Meditation

evolve sonika

merkaba_

Kuschelpsybient

Kalya Scintilla - Gaian Code (2019)

noise / ambient

Intros

In Greek mythology, Scylla (pronounced /ˈsɪlə/, sil-uh; Greek: Σκύλλα, Skulla) was a monster that lived on one side of a narrow channel of water, opposite its counterpart Charybdis. The two sides of the strait were within an arrow's range of each other—so close that sailors attempting to avoid Charybdis would pass too close to Scylla and vice versa.

http://www.falsemirror.de | http://www.facebook.com/falsemirror.de

Sound sources:
Propellerheads Reason, Hungarian shepherd's flute, crackling vinyl, crackling fire, North Atlantic Ocean, my own voice, a buzzing fluorescent tube, pulling a bunch of branches over the ground


Scylla

In Greek mythology, Charybdis or Kharybdis (pronounced /kəˈrɪbdɨs/; in Greek, Χάρυβδις) was a sea monster, once a beautiful naiad and the daughter of Poseidon and Gaia. She takes form as a huge bladder of a creature whose face was all mouth and whose arms and legs were flippers and who swallows huge amounts of water three times a day before belching them back out again, creating whirlpools. In some variations of the tale, Charybdis is just a large whirlpool rather than a sea monster.

http://www.falsemirror.de | http://www.facebook.com/falsemirror.de

Sound sources: Propellerheads Reason, Hungarian shepherd's flute, metal wind chimes, glass wind chimes, crickets and sea waves in Canada (recorded by Axel Baune), jumping on a fallen tree in a swamp, my own voice, a small bell, processed water recordings

Charybdis

The dedication of the opus is twofold. On the one hand I wanted to commemorate the hungarian pioneer electronic composer: Iván Patachich. On the other hand I wrote it to my friend, the excellent percussionist Gábor Palotás, who is also the customer of the piece.

Formerly I read in a scientific magazine that planets and stars play music, in bigger celestial bodies the soundwaves are capable to modulate the light of the stars. This moved my fantasy and driven me to dig deeper into the territory of the music of the spheres, In no time I started gathering the sounds of planets and stars. I wrote letters to the SETI and NASA, who in a turn of mail provided me with countless radio signals transformated into hearable audio ranges. I collected samples and read about the topic for years, until once it combined and came to my mind what I wanted to do.

Böethius’s writing about the Music of the spheres, the various conjunctions of planets, moduses in what planets dominate have inspired numerous composers already. Nevertheless centuries had to elapse so with the help of our technical evolution we could grow gigantic „radioears” to ourselves and listen to the eternal music of the Cosmos. Today we can listen to the non-stop radio stream of the Universe anytime.

The first „transmission in the aether”, the first music which played was undoubtedly the Big Bang. These first soundwaves are about 52 octaves deeper than our regular musical „a” sound. Making calculations it is easily shown that this is an infinite looking period, in which one soundwave sounds only once in 200 000 years.

Modern science proved, that sound influences the same spectrum’s higher waves too, namely the light. Such as in the air on Earth soundwaves spread in the huge, compressed, excessively hot gas spheres and incandescent stars. These sounds are similar from a physical point of view to the pipes of an organ, they remind us to them. According to astronomers the sound of a star depends on a few parameter, like its age, size, extension and chemical structure.

The sound appears as the vibration of the star. I was mainly interested in residual stars , i.e. the special types of neutron stars: pulsars (really quickly rotating neutron stars, for example the period of the Crab-pulsar is 33 milliseconds) and magnetars (neutron stars with gigantic magnetic field).

I composed a bouquet out of these. Strangely it made organlike all-interval, really dense cluster. Later, to somehow make this vertiginous monster move, I used various effects. I wrote down chaotically swaying pendulum motion them thus getting an irregularly increasing and sinking yet constantly static/restless mass of sound.

The motion of the marimba is controlled by the equation of the mathematical or the physical pendulum. The really quickly increasing and sinking, small motives made out of a few sound – which are slowly altering in time – made an audible contrast with the electronic material. 

Several synthesizers, variously tuned gongs and percussions can be heard beside the  clarinets, trumpets, trombones, detuned piano and japanese mouth organs – such as the shō.

Ákos Nagy - Wailing of Pendulum (electroacoustic version)

The Mists of Avalon. Enchanted ethereal synths. Instrumental recorded 2010.
Composed and performed by Paul landry
www.paullandrymusic.com

The Meditation Collection

The Mists of Avalon

Downloads

The Mists of Avalon | Meditation Music | Paul Landry

- Tetrameth - "Suburban Sorcerer"
- Written & directed by Peter Hayes
- Mastered by Paolo Fedrigoli @ MASTERING STUDIO Schallzentrale 
- Cover art by Clint Grierson @ Zero Point Productions
- Available at links below:
- tetrameth.bandcamp.com/track/suburban-sorcerer
- https://weaponrecords1.bandcamp.com/album/planting-seeds
- https://www.beatport.com/track/suburban-sorcerer-original-mix/9254848
- https://itunes.apple.com/au/album/planting-seeds/1229239502

Planting Seeds

Suburban Sorcerer

Sol is the fourth offering of the Kuya Sessions. Cura led us on a shamanic journey of body-centered awareness. Our journey continued in Samadhi, unifying individual and universal consciousness. Akasha brought us to exquisitely ethereal realms and now Sol carefully weaves the terrestrial and celestial sounds of our ancient solar origin as children of the sun. 

“Igniting the Sacred” beckons us to venture beyond the familiar world of illusion. In preparation for the great journey ahead, the soothing sound of vocalist Meagan Chandler and Poranguí ask the benevolent guardian Spirits to open the roads and grant us safe passage.   

Gently purified in the celestial flames of truth, the imaginal cells of our awareness emerge from the primordial sound of “Liminal Sun” to reconnect with the original solar pulse of all creation.  Ancestral Nahuatl invocations carry us across the timeless song lines to meet our heart’s most sacred essence.  

As we emerge in “The Great Turning”, we are embraced by the rolling thunder of our majestic blue home amidst the vast cosmos.  Through the dark side of the Sol, we return more whole, awakening to the blessings of the Waters with an original prayer song for the Afro-Brazilian goddess of the sea, Iemanja, and a morning water prayer song from Native American elder, Chief Delbert “Blackfox” Pomani of the Hunkpapa Lakota.

Embedded within the sonic signature of the world’s oldest musical lineages and enhanced with field recordings and samples from across the globe, Kuya Sessions: Sol is best experienced in its Journey Mix format, where the boundaries between the three movements are as ephemeral as the voyage itself. In preparation for embarking on this ritualistic path, one is invited to create an environment for inner exploration with the help of a quiet and dark room, headphones, an eye mask, and an intention of healing and discovery. 

Sol draws upon a grounding array of ancient instruments, field recordings, indigenous invocations, and therapeutic musical stylings while showcasing Poranguí and Liquid Bloom’s alchemical, multi-dimensional sound. Distilled from the intention of providing listeners a path toward healing and a safe space from which to embark on that odyssey, Kuya Sessions: Sol will continue to reveal itself with each subsequent visit for all who desire its therapeutic guidance. 

The Kuya Sessions were created by Poranguí and Amani Friend (Liquid Bloom) in support of emerging paradigm-shifting medicine and psychedelic-assisted therapeutics to help people transform their lives into lives they love. Sol offers seekers a soundtrack for their journeys toward rebalancing and is now lovingly shared with listeners everywhere on behalf of the artists.

Album Credits:

Produced, Composed, Engineered, and Mixed by Poranguí & Amani Friend (Liquid Bloom) 

Guest Artists: 
Meagan Chandler (Female Vocals on Track 1)
Eric Zang (Kaval on Track 2)
Delbert “Blackfox” Pomani (Native Male Vocals on Track 3)

Mastering: Gregor Zemljic 
Artwork: El Tripador
Liner Notes: Dr. Edward A. Shanken & Poranguí

℗ Sol Creation Records 2022
© Sol Creation Records 2023

Kuya Sessions: Sol

Poranguí & Liquid Bloom - The Great Turning

A 5 Track Bass Music album for peak summer 2014 ... Brought to you by AtYya &amp; Street Ritual ... FOR FREE &gt;&gt;

Full of heavy 808 kick drums, deep rolling bass lines, beautifully emotive melodies, tribal hand percussion, and soul touching female vocals. Many of the samples are field recordings from adventures in BC's Lush Mountainous forests, birds of the prairies, waves of the pacific ocean, and magical moments at music festivals this summer.

Transcendance is Composed in 432hz, a powerful heart activating frequency spectrum in perfect alignment with the mathematic fractal of the plutonic solids and many other sacred geometry formations. May this album inspire the full embodiment of the devine kings and queens that we truly are. &lt;3

AtYyA [ pronounced Ah-Tye-Ah ] represents the auditory alchemy of Tyler Clark. With over 7 years experience as a producer, drummer, bass guitarist, percussionist, beatboxer, and eternal music lover; AtYyA is the fruition of countless¬ musical explorations. AtYyA’s niche sound is a fusion of Deep Dub and Post-Trap sewn together by squishy psychedelic soundscapes. His music features deep alluring basslines, 808 inspired drum kits, organic percussion, heart touching melodies &amp; futuristic ambiance that synergistically breaths and merges into endlessly unfolding sonic fractals. AtYyA inspires powerful somatic journeys into the depths of the heart, connecting us to the furthest reaches of the universe and beyond…

AtYya &gt;&gt; 
@atyya 
facebook.com/tyymusic

ATYYA - Adhiṭṭhāna

Different kind of synthetic microtune scales

Zsuzsanna Aba-Nagy: harp
Zsolt Szabó: viola da gamba
Roland Szentpáli: serpent
Róbert Mandel: hurdy-gurd 

recorded/mixed by: Mihály Kádár/ Ákos Nagy
http://www.hangmunka.hu/

HOMMAGE Á ROTHKO

I’ve been searching for a long time how I could totally merge the spectrums of the acoustic instruments with the spectrums of electronic instruments. I would like to do some „Mission Impossible” thing as I am trying to handle an acoustic medium as it would be an electronic one and vice versa.

Robert Mandel found me with the idea that he and Zsuzsa Aba-Nagy wanted to widen their own-founded Geneamus Ensemble named formation which used historical instruments from Vienne and Budapest and electronic instruments together.

As I think to myself as a par excellence electronic composer because I am trying to make electronic soundings in acoustic medium I really liked the idea of mixing the electronic music with the olden instruments which are much more richer in intonation and have more colours than modern instruments.

I have been experimentalising a kind of multitimbral way of composing where the melodies are accompanied by shade voices. In this case I mean the melody as a vectorial direction and I mean the same for the tonal melody but maybe while listening to the tonal melody the listener can feel an arrival or disappointment feeling (unresolved, surprise-cadence, Neapolitan destination tone, minor edge VI, alterations, et cetera). These shade voices are the main reasons for making the unisono voices multitimbral. The multitimbrality is when there are more tones at the same time which can turn into each other back and forth. At this time the spectrum is broadened or narrowed by harmonics or inharmonics so the fluctuation is continuous.

This can be easily put with my former multilayer way of composing together, where I could get complex sound density because of the several hundreds of layers which I wanted to control afterwards. We could call it vectorial multitimbral synthesis where the oscillators and the acoustic instruments morph each other’s tone as a frequency or phase synthesis.

Ákos Nagy - Hommage á Rothko [Geneamus version]

Free Download

Mumukshu - Abstract Systems

Available on Spotify

https://melusinerecords.bandcamp.com/album/alchemy-of-love-24bits

REASONANDU Feat. SUDUAYA - Moon Cloud

Nagy Ákos_In dem Nebel_for HAANG

Support:
iTunes: https://www.hive.co/l/talesofwakaanit
Beatport: https://www.hive.co/l/talesofwakaanbp
Spotify: https://www.hive.co/l/talesofwakaansp

Wakaan, the new label owned and led by Liquid Stranger, announces our debut compilation, ‘Tales of Wakaan’. This 10-track collection of multi-genre bass music serves as our introduction to our family of musicians and collaborators, sharing their fresh take on free- form, alternative electronic music.

www.facebook.com/wakaanofficial
www.soundcloud.com/wakaan
www.twitter.com/wakaanofficial
www.instagram.com/wakaanofficial

Tales of Wakaan Tracklisting:
1. Perkulat0r - Kinkao
2. Liquid Stranger - Trigger Happy
3. Tonio Sagan - The Triz
4. Space Jesus - Bob Molly
5. An-ten-nae - Thonk
6. Neuroplasm - Bewilderbeast (Desert Dwellers Dubz Antispin)
7. Au5 - Virgo
8. Dalton Richmond - Swing on By
9. Adham Shaikh - WhompStomp
10. Big Chocolate + DJ Two Stacks - Cloud Knock (Big Chocolate VIP)


Neuroplasm - Bewilderbeast (Desert Dwellers Dubz Antispin)

This tiny rooftopmix was created a cozy night in Juli, watching skydivers falling down in the holy wine.

Blond:ish - It starts now 
Ninze - Old chap (billy caso's pinapple)
Jacob Groening - Haidi
Blond:ish - Mayan caravam ( NU and LUM remix )
Iorie - Creep
Sadhu Sensi - Never forget
Niju, Rodrigo gallardo, spanio - Manquemapu
Jota Karloza - Ugate Sooraj
Unders - Syria (satori remix)
Gottlieb Scheppert - Fieber (ninze &okaxy remix)
Ooze - Restricted Flow
Stillhead - Sunset over Estonia

Pirípirí

I used the charango from Porangui's Illuminar and put the Stratusphere vibes to it. Blessed to have been asked to be a part of this amazing remix album that is available on Desert Trax! Dream come true!

Porangui - Illuminar (Stratusphere Remix)

Metempsychosis is a philosophical term in the Greek language referring to transmigration at death, of the soul of a human being or animal into a new body of the same or a different species. This musical journey gathers an array of pieces of art expressing this transmigration and the encounters of souls in different physical and temporal materializations. 

Title: V.A - Metempsychosis
Release: KUNAPR010
Compiled by: ozonee
Format: Digital Download
Artwork: Ars Graphics
Mastering: Astropilot Mastering Studio


We are one at the source, a web of pulsing energy that we might well call existence. 
But we serve more purposes than being one with the universe, our purpose is also to separate ourselves from it, to materialize into a living body and spread whatever is meant for us to. It’s time to come to life again. Sometimes to spread love, sometimes to spread chaos… It’s up to us to decide what we do with this life!

Day-to-day we are presented with a bunch of opportunities to grow and recall some knowledge. We are put up to all kinds of challenges, fears, people… But our stand is to be the best we can. Let the fear and pain of this world be your motivation to be a fighter and revolutionary, let this crazy development and growth, the cities, the craziness of human life be your strength to be peaceful and focused, let the cynics be and keep going on with your path, let the rivers flow, let life be!

All those factors will make us stand in front of Styx through our lives, so we need to find the power to turn our backs on it.

If you do so you’ll find yourself crossing the wonderland sometimes, but in the process you will also need to get lost in the forest, because the ups and downs are what makes life, what makes it dynamic and interesting, every single thing makes the wholeness of existence.

So don’t be afraid to do whatever you think is the best, because in the end we are balance, the holy sinner who does both bad and good, because they are exactly the same, they are just a matter of perspective on the same coin!

Live the fullest! Enjoy this body you have because you never know which one you’ll have when you come back to life. Respect it, feed it with the best and more natural ingredients, don’t abuse from it, because this is your only home for this journey <3

02. Lab's Cloud - Again

Oráculos y Oasis is my first attempt to work with guest musicians. And i must admit, it was a huge pleasure that i had this opportunity. 

On the track Oráculos, you can hear Janosch Marti on the trombone, a very good friend of mine.
It brought the track on a totally different level.
In Oasis, my father Daniel Fasching laid down some solid accordion lines, which gave that track this slight touch of melancholy but still so much joy. 

The very fitting cover art was painted and edited by IMKR, thank you also so much for that mate!
Check out his work on instagram: https://www.instagram.com/imker_16/

Also a big thanks to Marcel Modular (Mäze) for the mastering.

I hope you enjoy listening to these two tracks, if you do so, you can buy them here: https://malecmos.fanlink.to/004

Love

KlangDruide

BUY & STREAM

KlangDruide - Oráculos (Original Mix)

Deeply reflective and minimalist meditation and ambient music.
Meditation #2 - recorded in 2010.
Originally released download in 2010 then  on eco CD in 2013 as the Ambient Garden Meditations, Meditation #2 has bee remastered in 2019 and repackaged digitally along with some new music and re titled The Ambient Meditations #SCFIRST

Composed and performed by Paul Landry 2010
Paul Landry; Yamaha keyboard with vsti synths, 

Release with New Age Music Garden Recordings
www.newagemusicgardenregordings.com

Paul's website
www.paulsounds.com

itunes.apple.com/us/artist/paul-landry/287800079

open.spotify.com/artist/5tbvGDZA2vYsMHitQ7GNKv

www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A

paullandrymusic.bandcamp.com/

©2019 Paul Landry Music. All Rights Reserved

The Ambient Meditations

Meditation #2

new Desert Dwellers track Seeing Things available on Twisted Records!!

http://www.beatport.com/track/seeing-things-original-mix/3874955

This compilation on Twisted, Following the Eye of God, was released as part of the 2012 Eclipse in Australia.

Seeing Things Original (Eclipse Comp - Twisted Records)

Lemuria is brand new music to the channel, from the instrumental concept album 'Seven' The Lemurians were the third semi physical race who inhabited the lost continent of Lemuria #SCFIRST

Atmospheric soundscapes and synthesizer textures and musical landscapes. Seven is a concept album based around the theory of the cosmic and esoteric evolution of the planet Following the story of the seven races and their existence on seven continents, past, present and yet to come.
This track was recorded in September 2019.

Paul Landry: Synthesizers, Roland A-49 midi synth with vsti synths,

Composed, performed, produced and recorded by Paul Landry
Album cover design Paul Landry ©2019

► www.paulssounds.com/
► itunes.apple.com/us/artist/paul-landry/id287800079
► www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A
► paullandrymusic.bandcamp.com/

©2019 Paul Landry Music
All Rights Reserved

Seven

Lemuria

Lemuria | Paul Landry

⬇️Free Download hypeddit.com/paullandry/fallingbacktoearth1
Half Light pt. 2is an atmospheric ambient piece based around synth textures, a drone. Special soundCloud edit
► Get Downloads meditationmusicdownloads.bandcamp.com/
► Our YouTube www.youtube.com/watch?v=69grI5mfQJw

© 2018 Sound Tree Records

Hinterland

Half Light pt.2

Half Light pt.2 - Paul Landry

Rediscovery

Mental Monkey Bars

A version of the Sanskrit mantra Om Mani Padme Hum with Tibetan bowl and synthesizers.  The Mantra consists of 6 syllables and as you recite the mantra your focus should be on the deep meaning of each syllable. Paul Landry - Voice, synthesizers, Tibetan bowl. ॐ मणिपद्मे हूँ
Performed, produced and recorded by Paul Landry ©2020
► www.paulssounds.com/
► itunes.apple.com/us/artist/paul-landry/id287800079
► www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A
► www.paullandrymusic.bandcamp.com

©2020 Paul Landry Music
All Rights Reserved

Om Mani Padme Hum

Om Mani Padme Hum Mantra

The End of Illusion

https://merkabamusic1.bandcamp.com/album/gaian-code-96khz-24bit

@kalyascintilla

Released December 21, 2019

Produced, arranged, and mixed by Kalya Scintilla
Written, directed and narrated by: Evoke

www.merkabamusic.com
evokationsacredart.com

01,03,07,11,16,18,20 - Spoken word by Evoke
01,02,10,15,19,20 - Vocals by Evoke
08 - Vocals by Marya Stark
09 - Vocals by Irina Mikhailova
15 - Vocals and Kora by Youssoupha Sidibe
19 - Guitar by Estas Tonne

Mastering: Audible Oddities
Cover art: Aeonic Design

- Gaian Code - A Storybook of Earth - Part 2 -

Support

Fire Heart

Primordial

The Dreaming Pt.1 (with Evoke)

The Unfurling

In the Beginning (with Evoke)

I still remember the first time I heard this song. It was at an exhibition in Zürich from Pipilotti Rist, but it was actually a cover version by herself. I knew, one day, I’ll also make my own version from it. And here we are now.
I hope you enjoy it.

Free Download available on my Bandcamp Site:
https://klangdruide.bandcamp.com/track/chris-isaak-wicked-game-klangdruide-edit

Cover Shot: Konstantin Rosshoff aka IMKER
https://www.instagram.com/imker_16/

Mastering: Marcel Schneider
https://www.varia-instruments.com/

FREE DOWNLOAD

Chris Isaak - Wicked Game (KlangDruide Edit) [FREE DOWNLOAD]

Intentional and resonant music.
From the heart, to the soul.
(((( ♥️ ))))

Demos: info@merkabamusic.com

In the Beginning (with Evoke)

Merkaba Music