Not all battles are fought with fists.
Some are fought with joy.

“Smile Like a Weapon” is the anthem of cheerful defiance — the moment in the album where the movement stops apologizing for its happiness and starts wielding it.

This track is a reminder that joy isn’t weakness.
It’s strategy.
It’s strength.
It’s how we refuse to let the dark have the last word.

Where others roll their eyes, we smile wider.
Where cynicism flexes, we break into song.
Where fear builds walls, we laugh loud enough to crack them.

No crowns.
No swords.
Just radiant hearts and grins sharp enough to cut through gloom.

So go ahead—
aim your joy.
Laugh on purpose.
Turn the world bright.

Smile like a weapon.

Smile Like a Weapon

This one is joy with muddy shoes.
The celebration that happens before everything gets better not after.

“Dancing in the Potholes” is about finding rhythm in the rough patches, humor in the hard places, and grace in the cracks of ordinary life. It’s not naïve. It knows the road is uneven. It’s taken a few falls. It’s limping a little.

But it keeps dancing anyway.

Because joy doesn’t wait for perfection 
it grows in the middle of the mess.

This track sings for the weary, the scraped-up, the ones who are still trying, the ones who laugh so they don’t quit.

For everyone who has ever said,
“Life isn’t smooth… but I’m still here.”

Yep.
You belong here.
Right in the beat.
Right in the cracks.
Dancing in the potholes.

Dancing In the Potholes

This one is the sound of joy getting loud.
The moment when the movement leaves the house, heads into the street, and refuses to be quiet anymore.

“Noise of the People” is a street-level revival hymn not whispered, not polished, not polite.
It’s joy so real it rattles the windows.
It’s the music of hearts that have been set free, singing off-key but all in.

No stages.
No spotlights.
Just voices, hands, feet, and hope.

This track is for the ones who have waited long enough.
For the tired.
For the wounded.
For the ones who found out that joy comes back stronger when it’s shared.

This is the sound of chains breaking.
This is the sound of fear losing ground.
This is the anthem of ordinary people who refuse to go quiet.

Raise your voice.
Join the crowd.

Joy is loud and it’s ours.

The Noise of the People

This is the moment everything breaks open.
Not with anger.
Not with rage.
But with joy so unashamed it shakes the concrete.

“The Laughter Uprising” is the sound of fear losing its grip.
The world tried to quiet us down;  tried to make happiness feel naive, childish, weak.
But joy fought back.
And it won.

This track is victory without violence.
Triumph without arrogance.
A revolution led by open hands, bright eyes, and hearts that refuse to dim.

When laughter becomes courage…
When kindness becomes a movement…
When we choose color over gray, even in the middle of grief…
That’s the uprising.

This song is the banner.
This song is the march.
This song is the roar of hope coming back to life.

The world is invited.
No tickets.
No gatekeepers.
Just step into the light and sing.

Laughter Uprising

This is the covert operation of joy.
Not loud. Not flashy. Not for the headlines.

“Kindness Guerrillas” is for the quiet heroes, the everyday rebels who fight despair with coffee, smiles, and a well-timed psalm. It’s the joy that sneaks into alleyways, lifts burdens, and moves hearts without announcing itself.

This track reminds us: victory doesn’t always wear a crown.
Sometimes it wears a wink, a note, or a helping hand.

With soft voices and subtle rhythms, it celebrates the hidden acts of grace that ripple outward, unnoticed but unstoppable.

Be a spy.
Be a rebel.
Drop your love like confetti.

Joy is tactical.
Mercy is lethal.
We are Kindness Guerrillas.

Kindness Guerrillas

The album’s closing anthem where every spark, every laugh, and every act of joy comes together to ignite the world.

“Light the Dark” is about hope that refuses to fade, even when the night has been long and the battles hard. It’s a celebration of resilience, community, and the unshakable power of laughter and love.

From quiet reflection to soaring choruses, this track carries the listener through scars and shadows, leading to a full-blown sunrise of sound  piano, strings, drums, choir, and brass all joining in a triumphant march toward light.

A reminder that even broken hearts can shine,
and even weary souls can lift their song.

Sing. Celebrate. Shine. Light the dark.

Light the Dark

A retuned hymn from Isaac Watts, giving voice again to the praise of our Triune God: Father, Son, and Holy Spirit. These words remind us that every true joy, every cleansing mercy, every spark of spiritual life, flows from the fountain of the God who has no beginning and no end.

The Father pours out streams of comfort.
The Son gives His own blood as our life.
The Spirit turns our dry hearts into gardens.

This is worship aimed upward not inward, not nostalgic for its own sake, but rooted in what is eternally true. May these melodies help you lift your eyes and taste again the boundless love of the Lord, “that sea of life and love unknown, without a bottom or a shore

Soli Deo Gloria.

Praise to the Everblessed Trinity


A retuned hymn celebrating the mystery and mercy of the Triune God. Drawn from Titus 3:4–6, this text marvels at what our minds cannot contain, but what our hearts can adore: that the Father planned our redemption, the Son accomplished it, and the Holy Spirit applies it to us with unfailing love.
This hymn is not an attempt to explain the Trinity (we’ll leave that to the angels, and even they bow their heads). Instead, it is a song of grateful praise. A confession sung, not debated. A doxology lived, not merely stated.
May this tune help steady weary hearts and stir joyful voices:


The Father: who sent His Son.


The Son: who willingly gave Himself.


The Spirit: who seals and sustains us to the end.


“Thus God Three-One, to sinners lost
Salvation sends, procures, and seals.”
If this encourages you, share it. If it convicts you, sing louder. If it leaves you in awe—well, that’s the point.
Soli Deo Gloria.

Glory to God the Trinity

A fresh retuning of a beloved hymn that calls us to lift our eyes to the Triune God: Father, Son, and Holy Spirit. These lyrics are rich with reverence and expectation: the Father reigning in glory, the Son defending and saving His people, and the Spirit dwelling with power and comfort among us.
This arrangement aims to keep the timeless weight of the hymn while giving it a melodic shape that invites the church to actually sing, not just admire the page. Think of it as the old oak table polished and set again for use. The same meal, the same goodness, just made ready for today.
Themes:
• The majesty of God the Father
• The victorious grace of Christ the Son
• The abiding presence of the Holy Spirit
• The unity and glory of the Trinity
May it lift your heart, steady your steps, and remind you that the God who reigns above also dwells with His people.
Soli Deo Gloria.

Come Thou Almighty King

A retuned setting of Christ’s Nativity; a joyful proclamation of the wonder of the Incarnation. Luke tells us that the skies once split open with praise as “a multitude of the heavenly host” declared the glory of Christ’s birth (Luke 2:13–14 ESV). In that moment, heaven announced the greatest news the world has ever heard: “God was in Christ reconciling the world to himself” (2 Corinthians 5:19 ESV).

This hymn invites us to stand with those angels and with the Church of all ages and sing again:
Glory to the newborn King!
Peace has come. Mercy is revealed.
God and sinners reconciled.

Old words, renewed melody.
Ancient joy, still burning bright.

May this song help you lift your voice with confidence and wonder—and perhaps just a bit of that Christmas sparkle in the eye.

Hark the Angels Sing

When the band first formed in the cellar of McPhilbob’s parents’ home, they had no idea what they were getting themselves into.  They believed that nothing happens by chance and that God had given them a soapbox for a reason to impact the lives of people around the world.  Above all, their ultimate goal was to glorify God in everything that they do.  They believed that they are the greatest band of all time because they represent the greatest of all time, Jesus Christ.

Smile Like a Weapon

Memom & The Punk Monkeys