for the interview with Hugo Incognito melbournedeepcast.net/portfolio/hugo-incognito

With those balmy summer nights just around the corner, we've called on a local music enthusiast and incredible digger of forgotten gems to serve up one of his signature blends, jamming out broken beat street soul, dub, house and UK garage nostalgia. One of the minds behind local mix series and intermittent party @city-bleus, Hugo's mixes have become absolutely essential home listening for us this year, specialising in early 90s cruisers and genre bending obscurities across the vibe and tempo spectrum. Prepare for another soul soothing ride primed for heavy summer rotation!

www.melbournedeepcast.net

Interview

MDC.254 Hugo Incognito

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Well Well, welcome back. Open arms hug. Stern Handshake. Slight bow. High five (eyes locked on each other’s elbow). Pat on the back. Kiss on the cheek. Warm embrace. All the things we’ve missed are now awkward parts of life that we must get used to again. However, one thing that eternally remains is the need for a fucking good mix to bump, and boy has Chico G delivered (as if he wouldn’t?!?!). Chico has summoned his esteemed vibe smith abilities on this one, dishing out nothing but head jerkers and neck workers. 

Chico, Chico, Chico, a multifaceted diamond in the rough. The man can do no wrong. Seeing him go from strength to strength over the last however many years has been an absolute delight. Whether it is curating your tastebuds or your earbuds, he’s done everything with a certain pizzazz that only he can muster up. A consistent testament to his character is the never-ending hard work he puts into Skylab Radio, which almost single-handedly floats Melbourne's love for good music. He’s established himself as a bit of a cultural cornerstone in Melbourne and we’re all for it. This is just a friendly reminder of what Chico can do when he’s able to step back from his other duties and get behind the decks. 

Now for the important part; the finely curated musical selection, poetically arranged. This mix absolutely slaps, guaranteed 100% good vibrations. From the very start when you hear Missy Elliot singing her piece you know you’re in good hands. Classic after classic, beautifully strung together like washed-up shells around a surfer's neck. This will be one of those ‘forever’ mixes you keep on a USB that your grandkids will find in 70 years' time and unearth some old laptop, which will ultimately lead to Rush Hour repressing it onto a traditional compact disc and Chico doing hologram sets at pizza joints around the world. 

Enough bullshit. Just listen to it.

be good. 

His sounds >>>> https://soundcloud.com/chico_g

Skylab Radio >>> https://skylab-radio.com/

FHUO # 53 // CHICO G

Deepcasting since '09 📡

Naarm / Melbourne / Worldwide

MDC.254 Hugo Incognito

Melbourne Deepcast

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