Внутренности были выдуманы

ᕦ(ò_óˇ)ᕤ - Terminal mix (TTL13)

tracklist: https://radio.syg.ma/episodes/klammklang-art-crime
https://soundcloud.com/art-crime

Art Crime

Klammklang – Art Crime

Carla dal Forno - Heart of Hearts (Kallista, forthcoming)
Carla dal Forno - Took a Long Time (Kallista, forthcoming)
Vesu’s - Red Eyed Wood Lizard (Going Good, 2019)
Xvarr - Subliminal Bliss (Twin Womb, 2018)
Fabulous Diamonds - G.B.H. (Alter, forthcoming)
O Yuki Conjugate - Raindance (Final Image, 1987)
Partly Cloudy - Sunlight (Forecast, 1987)
Carla dal Forno - Hype Sleep (Kallista, forthcoming)
Speedbooth - Glintan (Spillage Fete, 2019)
Call Back the Giants - Strange Worlds (Kye, 2011)
Espers - Flowery Noontide (Wichita, 2003)
Index - Yesterday and Today I (Lion Productions, 2010)
Scythe - Harbour Wynd (Romantic Net, 2019)
Ponzi Scheme - Vapour Trails (Ikuisuus, 2019)

NTS Radio - September, 2019

info + tracklist: https://radio.syg.ma/episodes/inexact-02-lxv
https://soundcloud.com/lxv

inexact 02 – LXV

Years ago I read an interview with György Ligeti where he spoke about the overused European tuning system and how he tried to escape it. He mentioned a few ethnomusicologists whose recordings were primary inspirations for his work. One of the names was Hugo Zemp and I immediately delved into his unbelievable recordings collected on the Southern part of Malaita island around the year 1970.

The music of the 'are'are people back then was fragile and heartwarming, communal and sublimely celebratory. Ever since I simply haven't been able to escape the sounding of their panpipe ensembles. At the same time I feel really sad that - like so many plant and wildlife species - small local cultures are also disappearing at an alarming rate, theirs included. My whole research and artistic output can be seen as a dedication to these people of disappearing local cultures.

As a first step I recorded "Proto Equiheptatonic Music" last year where I used the theoretical equiheptatonic tuning system which is a close approximation of their musical DNA. Listen: bit.ly/2Sb6JsQ

As I studied more and more - thanks to the scientific papers of Mr. Zemp - I could see the structures in finer details and as a consequence I could record "Pseudo Equiheptatonic Music" where I was using the exact tuning system of their recorded panpipe ensembles - but in a completely different context and vision. So I cannot emphasize enough that these musics cannot be considered as representations of their musical culture in any ways, rather an uninterrupted continuation of the ever-expanding universe of Gosheven's ceaseless dreaming.

releases May 1, 2020

https://gosheven.bandcamp.com/album/pseudo-equiheptatonic-music

Pseudo Equiheptatonic Music

Pseudo Equiheptatonic Music III

Mixed from Moscow by @lenatsibizova

Lena Tsibizova is a Moscow photographer, alumni of the British Higher School of Art. More recently she has expanded her field of activity and started a music career: last year she released a solo tape on Prague label Baba Vanga, and last March she released a сollaborative ambient album with Piper Spray on radio.syg.ma. 
Lena has always been fascinated with minimal synth and industrial music of the 80s, and her mix sounds like a confirmation of her genuine love for these genres.

Support:
https://lenatsibizova.bandcamp.com

Tracklist:
Bill Nelson - Birds Of Tin
Bourbonese Qualk - from Unreleased Demo
Dieter Moebius - Falsche Ruhe
Grant Bouvier - A Black Sea of Trees
Irsol - Raw
Irsol - Suppress
Pelican Daughters - Remote Viewing
Sebastian Gandera  - Un Soir... (Pts. 1-4)
??? - Some Depression
Steve Brenner & Peter Gulch - Tunnel Wind
øjeRum - ???

Download link:
https://bit.ly/3e6F6tD

Cover art by @pseudo-art-rose
pseudo-art-rose.tumblr.com

Mixtape For W Λ V E S

Lena Tsibizova  – Mixtape For W Λ V E S 078

music written by k.kotov
recorded during ejekt residency in kyiv, spring 2020
cover designed by ratx.cc

dj snork - u we

Voyage au cœur de l'orient, au travers un polar solaire et énigmatique. Lugal Lanbada nous enchante d'un conte porté par des percussions et des sonorités mystiques. 


@lugallanbada 
www.olaradio.fr

Lugal Lanbada • itchy thoughts and forbidden skin(25.09.20)

Paralaxe Editions is based in Barcelona, and Ylia (a.k.a. Susana Hernández) has long been one of the city's most well-regarded musicians. A classically trained pianist who came of age DJing breakbeat raves in Andalucia, she easily maneuvers between disparate scenes and styles; she's as comfortable dropping electro and techno records as she is performing alongside experimental flamenco artist Niño de Elche (she's a member of his touring band).


Following her appearances on labels such as Lapsus and Hivern Discs, Dulce Rendición is Ylia's first full-length effort, a cinematic collection of meditative and richly melodic tracks that largely grew out of her intimate live sets. Weaving together analog synths, field recordings and fragments of her own voice, much of the music was directly inspired by her dreams—and more specifically, the seemingly impossible sights and sounds that populated them. Working to recreate their lingering silhouettes in the light of day, Ylia oscillated between moments of deep introspection and playful fantasy as she settled into the hazy space between sleep and consciousness.

Releases November 24, 2020.

Music by Perila.
Mastered by Rupert Clervaux.
Artwork by Oficina de Disseny.
Printing by L'automatica, Barcelona.
Words by Shawn Reynaldo.

ᕦ(ò_óˇ)ᕤ - Terminal mix (TTL13)

Total Resistance