Nothing Really Matters: 
https://gabrielleaplin.lnk.to/NRMPreSaveFa

“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

The Staves are Emily, Jessica, and Camilla Staveley-Taylor. 'No Me, No You, No More (Ariza Remix)' available now http://smarturl.it/NMNYNM.ArizaRemix

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Aus Liebe zur Musik widmet sich Lass Knacken gelegentlich der Erstellung von Sets aus aktuellen Tracks von Newcomern und vielen noch unbekannten Künstlern, um Freunden und den Fans seines Musikgeschmackes eine Freude zu bereiten und Ihnen ein musikalisches Hörerlebnis zu bieten.

We're not the best, but we're pretty good.

Songwriter / Producer / Rapper
from Germany / Trier
Next Project: KAÏKO

By Question for some Instrumental or collaboration texting me.

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