This is a second recording made in 2020 of the fallow deer 'lek'. This happens around in the second half of October in the UK. The males tend to congregate in in small groups or mating territories where they exhibit lekking behaviours such as sticking to particular 'stands' where they will repeating grunt and bellow.

This recording was made with a Sony M10 and a spaced pair of clippy EM172s. The mics were placed where I had observed a large group of rutting males the night before.

PS DEER MALEGRUNTS MULTIPLE VERYCLOSE MOVEMENTACROSSSTEREOFIELD M10

Werbeliner See, 06.04.2019, 07:00 Uhr

www.bemtevi.de

if you want to support my work: ko-fi.com/bemtevi

The fog, the spider and the bluethroat

Paul Amlehn - Direction, Compositional Process, Catalyst Texts and Vocals, Cello Treatment, Production
Eberhard Kranemann - Fender Stratocaster Feedback Guitar, Cello
David Lynch - Visual Art

The Man from the Blood Red Future and the Woman from the Melancholy Past

Venus

Purchase and download the album and support my work at https://melissapons.bandcamp.com/album/swedish-forest-textures

Swedish Forest Recordings

Swedish Forest Textures - awakening

Area -2

An inconspicuous path is a path that you do not notice, but walk along it. You can realize after years that you walked this road, but you did not remember it. You grow, develop. It is like climbing a hill. From below, only the forest was visible, but going up you see other hills. 

The memory areas are opened in the same way. And you discover that you lived at once at all levels of your development. Just now you can recall the actions carried out at other levels. What will happen next? Do you remember the future? 

Do not worry, there is nothing to fear, because everything has already happened, and you just walk with your attention on this 'everything'.

Herbs

Buy me a bud

Inconspicuous Path

A love song for San Francisco.

More on this 454th weekly Disquiet Junto project, Lsoo Vneg (The Assignment: The Assignment: Encode the name of someone you love into a piece of music), at:

https://disquiet.com/0454/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0454-lsoo-vneg/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Lsoo Vneg [disquiet0454]

In August 2020 there was a few days of some intense thunderstorms across the UK. On this particular day I put my microphone rig out under the cover of a large hedge outside my flat and recorded for several hours. For most of the recording the hedge was inhabited also by a robin, who sang softly throughout most of the storm. 

This is a short excerpt from that longer recording where I like the density of the rain, and where the song cuts through just enough. It was the middle of the day so you'll hear some traffic and other sounds of activity from where I live, at the edge of a city.

Soft Robin Song In A Thunderstorm

"Espejos" (obra realizada con el apoyo del Fondo Nacional de las Artes)

(Eva García Fernández -2020-)

para flauta, clarinete bajo, piano, guitarra eléctrica, violín, cello, vibráfono y batería.

Concierto - Entre Huellas Sonoras - Radio CASo (Noviembre 2020)

flauta: Sebastián Tellado
Clarinete bajo: Constancia Moroni
piano: Malena Levin
Guitarra Eléctrica: Manuel Moreno
Violín: Florencia Ciaffone
Cello: Alejandro Becerra
Vibráfono y batería: Juan Denari

Dirección: Haydée Schvartz

Si la obra quiere ser espejo del texto, entonces la presencia del texto en la música no puede sino tener la estructura de una ausencia.

Espejos aborda el vínculo entre texto y música incluyendo dentro de su construcción estructural el concepto central de dos poesías concretas de Octavio Armand, concepto que está íntimamente ligado al funcionamiento del lenguaje; este concepto es el de presencia-ausencia. Para dar cuenta de este concepto la obra utiliza una metodología que se basa fundamentalmente en la ausencia de la materialidad del texto, lo cual da lugar a la presencia de un nuevo material (sonido) que funciona como suplemento; de esta manera la obra devuelve una re-presentación sonora de la estructura formal de las poesías, pero despojada de su materialidad textual original.

Espejos

Espejos - para ensamble pierrot, guitarra eléctrica, vibráfono y batería - (2020)

a rework from Mean Flow of a previous track by Marco Lucchi

dicembre 2020

Marco Lucchi & Mean Flow - Le Descendeur

slow traveller nature field recordist

Last featured on the tonebenders podcast