Ouest Track Radio - mars 2020

November 2019

Double Audience

https://fortherabbits.net/2019/11/29/five-things-we-liked-this-week-29-11-19/

Five Things We Liked This Week - 29/11/19

La dernière ligne droite avant la fin de l'année 2019 ! Avec Alexandra Savior, The Big Moon, Blossoms, 
 Sorry, Nada Surf, The Districts, Torres, Basia Bulat, Andy Shauf, Tennis, Hazel English, Roman Lewis, Squirrel Flower...

En écoute - Décembre 2019

chill

Just Listen 5

work play

SOMO - I Luv This Sh*t (Rendition)

Dance Party

You Make Me Wanna (Rendition) by SoMo

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

Follow ODESZA -
Spotify: https://found.ee/odesza-sp
Apple Music: https://found.ee/odesza-am
Amazon Music: https://found.ee/odesza-aa
YouTube: https://found.ee/odesza-yt
Bandcamp: https://found.ee/odesza-bc
Soundcloud: https://found.ee/odesza-sc
Instagram: https://found.ee/odesza-ig
TikTok: https://found.ee/odesza-tt
Facebook: https://found.ee/odesza-fb
X (Twitter): https://found.ee/odesza-tw

#ODESZA #NinjaTune

In Return

Sun Models (feat. Madelyn Grant)

Available on iTunes

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

Follow ODESZA -
Spotify: https://found.ee/odesza-sp
Apple Music: https://found.ee/odesza-am
Amazon Music: https://found.ee/odesza-aa
YouTube: https://found.ee/odesza-yt
Bandcamp: https://found.ee/odesza-bc
Soundcloud: https://found.ee/odesza-sc
Instagram: https://found.ee/odesza-ig
TikTok: https://found.ee/odesza-tt
Facebook: https://found.ee/odesza-fb
X (Twitter): https://found.ee/odesza-tw

#ODESZA #NinjaTune

View the lyric video for this song here! http://odesza.co/saymynamelyric

Lyrics:
I wanna go
So what’d you say
When you gonna let me know 
If you give a damn about me

‘Cause you got my hands tied
In my defense 
I always fall for confidence
And your compliments look good on me

Cause nobody knows it better
than the girl in the corner with the scarlet letter
And while you’re watching you may think that she doesn’t matter 
But no one knows you better

I wanna dance
I wanna dance 
I wanna dance with you 
So take a chance
take a chance

Oh yeah

I need a sign or a signal
I’ve overthought everything I can think of
Into symbol
I need the coat and your jacket
And the remnants of your cigarette packet

I wanna go
So what’d you say
When you gonna let me know
If you give a damn about me

‘Cause you got my hands tied
In my defense
I always fall for confidence
And your compliments look good on me

Cause nobody knows it better
than the girl in the corner with the scarlet letter
and while you’re watching you think that she doesn’t matter 
but no one knows you better

I wanna dance
I wanna dance
I wanna dance with you
So take a chance
take a chance

Oh yeah

Say My Name (feat. Zyra)

Panic! At The Disco's official audio for 'Victorious’ from the new album "Death of a Bachelor" out now. Get it now on Apple Music http://smarturl.it/PATDDeathOfABachelor or Amazon http://bit.ly/1LKW1wA and get "Victorious," "Hallelujah," "Emperor's New Clothes," "LA Devotee," & "Don't Threaten Me with a Good Time" instantly http://bit.ly/1LKW1wA 

Subscribe to P!ATD on YouTube: http://bit.ly/1jTpNa1 

WEEZER & PANIC! AT THE DISCO SUMMER TOUR 2016 w/ special guest Andrew McMahon in the Wilderness. Dates + ticket info on http://www.panicatthedisco.com/tour

Site: http://panicatthedisco.com
Facebook: http://facebook.com/panicatthedisco
Twitter: http://twitter.com/panicatthedisco
YouTube: http://youtube.com/panicatthedisco
Instagram: http://instagram.com/panicatthedisco
Spotify: http://spoti.fi/1CsbsdC
Shazam:http://bit.ly/1KiNmW5

Victorious

Back To Black

You Know I'm No Good

Frank

In My Bed

Know You Now

So Tonight That I Might See

Fade Into You

Among My Swan

Flowers In December

Written by Paul Darrah

Produced by Paul Darrah and Ole Johannes Âleskjaer

Mixed by Jorge Elbrecht

The End Away

Available now on Mr Bongo http://smarturl.it/tyranny20

Taken from the album 'Mantra Moderne' https://www.mrbongo.com/products/kit-sebastian-mantra-moderne-vinyl-lp-cd-cassette

LYRICS

To the sky, to the earth
Witnessing bondage’s birth
Kennedy, God, Caesar
Give your body to the moon and the stars
Although the stars above you,
Shine bright in pain you do too
Words from the mouth you don’t own
To see yourself not alone
 
Now the Gods and pop stars,
Enslave man ruled by tsars,
Charles the Great, urinate
I’m in love with the Soviet state
I feel so lonely, oh no, I feel so lonely
Although the stars above you,
Shine bright in pain, you do too
With marks of exclamations,
Theory turns obligation

Tyranny 20

Kit Sebastian – Tyranny 20

Julien Chang's “Of The Past" out now on Transgressive 

Buy/Stream "Of The Past": https://smarturl.it/jchang_otp

On Tour:

10/15 - Brooklyn, NY @ Baby's All Right
10/28 - London, UK @ Bermondsey Social Club
10/29 - London, UK @ Servant Jazz Quarters
10/31 - Brussels, BE @ Botanique Witlof Bar 
11/01 - Berlin, DE @ Musik & Frieden

julienchangmusic.com
twitter.com/julienchangbal
facebook.com/julienchangmusic
youtube.com/julienchangmusic
Instagram: @julienchangmusic

Of The Past

saw her first

The second single off of Margaux's debut EP, "More Brilliant is the Hand that Throws the Coin" (due out November, 2019, on Massif Records). 

Written and performed by Margaux
Mixed and produced by Sahil Ansari 
Mastered by Greg Calbi
Released on Massif Records
Album art by Rachel Hayden

Cave In (Single)

Plane Ride

Howl

Our second single x

Written & Performed by Alex Winter and Mateusz Kosnik

Produced by Mateusz Kosnik

Saxophone - Andrea Jones
Backing Vocals - Nicole Martin

[Lyrics]
Feeling I get
When I'm next to you
Always
Thinking

Swimming in honey
When I'm next to you
Dreaming
Of leaving

(You)
There's no hope when the lines blur in between
We won't stand for it when we are caught up in this mess
There's no hope when the lines blur in between
I know it, I know

Hopeful
No longer caught within
This burden

Hold on
As I turn the page
Let you on your way

(You)
But there's hope when the lines fuse in between
We don't stand for it when we are caught up in this mess
But there's hope when the lines fuse in between
I know it, I know

In Honey

‘Eat the Etiquette’ is the new single from Mush’s newly announced debut album 3D Routine due out on 14 February 2020 via Memphis Industries. ‘Eat the Etiquette,’ described by lead singer Dan Hyndman as a “a bit of a stream of consciousness type rant”, takes aim at the use of ‘common sense’ as societal weapon; the “sick laughing track of malicious intent” making a mockery of progressive ideas, while “manufactured sense” helps maintain the underlying and iniquitous structures of wealth and power.  

Following on from their ‘Induction Party E.P’, Leeds based Mush are circulating their own sonic mythology, blurring the lines between abstract surrealism, existentialism and social commentary. Like its predecessor ‘3D Routine’ is a sensory overload of clattering, hooky, guitar work. However, this time space emerges between the onslaughts and in this respite, room is found for new emotional depth. More expansive than ever before, ‘3D Routine’ manages to maintain the rawness of a classic debut but it’s experimentation and variety portray a band unlikely to rest on their ‘guitar band’ chops. 

Songwriter Dan Hyndman explains the genesis of the band as being “fairly boiler plate” a combination of friends old and new converging in Leeds post-Uni to form a band predominantly united in their mutual affection for the Pavement back catalogue. Finally settling on a lineup of Nick Grant (bass), Tyson (guitar) and Phil Porter (drums) the band’s progression has taken them far beyond this original vision. 

Having garnered local attention in the early days for their unhinged and often calamitous live shows in Leeds, it was the unlikely radio hit ‘Alternative Facts’, (clocking in at an uncompromising ten minutes) that brought the Mush to the attention of a wider audience. The song, one of the last releases for the legendary Too Pure Singles Club saw early support from Marc Riley and others on BBC 6music with them playing multiple sessions, and the follow up single, ‘Gig Economy’ hopping onto the 6music playlist. Roaming further afield from their hometown, Mush spent the first half of 2019 heading out around the UK, earning a reputation for their intense live performances, supporting the likes of Girl Band, The Lovely Eggs, Yak, Shame and Stereolab, as well as releasing the ‘Induction Party’ EP to great acclaim. At the tail end of summer of 2019 Mush headed to Leeds’ Green Mount Studio and with Andy Savours (Dream Wife, Our Girl, My Bloody Valentine) manning the mixing desk, their debut LP, ‘3D Routine’ was born.

If the EP was intended as admittance to the cult, ‘3D Routine’ is a fully-fledged manifesto for the age of misinformation. The twin disciplines of surrealism and realism collide in the data stream, creating the absurdity of modern times. It’s more than the lyrical content that’s mercurial with Mush. Tracks such as ‘Revising My Fee’s incisive yet worldly lyrics comment on the work/life balance, income to rent ratios and the increasingly worrying financial landscape for the younger generation, all set against a backdrop of a decade of austerity: “meal-deal critique, aspirational creed”. It’s a vital and instructive opener for the record, setting the tone for what comes next. 

The way in which the album brazenly moves from polished 3- minute punk tracks, to avant-garde spoken word, to sardonic-political funk, whilst sounding like the same band is testament to an uncompromisingly unrefined ethic and compounds the jarring nature of Mush. Together, the songs form a unified, abrasive, emotive, frenetic and entirely beguiling concoction of sound and opinion, a fast-moving snapshot of current times, relatable, politically minded and incredibly personal. Music for those who want their guitars loud and weird, and their political commentary a little less ‘on the nose’.

Eat The Ettiquette

Mush - Eat The Etiquette

Five Thousand Miles

Anyway, Now's Not The Time

Fortune

GONE...
...all those things that did me wrong
now my life is moving on
this i've wanted for so long
from my life you're gone:

PAIN
once had driven me insane
washed away by summer rain
found new strength to carry on
from my life you're gone

RAGE
once it locked me in a cage
now i'm going to turn the page
i'll keep calm and carry on
from my life you're gone

TEARS:
like the ones I've cried for years
but now i've conquered all my fears
i can smile and stay so strong
from my life you're gone

DOUBT
when my confidence ran out
brighter things I learned about
now i've learned to trust someone
from my life you're gone

Music written and performed by Chris Syme
Artwork by Chris Syme using royalty-free photographs from Unsplash.com by Mohamed Nohassi and Thor Alvis 
https://unsplash.com/@coopery
https://unsplash.com/@terminath0r

Gone

Jesca Hoop -  Song For A Bygone Era

C.E.O

London Lovers

"Something To Care About" is out now - https://ffm.to/STCA

Follow Roman:
twitter.com/romanlewismusic
facebook.com/romanlewismusic
instagram.com/romanlewis
@romanlewis
romanlewismusic.com

Something To Care About

Taken from the EP "The Day My Brain Broke: lnk.to/TheDayMyBrainBroke

Crack a Deal

Production - Artur Szerejko
Madeline Leshner - Keyboard
Travis Tyge - Keyboard
Jake Chapman - Guitar
Sam Radseresht - Guitar, Vocal Production, Additional Production

Scrooge

Released 12/11/2019
Songwriters: Millie Duthie, Mitch Duce, Danny Southwell, Dan Hole
Engineer/Producer: Josh (Hoagie) Harrison
Artwork: Sapphire Needham

MGMT: mhowes@theorchard.com

Lenox Hill

Only In A Man's World is taken from the new Field Music album "Making a New World", to be released on 10 January 2020.

Preorder here: smarturl.it/makinganewworld

Upocoming lives shows as follows:

01 Feb – Glasgow, Kelvingrove Art Gallery
21 Feb – Nottingham, Rescue Rooms
22 Feb – Leeds, Brudenell Social Club
27 Feb – Whitley Bay, Playhouse
28 Feb – Manchester, Dancehouse
29 Feb – London, EartH

Tickets from : field-music.co.uk/live/

Field Music - Money Is A Memory (Single Version)

Breeze

Take A Piece

"Checkmate" (Release Date: November 19, 2019) 

Sub Pop MegaMart: https://megamart.subpop.com/releases/hot_snakes/checkmate
Spotify: https://u.subpop.com/2NkQdoa
Apple: https://u.subpop.com/2CissH9
 
Hot Snakes
Facebook: https://www.facebook.com/HotSnakes/
Bandcamp: https://hotsnakes.bandcamp.com/
Instagram: https://www.instagram.com/hotsnakesband/

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Hot Snakes - Checkmate

From the album Stray Fantasies available January 31, 2020 on Western Vinyl.

Pre-order / Stream: http://hyperurl.co/2f98x8

Stray Fantasies

Mint Julep - "Blinded"

The Keeper

A newcomer to the post-classical and ambient worlds, yet fully formed as he arrives, Jim Wallis is no stranger to embracing musical crossover. A drummer in critically lauded indie bands Modern Nature (members of Ultimate Painting / Beak>) and Still Corners, Wallis is also a superb ambient artist in his own right, releasing his debut album on Tip Top Recordings on January 31st. The album accompanies forthcoming independent movie ‘Europa’. ‘Europa "Based on a True Story", will be premiering in the main competition at the International Documentary Film Festival of Amsterdam this month, and documents the story of an asylum seeker who takes his own life.

Wallis learnt to play the cello especially for the album, something that was a somewhat cathartic experience for the talented multi-instrumentalist: “Since my grandma passed away in 2012, her beautiful old cello had been sat untouched in my parents' house, so I dusted it off and started taking lessons. It was a strange, sometimes moving experience to spend time playing the instrument my grandmother had played for 80 years from when she was a teenager, and particularly to do so while working on this project where living and dead characters interact” said Wallis.

‘Europa’ a film by Rwandan director Kivu Ruhorahoza, is about Simon, an asylum seeker who has recently killed himself, who returns to commune with important people from his life., He is suspended in limbo, which became a central idea to Wallis when writing the score. “I was quickly drawn to sounds and textures that try to create the feeling of being suspended...bowed strings, long synth drones, atmospheric guitar sounds.”

Inspired in part by the work of Robert Fripp and Brian Eno, lead single ‘Audition’ is a perfect example of how Wallis creates the atmosphere of suspension – a moving synth ballad, iridescent with gentle chimes, the piece is a beautiful kaleidoscope of peaceful sounds. The stirring piece accompanies a scene in which the lead character, Simon, reintroduces himself to an important figure from his past.

Album opener ‘Return Train’ weaves piano with humming cellos. “Out of necessity, the arrangements I wrote for the cello had to be simple” said Wallis, explaining his employment of the instrument after having found the cello at his Grandmother’s, “but that seemed to fit the mood and soon I was able layer up drones on ‘Return Train’, and play simple melodies like the ones in ‘Open Door’.” Elsewhere on the stunning album, ‘Europa III’ experiments with sparse strings and a haunting melodic theme that lingers long after listening. The final development of one of the film's main musical themes, it plays as the main characters each make a tension-filled journey across London to meet ahead of the film's denouement. The piece features Cathy Lucas of Vanishing Twin on the violin.

“I made several sounds using an ebow, an electronic device which creates a continuous vibration in stringed instruments, creating a droning feedback loop. I was also drawn to the 'suspended cymbal' (which is what orchestras call the cymbals typically seen on a drum kit, usually played with soft mallets, to differentiate them from pairs of clash cymbals) and used these on the pieces ‘Open Door’, ‘London Walk’, and ‘Europa III’ to create a slightly unsettled, ethereal atmosphere” he says.

The classically trained musician takes influence from ambient artists such as A Winged Victory for the Sullen, whom he shared a stage with at Botanique in Brussels,, William Basinski, Tim Hecker, Bing & Ruth and Stars of the Lid. “The way in which A Winged Victory for the Sullen use piano, strings and guitar sounds definitely had an influence on this score” Wallis elucidates. “In 2017, shortly before finishing the score, I visited Japan and went to a Japanese bath house on Naoshima island where they played the album Evening Star by Robert Fripp and Brian Eno, which really stayed with me.”

For all press enquries, please contact katie@someonegreatpr.com

Audition

Scottish Fiction are delighted to present 'some states', the latest and last of this year's releases from Glasgow five-piece wojtek the bear. 'some states' completes the bands quartet of singles released during 2019, all of which are now collected on a limited edition 12” vinyl, 'old names for new shapes'.

'some states' sees the band continue their fruitful working relationship with acclaimed producer Jamie Savage at Chem19 Studios [The Twilight Sad, Miaoux Miaoux, The Phantom Band, RM Hubbert]. 'some states' taps straight into the rich vein of melancholy with it's early 90's alternative guitar line and laid back vocals. The addition of strings to the bands permanent sound, once again serves to enrich and lift the track with soaring runs that creating a lasting smile that only just the right piece of music can bring about.

Lead singer, and chief lyricist Tam Killean explains how the song came about, "it’s a song about that particularly painful end section of a failing relationship when it feels like all you’re doing is arguing with other person over the most ridiculous things, like who used the last of the toothpaste and didn’t replace it. The title comes from that old(ish) Scottish expression - “I’ve never been to America, but I’ve been in some states!” I just really liked the dark, self-deprecating humor of it. I think it’s that ability to see the humor in the darkest of times that allows us to get through things sometimes”

some states

TTRRUUCES

Saint Cloud

Fire

Artist: Eris Drew
Title: Fluids of Emotion
Label: Interdimensional Transmissions
Catalog: IT 44
Formats: Vinyl & Colored Vinyl with Picture Sleeve, Digital
Release Date: February 14, 2020

A1 Fluids of Emotion
A2 Transcendental Access Point
B1 So Much Love to Give

This is the debut solo release from @eris-drew, featuring 3 new songs meticulously mixed for the maximum impact of the Motherbeat. From the very beginning of the emergence of Eris Drew, we at IT have been blown away by the power of her DJ sets, where she channels the psychedelic energies of rave and love — the music reflects the power of transition and of fully becoming who you are. Part of what was so exciting to us is that her sets find a new path through the sounds and ideas that inspired No Way Back and so many other wonderful things. So we asked her to create an EP for IT that would reflect these ideas, and our favorite ecstatic healer delivered! Here we find her carefully exploring the intersections of House and Breakbeat culture, a proto rave ecstasy music that exudes the Fluids of Emotion, higher consciousness and the conceptual art of the KLF.

Eris has previously released on a compilation on Needs Not For Profit, and a split EP with her equally inspiring partner Octo Octa, but this is her first full solo EP. This EP was recorded at Eris Drew’s parents’ home in Chicago and mixed in the Interdimensional Laboratories in Detroit with BMG.

Fluids of Emotion

Eris Drew - Fluids of Emotion [IT 44]

Indie label based in North London…
The home of many fine bands indeed.  Currently home to
POLIÇA, The Go! Team, Field Music, Blue States, The Phoenix Foundation, Haley, Dutch Uncles, Stats, Warm Digits, Weaves, NZCA LINES, Malihini, Menace Beach, Rozi Plain, You Tell Me, Odetta Hartman