S.Maze
Realms where feelings, emotions, thoughts, and fantasies are conveyed through bass-driven sounds, taking listeners on an immersive journey.

Being part of the iconic Drumcode team with a lot of releases on the label, the last years have been certainly the most productive for Veerus.

The Track "Heavy" has been on the Beatport podium for more than 2 months, becoming one of the 10 best-selling techno tracks on Beatport in 2018 after only 5 months, remaining in the Techno Top 100 for a year, gaining fame as one of the most wanted DJ producers of the moment, respected and supported by artists like Adam Beyer, Eric Prydz, Sam Paganini, Sven Vath, Amelie Lens, Carl Cox.

During these years, he released some EPs on the historical labels Terminal M and Truesoul, Octopus, and Filth On Acid reaching the top 10 techno of Beatport at the same time with 2 tracks several times.

But Veerus is not new to these achieved results. In 2007 he joined the forces with Maxie Devine and in a few years, they signed remixes for an impressive handful of top artists including Fatboy Slim and Steve Angello, just to name a few...

We need to analyze his strength-building killer tracks. Let us add to this list tunes such as “My Beat”, "The Sound”, “Cars” released on Suara, and “My Train” on his own label Le Club. All of those have collected thousands of downloads from the major online digital music platforms, including 3 tracks on Beatport's top 10, at the same time in 2014.

“My Beat” actually is going to reach 13 million views on Youtube and it’s for sure one of the most wanted Tech House track on the planet. We can’t also forget the iconic set by Solomun at Bolier Room (Tulum) when he dropped “My Train”. On top of that, during the DJ MAG poll, he got a nomination by Sasha as Best Producer in 2008, which testifies to his growing popularity.

Veerus has been providing high-quality electronic dance music to clubs from all over the planet. And there he is touring and “rocking the decks” to the present day achieving year after year a larger global recognition. With such an impressive pedigree under his belt, this Venetian guy sets out to blast dance floors with an eclectic and edgy sound crossing between muscled Tech House and sparkling Techno music.

His skills, in the studio and on the DJ booth, are always in continuous evolution.

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Melvin Messak is following