A selection of eclectic short works that were previously unpublished.

08 Tozmevoco was created using processed voice samples from Tom Ze's "Jogos De Armar (Faça Você Mesmo) [Bonus Disc]". Thank you, Tom Ze!

09 Rooday Technicsoc

Composition and Sampling collage by Synline.
Photo by SamWagnerTimelapse

Chasing Stars

A new one from me and @Enigma-Curry! A bit meditative and I love the nostalgically oldschool synths that Ryan added to the mix. Some of his parts remind me of Boards of Canada.

Contrasts (extended mix)

Who needs therapy when you’ve got a bass?
This track is my safe space, my excuse, and my groove shelter.

Comfort Groove

A Huge Thank You to my dear collaborator Frans Beelaard. I had send him this song in my version and it came back like this… :)
He played a bass line, 2 guitars, one lead and one rhythm. Also included is an acoustic drum track with 22" Zildjian ride & crash cymbals & tambourine and an acoustic piano track.
On top of that he also mixed and mastered the whole thing.
A great honor and pleasure for me.

The lines (edited, translated, modified, revised, retranslated, reedited…) originally derived from verse shards by two German poets: 
Stefan George (1868-1933), „Albagal“, 1892 and 
Durs Grünbein (born 1962), “Porzellan: Poem vom Untergang meiner Stadt“, 2006 and „Bericht von der Ermordung des Heliogabal durch seine Leibgarde“, 1999
I glued these verse shards together with a refrain.

During my research on porcelain I came along Kin Tsugi, a Japanese form of art, putting broken porcelain back together again. The picture shows such a piece.

Smashed Porcelain

1
Descend once more into the air-raid shelter. 
Observe:
Your ancestors, crowded together, in their final attire,

Comrades, hostages to mass hysteria,
How they curse, sob, 
Just moments ago uninhibited,
When the Führer arrived in the Mercedes of the Messiah.

How long ago was that, you ask ?
Man…
How long ago was that, you ask ?

2
Oh, I’m descending a marble staircase.
A headless body lies in the middle. Once again.
There, the blood of my dear brother seeps out.
I gently gather up my purple train.

How long ago was that, you ask ?
Gee…
How long ago was that, you ask ?

3
Oh, oh, ohh…
Only 
Caesar didn't care ´bout anything. 
As he watched with glee 
When Rome sank to ruins 
Like a tourist from overseas…

How long ago was that, you ask ?
Well…
How long ago was that, you ask ?


4
Why complain, latecomer ? 
The city long gone before you were there 
Ahh, those teary eyes - 
They’re different from grey hair-air-air…

How long ago was that, you ask ? 
Gee…
How long ago was that, you ask ?
Oh folks, I can't say.						

The only Word
For „Gone Forever“
Is „Today“.

Smashed Porcelain (wt Frans Beelaard)

Kokon-painkiller

ready to die

Made with Edward the violin, zoom h1 and NCH
tamping is harder than it seems

Done with the driveway repair (for now) Friday Morning Edward the Violin Jam

Further

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Kokon-Less pain

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)