Really like the roaring, howling effect here, feedback/overtones, burnt-out chords.

this is so gorgeous! I really enjoy how you make modular so expressive and tactile!

Milkwood May 2020 Playlist

untitled

a self-contained eurorack system
instant and tactile like an acoustic instrument

1) hardwired connections between Folktek Matter and Meng Qi Seashore;

2) tonal / atonal audio from Skot Wiedmann HYVE / IFM Mr.Grassi, travels thru body into various points within Matter;

3) left/rightmost inputs on Seashores are equipped with jacks, thus touch-controlled external signal injection / feedback are convenient;

4)Meng Qi DPLPG provides smooth vactrol based voltage control of volume and tone;

5)Recovery Effect Cutting Room Floor offers pitch shifting looping / delay / faux reverb, and is sensitive to incoming volume;

6)bottom jacks on ADDAC Size Matter is connected to a D-Class amplifier, a hefty built-in surface transducer provides strong sound and vibrations to feel with body.

it went through a few revisions.
I hope it stays in the fine line between redundancy and scarcity, like a well designed standalone instrument.

modulargrid : https://www.modulargrid.net/e/racks/view/328714
video : https://youtu.be/C1_8vtKr5Sw
video : https://vimeo.com/184161013
buy file : https://mengqi.bandcamp.com/track/duet-with-myself

mengqimusic.com

Meng Qi - Duet With Myself

from one of my last takes before moving to san francisco.

january 18 mini

180125 / last from brooklyn

Dive

HLER is Heikki Lindgren & Esa Ruoho - an improvised ambient drone duo from Finland.

booking: hlerdrones@gmail.com
to find out what we sound like at gigs: http://soundcloud.com/lackluster/sets/hler 

HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland. 
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.

Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.

"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."

"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."

File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"

https://hler.bandcamp.com/track/skathi-dusk

HLER: Skathi Dusk

I got high with a soup dragon and wrote this.

clanger

Någonting, allting

title track from forthcoming album called echo's verse. vinyl/digital out on may 15th at rbeny.bandcamp.com (na) or dauw.bandcamp.com (eu)

echo's verse

Mobius

before the version on gab002, just doodling around

162-170Nethirnet vers2

Kjam NK

Sheep Police [Jack]

Below the Surface (snippet)
Producer: Rod van Hoesel

Below the Surface (snippet)

convexConcave

GOD 61
Peter Ablinger
Orchesterstücke, 
excerpts
www.godrec.com

GOD 61 - Peter Ablinger - Orchesterstücke, excerpts

"El mensaje está claro, el objetivo es reinvidicar... Las enseñanzas del pasado y las visibilidades del presente se manifiestan a través de la expresión verbal, corporar; de esa manera trascender y concebir la tan anhelada y exhaustiva emancipación femenina"

Dedicado a Ding Ling, Diana Mines y para todxs.

Dirección de Arte: Vermillion
Obra incrustada: Diana Mines (Autorretrato con trenza de niña, 1988.)

I_Dedicated_This_Noise_To_You

I DedicatedThisNoise To You

The Milkwood Project is an experimental electronic music project. Using synthesisers, tape loops, voice, and found sounds to create dramatic soundscapes and thought provoking sound pieces.

Meng Qi - Duet With Myself

MengQiMusic

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