London based Record Label, Compilation Series, Radio Show and Worldwide Parties✨🕺

Experience Future Disco. Guided by Sean Brosnan since 2009, Future Disco curates tracks, parties, and global radio shows. Discover YouTube for releases, playlists, and radio shows for every occasion. Step into a world where Disco blends past and present, inviting you to immerse in its vibrant magic.

Demos: info@futuredisco.net
Latest Radio Shows: https://lnkfi.re/FutureDiscoRadio

Fat Freddy's Drop’s pirate soul train, resolutely independent, worldwide.

Formed in 1999 in Wellington, New Zealand our sound draws inspiration from almost every part of the black music lexicon. Soul drenched vocals and jazz harmonies collide with tape delays and echo chambers, underpinned by a rhythm section as comfortable laying down a throbbing, techy soundscape as they are a swampy blues stomp.


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Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

underground charisma is a music curation platform that shines light on new, up-and-coming and established artists ranging from Hip-Hop to Electronic Music and beyond.  Submit your music here: undrgrndchrsma@gmail.com

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Bookings: musicbenpearce@gmail.com

To many, Ben Pearce’s name is synonymous with ‘What I Might Do’, his oddly anthemic deep-house debut that dominated club floors across the world in 2012. Whilst this is an easy correlation to make (the track went platinum in Europe, reached #7 in the UK charts and was the most Shazamed tracked of 2013 in the UK), those who have followed him since the beginning can testify that he is so much more than that.

Ben is very much an underground DJ first-and-foremost, aided in no small part by his vast musical knowledge and the ability to play across a wide range of musical genres. His skills behind the decks have not gone un-noticed, as shown by high-profile sets alongside the likes of Simian Mobile Disco, Tensnake and Claptone. 

On the rise, Ben was named DJ Mag's Best Breakthrough Producer in 2013 and in the following year further proved that he's deserving of the coveted award. Becoming increasingly known for his remixing abilities as well as his own original productions, remixing for Le Youth, Kwabs and Tender Games all in 2014. He collaborated with Black Orange Juice ‘Predictable’ for MTA, a soulfully smooth single that equally showcases lyrical flair and production talent, as well as release the underground club infused 'Lego' EP on his own label. 

The latter end of 2014 saw Ben launch of his new disco inspired project The Sextape Series. Which incorporates a number of free mix tapes, cheeky edits and a sequence of Sextape inspired parties. These specific nights see Ben playing extended funk-infused sets across a range of characterful, intimate venues in the UK. 

Through 2015, Ben has continued to tour around the globe, starting the year in Australia before embarking on a tour of North America in March. Starting in Miami where Ben played a special Sextape Series set, the tour also took in dates in Montreal, Texas and Mexico City. Having appeared for the brand last year, Ben was given a recurring residency for ANTS at Ushuaia and additionally appeared for We Love… and Magna Carta at Sankeys Ibiza. Not to mention the inaugural Creamfields Festival in Ibiza at Ushuaia. Away from the White Isle, Ben played at the first ever Lost Village Festival as well as Parklife, We Are FSTVL and the Ruis Festival in the Netherlands.

Revered for his classic disco sets, the legendary Giorgio Moroder also enlisted Ben to play a special set at the launch party for his new album at Shoreditch House in May - an event that also served as a fundraiser for Bridges for Music. 

Alongside a hectic touring schedule, Ben has also provided remixes for the likes of IYES and Hayden James on ‘Something About You’ in 2015, as well as standout collaborative record ’Nothing Ever Hurts' with Shadowchild and featuring vocalist Laurel - a track that reinforced Ben’s penchant for blending astute melody with peak-time bass.

Ben also successfully runs his own label imprint Purp & Soul which has celebrated its 12th release with regular artist showcases and releases. After a massive couple of years, Ben has shown that he’s not one to rest on his laurels and 2015 is sure to further Ben Pearce’s status as one of the top DJs and producers in the industry.

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