McGibney, Previously known as Jason Young is a well-established award winning DJ who has earned his stripes playing at top national and international clubs, Amnesia being his personal highlight and festivals such as Planet Love. 
Jason is also a producer who kick-started his career back in May 2008 with his debut release "Fever".
Fever was immediately picked up by Pete Tong’s popular Fast Trax competition, and was included on Three Six Zeros Bedroom Bedlam label. 
Following the success of Fever, Three Six Zero Group requested that Jason do a remix for Seb Fontaine & Jay P's new release "Love Bite". This was then released on Mono Type. 
Jason has also remixed for Tom Novy on the Record Label "Kosmo" - Pumping (a rework of Novy VS Eniac - Pumping) peaked at number 11 in the Beatport chart and also held top 10 positions all over the worlds' digital download charts, In 2009 he was nominated for Best New Artist at the Irish Dance Music Awards coming a close second place. Jason has received support for his remixes & tracks from Artists such as Tiesto, Pete Tong, Robbie Rivera, D.O.N.S, D.Ramirez, Tocadisco, Laidback Luke and many many more.  
In 2010 Jason was signed to Whartone Records and has had a string of releases & remixes, He continues……

JASON YOUNG	        http://www.jasonyoung.eu

Founder | DanceMusicIreland.com
john@dancemusicireland.com
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FLAT! Promotions | Resident DJ / Promoter
flatmilanletterkenny@gmail.com
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“Music is… a mother’s lullaby. It gives sound to our feelings when we have no voice, words when we are silent. In it we praise, love, hope, and remember. In the breath of the soul, the contours of the path of a hummingbird in flight, an the wind that carries it; music shapes and shivers into endless colours, nuanced and diverse, and eternally creative. It is Spirit taking form.
Music is carried by the vibrations of molecules of air, like waves upon an ocean. It perhaps uniquely captures and conveys the interior landscape of one human mind to another, holding our tears and sweat, pain and pleasure, packaged as paeans and preludes and etudes and nocturnes. It is the texturization of the deliquescence of time, the ebb and flow of mood and meaning. It ruminates, vacillates, contemplates and stimulates.
In music we organize and fantasize, arranging the elements of music- melody, rhythm, and harmony – into meaningful shapes and patterns. Its rhythms move our hands, feet and bodies to the pulses of the universe. Its harmonies breathe with the exploratory intricacies and curiosities of relationship and proportion, consonance, dissonance, assonance, and resonance. Its melodies flitter into flights of fancy, weaving woe and wonder.
When music is married to language, then what is spoken becomes song, elevating the intentions and entreating us to listen more deeply, making the profane sacred. Music soothes the soul, and the savage beast. Orpheus mystifies creatures and trees, changing the course of rivers, outplaying the Sirens’ song with his lyre. Radha and Krishna play the flute and dance jubilantly.”

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