Can someone beautiful pleae help me out with this song? Wow!

Loving this mix! What's this tune please?

We have invited Australian https://soundcloud.com/aditoohey for the 23rd installment of the RB mix series. Doing the amazing https://soundcloud.com/rimbombo 
parties with https://soundcloud.com/grevillegreville and https://soundcloud.com/earlgreyradio. Besides being a super nice person she's an awesome deejay. Can't recommend her and the Rimbombo parties enough :-) Enjoy!

RBMIX23 By Adi Toohey

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Number eighty-five comes courtesy of locally sourced DJ Lily Dalton, exploring sonic adventures with a rhythm-based narrative, complex computer romances with eccentric undertones, sprinkled with a good amount of thump to get the heart rate up. A perfect insight into the art of abstemiousness. 

Her sounds >>> https://soundcloud.com/toypoodle

Her label >>> https://soundcloud.com/maybe_recs

FHUO # 85 // Lily Dalton

Hi.. Go to www.superaarhus.dk for more sets, radio and so on. 
Thanks to all the volunteers at Super and to Shanti for a fun night :)
On instagram our spot is called @8000Super 
Ciao <3

DJ Central warmup set at Super, Århus (4th of March 23)

For Trushmix 205 we happily present C.K.
One of Aarhus finest, a DJ, producer and a man part of multiple projects,
some might remember him as a member of the Regelbau collective. 
C.K one of the persons keeping a small underground scene alive in Aarhus, throwing parties, involved in several labels, keeping the vinyl business moving, and the scene alive.

For Trushmix he has made an over two hour mix, reflecting C.K's style. House music all night long, with a touch of his personal style. New and old styles mixed smoothly together for the listener to enjoy!

Enjoy this mix!
Music from the top!

Trushmix.com

Trushmix 205 - C.K

Project 95 is the house music love affair of two homies, Myles Mac and Grant Camov. ONO Records in collaboration with the party crew, Co-Op, hosted them out west alongside talented newcomer Jazz (Who contributed to the series with ONOMIX006). The two proceeded to bring the house down with their fantastic closing set, which was recorded and being offered as the 8th instalment of our mix series! 

Inside you’ll find two hours of masterfully mixed, totally bumpin’ 90’s house anthems and deep cuts with that incredible live set energy to either relive, or get your long weekend party started! 

Artwork by Jack Hewitt

ONOMIX 008: Project 95 (Live @ Co - No)

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Episode 27 dips into the summer breeze with some trippy sunset/sunrise-vibes, from balearic, cosmic and ambient techno to breaks and early trance + an exclusive premiere of VIB001 as well!

For boats, beaches or your local basement, simply barefoot in the head.

Telephones' New Massage 027 [Refuge Worldwide]

Next up on the EstimuloShow guest mix series i have the pleasure to present Myles Mac from Melbourne, record digger, DJ, event host, and probably well known to most of you for running the long standing, influential podcast series "Melbourne Deepcast".
For us he put together a selection of mainly 90s digs and nugs, that will  keep you asking "wow, whats that" and sharking for IDs, we're sure. 
Enjoy!

PS: And as an early heads up for those in Berlin, Myles Mac, Nummer and yours truly will be on the decks at  Paloma Bar on the 26th of August. Hope to see you there!

EstimuloShow GUEST MIX: Myles Mac (Melbourne Deepcast)

A mix from Apiento and Alex Kassian for the 2023 edition of Transmission to Tisno – a B2B mix series, shared ahead of Love International.

Find out more on crackaud.io: crackm.ag/3Xf1Z5I 
If you're a fan, become a Supporter: crackmagazine.net/subscriptions

Transmission to Tisno: Apiento b2b Alex Kassian

The lovely legends behind @onorecordsperth join forces under their Ernest & Young alter egos to shower us in killer house grooves. 

Q. Hey mates, tell us what’s the latest with your label / mix series / party service ONO Records? 

A. Sup! We’ve been working away for the last couple of months on putting out some records after the summer party period here out west. We should have at least two records coming out this year, one is finished, it's just going through the production process currently. Pretty proud of that one and keen to see it come out, we think it's quite different to what people may expect from the label considering our previous output. Other than putting out records,  planning a couple larger scale parties towards the later stages of the year which we’re also quite excited about. Some solo parties and some collaborations with some great homies!    

Q. What inspiration did you draw upon when putting the mix together? Is there a sound, feeling, or time in dance music history that connects all the different elements in one way or another?

A. We wanted to create a mix that has the ‘live’ feeling, a representation of what we might play in a party setting. We don’t spend much collaborative time planning sets or mixes meticulously, we prefer to show each other a couple of records we think would be good for the setting and bounce off each other after that. We did that with this mix, pulled out some new records and some old favourites and had fun with it. That might speak to our influences though, we always seem to gravitate towards sets or DJs that have a more rough and raw approach or feeling. Musically we seem to enjoy that sweet spot with dance music where records are not specifically one thing, it's not quite house and it's not quite techno and maybe there’s some dubby elements to it. So maybe there’s a musical feeling there that connects it all but we’ve never really been able to describe what that is. 

Q. Are there any records in the mix that are especially close to your hearts, or old favourites that you’ve been keeping up your sleeve for the right moment?

A. (Warwick): Quite a few favourites in there for me, one that sticks out is probably the Mood II Swing record. When we launched the label a couple of years ago we did a warehouse party collaborating with some great friends of ours, the System: crew. It was a really special night for us, being the launch party of the label, but also to be able to do it with them. They’ve always been such big supporters of us, have taught us a lot and are irreplaceable assets to the community here, big love 2 u Kyle, Cheye, Ben and Alex! But at that party another good friend who we have drawn a lot of inspiration from over the years played the tune, which was one of those spesh party moments for me. It has now become one of those records that reminds me of great times and great friends.  

A. (James): The mix is basically a big collection of my favourites, both at the moment and all time! But if I had to choose one it would probably be The Kings of Tomorrow record played around 30 minutes into the mix (Fade II Black the Roger S Blackout Mix being the track in question). I picked it up at a great Record Fair that happens here at Bowls Clubs around the city every month or two and it’s a favourite to play out ever since. It's dubby, soulful, tense, psychedelic and it's got a killer groove. The track has this great tension that creates a really special dancefloor moment every time I play it out and about, so it felt fitting to include it in our mix here and try to capture that feeling!

We’re super grateful to be able to contribute to one of our favourite mix series, the institution that is MDC! And I just wanted to add a shout out to everyone in the community here in Boorloo, we’re so proud and privileged to be a part of this community whose love and support is an endless source of inspiration and motivation.

MDC.285 Ernest & Young

For the 5th EstimuloShow x Marla Records instore we had our buddy Myles Mac from Melbourne join us on a sunny friday afternoon in Xberg. 
Set times approximately: 
0-1h15m: Lucca, 
1h15m-2h12m Estimulo, 
2h12m-end: Myles Mac b2b Estimulo
Check:
https://soundcloud.com/myles-mac
https://soundcloud.com/melbourne-deepcast

EstimuloShow x Marla Instore w/ Myles Mac (MDC), Estimulo, Lucca (01.09.23)

Deepcasting since '09 📡

Naarm / Melbourne / Worldwide

MDC.285 Ernest & Young

Melbourne Deepcast

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