I don't own this song. Credits go to Apollo Brown & OC.
If you like this track, support the artist and buy it!

Apollo Brown & OC - Anotha One

Released 15 January 2010 
All tracks written and produced by Richie Cunning 
All songs recorded and mixed by Richie Cunning at the Rec Center, Santa Cruz, CA. 
Additional mixing consultation by Rob Rush 
All cuts performed by DJ M.F. Shalem 
Saxophone on "Night Train" performed by Mani Vafaei 
Mastered by Dave Cooley for Elysian Masters 
Layout and design by Shalem
Photography by Trevor Traynor (trevortraynor.com)

Last Stop

http://www.vibe.com/article/premiere-apollo-brown-ras-kass
produced by Apollo Brown vocals by Ras Kass
featuring Pharaohe Monch & Rakaa Iriscience
cuts by inDJnous
mastered by Eric Morgeson @ Studio A
mixed by Magnetic @ The Disc

from Apollo Brown & Ras Kass "Blasphemy" Oct. 28th https://itunes.apple.com/us/album/blasphemy/id909822088
Limited Edition Splatter 2xLP
http://www.mellomusicgroup.com/collections/pre-order/products/apollo-brown-ras-kass-blasphemy-ltd-splatter
Mello Music Group, 2014.

Apollo Brown & Ras Kass - H20 (feat. Pharoahe Monch & Rakaa Iriscience)

New joint off the "Ills of the Earth EP" by Peebs The Prophet produced entirely by @phoniksbeats and @bluntone. Dropping on Monday, January 19th.

Featuring @dephlow-the-drummer
http://twitter.com/dephlow

Peebs The Prophet - "Take A Moment" ft. Dephlow (Prod. Phoniks) - Vinyl OUT NOW!

from the upcoming album "The Night Took Us In Like Family"
Pre-Order (4/21): https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

Premeired @ Pigeons & Planes: http://pigeonsandplanes.com/2015/03/premiere-lorange-jeremiah-jae-taken-by-the-night/

About the Album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family."

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping.

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus.  A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap.

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic.

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed. 



L'Orange & Jeremiah Jae - Taken By The Night

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

L'Orange & Jeremiah Jae - All I Need (feat. Gift Of Gab)

"Intelligence Over Emotion is La Chio's first studio album, it is a culmination of everything she has endured. From addiction to low self worth, it details the journey of one who has walked through the fire and come out on the other side clean. As you take this journey just know it isn't unique. It is the retelling of a story as old as time, a forgotten soul begging for love and respect. The choices we make influence our overall future but what happens when you finally take fate by the reigns and take control of your life. 

Calm (Just Breath)

from the upcoming album "The Easy Truth"
https://geo.itunes.apple.com/us/album/the-easy-truth/id1134294581?app=itunes
Premiered @ Mass Appeal on August 4th

After years of mutual respect, circling each other in collaborations, tours, style and respect, two titans of their craft have finally collided in Apollo Brown & Skyzoo’s “The Easy Truth.” The album is everything you’ve dreamt it would be: breakneck instrumentals and syllables crafted to make your head spin. The marriage between Detroit instrumentals and NYC wordplay has never been more cohesive. Themes range from police brutality to NY ambitions; Skyzoo shows you the world the way he sees it. 

Recorded and produced in Detroit, “The Easy Truth,” is the perfect distillation of hiphop influences. Every moment on the album is a loaded question, a perspective positing a notion of truth, the convergence of grit and symphony. 

Joining the artists on the record are Joell Ortiz, Westside Gunn, Stalley, Conway and Patty Crash, a reciprocal band of guests that only add depth and richness to the duo’s chemistry. Coming September 30th, “The Easy Truth,” is true to its titular description: honest, fluid, and organic.
credits
releases September 30, 2016 

produced by Apollo Brown 
vocals by Skyzoo 

recorded by Tate McBroom @ LabCabinRoyalOak 
mixed by Magnetic @ The Disc 
mastered by Eric Morgeson @ Studio A Detroit 

Executive Producer Michael Tolle

The Easy Truth

One In The Same (feat. Patty Crash)

Apollo Brown & Skyzoo -  One In The Same (feat. Patty Crash)

THE LEFT - THE MELODY

People Under the Stairs - "The Break Down"

Artist: OC & Apollo Brown
Album: Trophies
Year: 2012
Label: Mello Music Group

Prove Me Wrong

HipHop • Jazz • Space • Soul • Funk // Sounds Beautiful Like The Truth