Text und Sprache: Elisabeth R. Hager
Komposition und Elektronik: Jadwiga Frej

archivseltenerarten.wordpress.com
Ein Kunstprojekt von Elisabeth R. Hager, Martin Mallaun & Studierenden der Anton Bruckner Privatuniversität

5_Stratiotes aloides_Krebsschere

Performance by Ensemble hand werk at Izmir New Music Days III, at Ahmed Adnan Saygun Cultural Centre, Chamber Music Hall, Izmir, 24th May 2022.

Flute - Daniel Agi
Bass Clarinet - Heni Hyunjung Kim
Violin - Lola Rubio
Piano - Thibaut Surugue

Recorded by Ahmet Ozan Murat ve Kerem İnce

Ballad for the Risk Class II (2022) for flute, bass clarinet, violin, piano, and tape

Io (2025) for six voices.
Live Recording. 'Io' was written for and first performed by the Neue Vocalsolisten on October 3th, 2025 in Las Palmas de Gran Canaria (Canary Islands).

The premiere was part of the 5th edition of the Contemporary Festival, within the Canary Islands International Music Festival.

www.joseluisperdigon.com/io-neue-vocalsolisten

'Io' seeks to integrate experiences of musical imagery (MI) into the aesthetic musical experience. The piece unfolds in an imaginary atmosphere where sound and movement behave differently — fragile, interwoven, and sometimes disconnected. It invites us to question what we take for granted in perception, blurring the boundary between what we hear and what we imagine, and leaving space for the imagination to complete what is only partially revealed.

Io (2025) for six voices l Live Recording

First performance -- 1 November 2025

Ekmeles + Mivos Quartet. DiMenna Center for Classical Music, New York, NY

O Maria (2024-25) for six voices and string quartet

MALCHUT [shir hama’alot] (2024)
for large ensemble and electronics (1.1.1.1./1.1.1.1/2perc/pno/keyboard/1.1.1.1.1.+electr)
WP: 29.6.2024, WDR Köln; 
Ensemble Musikfabrik, Friederike Scheunchen (conductor)
Duration: ca. 22′ - Excerpt: part towards the ending
*
image: excerpt from a water color work by Elisabeth Naomi Reuter (Mondblumen, 1982)

MALCHUT (2024) excerpt

granulation of a stream of consciousness

Through the Interface (2025) for violin, violoncello, and fixed media

Strings&Noise
Sophia Goidinger-Koch, Violin
Barbara Riccabona, Violoncello

Sound direction: Georg Zichy
Audio: Georg Zichy

Live recording from Alte Schmiede, Vienna
Date: 02.11.2025

Through the Interface (2025) | Strings&Noise

4. Construction // Sacrifice

The Silence (2014)

Mert Moralı is a Berlin-based composer from Izmir, Turkey, whose current research and artistic focus lies on prosthesis and corporeality in-relation and how this relationship is conditioned by space and particularly its socio-political connotations.

He is the recipient of first prize in the duo category at Wilde Lieder - Marx.Music Composing Competition in Trier, Germany and J.J. Strossmayer Prize at Novalis Festival in Osijek, Croatia. Also, he was a composition fellow at Künstlerdorf Schöppingen, Künstlerhof Schreyahn, and Villa Aurora Los Angeles.

Moralı’s works have been heard at many festivals, such as Bauhaus Festival, Festival Mixtur, Klangwerkstatt Berlin, KONTAKTE Festival, protonwerk, and Ultraschall Berlin, and performed by Ensemble Dal Niente, ensemble proton bern, georg katzer ensemble, hand werk, Hezarfen Ensemble, KNM Berlin, modern art ensemble, United Instruments of Lucilin, and many others. He attended workshops led by composers, including Mark Andre, Franck Bedrossian, Pierluigi Billone, Chaya Czernowin, Brian Ferneyhough, Francesco Filidei, Stefano Gervasoni, Liza Lim, Isabel Mundry, Sarah Nemtsov, and Marco Stroppa.

He studied composition primarily with Tolga Yayalar and Turgut Pöğün at Bilkent University in Ankara and with Eun-Hwa Cho at "Hanns Eisler" Berlin School of Music. He also studied Electroacoustic Music at "Hanns Eisler" Berlin School of Music with Wolfgang Heiniger.

Ballad for the Risk Class II (2022) for flute, bass clarinet, violin, piano, and tape

Mert Morali

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