PAST FUTURE 

Traditionally rhythm takes shape by repetition of similar sounds which change slightly at uniform time intervals. Since the early ages, people used this repetition to elaborate their emotions and thoughts in some order, to make sense of the passing time in their personal reality. While each moment may be unique and incomparable, the rhythm provides an order that fosters some sense of security. 

So what happens when we alter that rhythms structure? Upon our first encounter with such unfamiliar rhythms, the music typically prods the human psyche and provokes the stability of the ego. This can be very troubling for the human kind, as it is in our nature to identify with familiar patterns, and prediction is at the very roots of perception. Introducing unfamiliarity can leave humans subconsciously disarmed and unguarded. 

However, the mind has a strong sense of plasticity. It is always looking to classify and organize, and when faced with new and erring information, the mind has an amazing capacity to restructure itself to make room for challenging information. 

Over time, unpredictable rhythms in music prompt the reexamination of the ego, and ultimately reveal a new way to appreciate the art form. The very notion of rhythm is as such transformed, which subsequently strengthens the psyche as one learns to confront these new structures. One must restructure their own sense of prediction and pattern recognition to embrace this new reality. In a way, this fosters a new platform of possibility in music and in the mind. It induces a state of readiness for the unknown and entrenchment in the moment, which could potentially play an important role in intellectual development. 

When we pay attention to the sound of Minuteless Recordings, we see that the artists work on this structure at the most fundamental levels. In an attempt to surprise themselves in music, they expand their repertoire of familiar patterns for themselves and their listeners. PAST FUTURE is Metacortex Records’ second collaborative release and released as a compilation album in partnership with Minuteless Recordings. PAST FUTURE, with its 13 experimental tracks, designs the moment peculiarly by presenting rhythm and time on a timeless platform at an unpredictable reality. Time is no longer on a straight line where the past is behind you and the future forward, yet the moment is unquestionably at the center of time. So, without further ado, we present to you this moment. 

Compiled by Metacortex & Minuteless Recordings 
Mastering by Tenebral Cortex 
Cover Art by BixBite (Thanx to Su Akozlic for digital touch) 
Release by Metacortex Records & Minuteless Recordings 


Past Future will release it spontaneously, the date is not set.. 
You will have chance to download the album from both records! 

minutelessrecordings.space 

Metacortex Records & Minuteless Recordings

Past Future

Download & Support

9. Enigmachina - Wavelab101 - VA Past Future

In deep shadows, where the night nestles,
Black Widow's Cave rests, gloomy.
Between darkness and webs, your presence approaches,
A realm of nightmares, where death creates.

In the womb of the earth, the entrance is hidden,
Between ominous rocks, darkness whispers.
The Widow, weaver of death, in her cell accumulates,
Glistening venom in the webs she mutters.

The webs are ropes, threads of a tragic destiny,
Where victims meet their fateful outcome.
The spider's kiss, a macabre and enigmatic invitation,
In the Widow's Cave, fate is sadistic.

The deep silence is broken by whispers,
Echoes of lost souls, trapped in holes.
The Widow's poison, like an impure chalice,
On each victim, he draws dark lines.

In dark corners, eyes glow like embers,
Seeing in the darkness, where life gets tangled.
The Black Widow, in her web, dances in houses,
And each fang is a note in its sinister band.

Oh, Widow's Cave, abyss of despair,
Where death weaves, relentlessly, its old cradle.
Among webs of mourning, terror is heir,
And in the darkness, the Widow perpetuates her universe.

So in the cave, horror is tradition,
Where the Black Widow reigns in solitude.
Her domains are darkness, her dance, perdition,
And in the Widow's Cave, death echoes in song.

AkUmA - The Dead Hate The Living (159)

https://lucyforestrecords.bandcamp.com/track/clostridium-tetani-prayers-220-bpm-2

Clostrdium Tetani - Prayers (220 Bpm)

Gorbino's quest 500 hours of mind puming action!

Marduk-Power in misery 220

[Divina Comedia Compilation By Black Phillip]
https://blackphillip.bandcamp.com/album/divina-comedia-va

In one hand
I hold tragedy
And in the other
Comedy —
Masks for the soul.
Laugh with me.
You would laugh!
Weep with me
You would weep!
Tears are my laughter.
Laughter is my pain.
Cry at my grinning mouth,
If you will.
Laugh at my sorrow’s reign.
I am the Black Jester,
The dumb clown of the world,
The booted, booted fool of silly men.
Once I was wise.
Shall I be wise again?

artwork by @sacredvisionsarts
Compiled by BlackPhillip

Fallen Seraphim [180]

[Out Now In Khnum Crew - (V.A) What Is Real?]
https://khnumcrew.bandcamp.com/album/v-a-what-is-real
.
.

W̬̱̱̥̩̯̩̤̽̀̚H̛̪̬̝̰̺̻̖͂̽̇ͬͅĄ̬̘͍̼͕̰̑T̶̲̱͕͍̣̤̙͛̈ͅ ̫̟̮̣͓͉̑͟Í̴͇͈̖͚̩S̩̼̞̙̗ͫ̃ͣ́ ̠̳͇̙͊̐ͮ̀Ŗ͈̩̫̹͖̳̜̬ͪE̊҉̱̦̤̱̜̗A̫̝ͨ̽ͦͦ͞Ḻ̺̖͍̪̞ͤ̕ͅ?̹͎͍̼̆̓ͩ͆̀?̻͎̳͙̜̆̀?̮̮̫͔͉̳̘̎̀̊͟

W̬̱̱̥̩̯̩̤̽̀̚H̛̪̬̝̰̺̻̖͂̽̇ͬͅĄ̬̘͍̼͕̰̑T̶̲̱͕͍̣̤̙͛̈ͅ ̫̟̮̣͓͉̑͟Í̴͇͈̖͚̩S̩̼̞̙̗ͫ̃ͣ́ ̠̳͇̙͊̐ͮ̀Ŗ͈̩̫̹͖̳̜̬ͪE̊҉̱̦̤̱̜̗A̫̝ͨ̽ͦͦ͞Ḻ̺̖͍̪̞ͤ̕ͅ?̹͎͍̼̆̓ͩ͆̀?̻͎̳͙̜̆̀?̮̮̫͔͉̳̘̎̀̊͟

W̬̱̱̥̩̯̩̤̽̀̚H̛̪̬̝̰̺̻̖͂̽̇ͬͅĄ̬̘͍̼͕̰̑T̶̲̱͕͍̣̤̙͛̈ͅ ̫̟̮̣͓͉̑͟Í̴͇͈̖͚̩S̩̼̞̙̗ͫ̃ͣ́ ̠̳͇̙͊̐ͮ̀Ŗ͈̩̫̹͖̳̜̬ͪE̊҉̱̦̤̱̜̗A̫̝ͨ̽ͦͦ͞Ḻ̺̖͍̪̞ͤ̕ͅ?̹͎͍̼̆̓ͩ͆̀?̻͎̳͙̜̆̀?̮̮̫͔͉̳̘̎̀̊͟
credits
released February 20, 2025

Un̵d̶e̶r̷g̵r̵ou̴n̴d̷ ̵G̷r̴o̷u̴p̶ I̷n̴t̷e̶n̴s̶e̶ E̶x̴p̵r̴e̶ss̷i̴o̵nS

-̸-̷-̵-̸-̸-̷-̵-̸-̸-̷-̵-̸-̸-̷-̵-̸-̸-̷-̵-̸-̸-̷-̵-̸-̸-̷-̵-̸

ʀɛʟɛǟֆɛɖ ɮʏ [ӄɦռʊʍ ƈʀɛա]
ƈօʋɛʀ ǟʀȶ ɮʏ [ʋɨֆʊǟʟ ƈɦǟօֆ]
ʍǟֆȶɛʀ ɮ ʏ [ӄɦռʊʍ ƈʀɛա]

Why We Live Like This? [197]

A dualidade existente entre os estados de espírito de paz e guerra numa perspectiva interna de cada ser.

PT:
“Telegrama do Mangue” é uma mensagem extrasensorial que ultrapassa as barreiras das dimensões físicas, atravessando o campo dos sentimentos. Imagine esse álbum como uma viagem das ondas sonoras que se deslocam através do espaço/tempo saindo de Recife, de onde foram produzidas, até seus ouvidos. O que esse álbum propõe é uma viagem que se manifesta através do campo físico e atravessa o campo das emoções e sentimentos. Cada faixa representa um sentimento. Estão prontos? Boa viagem!

Um agradecimento especial a minha família por todo suporte, apoio e amor. Helder, Esther, Maria Clara, Geovana e Gabriel

A meus meus mestre e amigos do darkpsy por todos os ensinamentos: Paulo, Groark, Malmann, Xydur, Black Phillip, Cindervomit, Kuntil, Rishi e Goa Gil

EN:
“Telegrama do Mangue” is an extrasensory message that goes beyond the barriers of physical dimensions, crossing the field of feelings. Imagine this album as a journey of sound waves that move through space/time, leaving Recife, where they were produced, to your ears. What this album proposes is a journey that manifests itself through the physical field and crosses the field of emotions and feelings. Each track represents a feeling. Are you ready? Have a good trip!

A special thanks to my family for all the support, encouragement and love. Helder, Esther, Maria Clara, Geovana and Gabriel

To my masters and friends of darkpsy for all the teachings: Paulo, Groark, Mallmann, Xydur, Black Phillip, Cindervomit, Kuntil, Rishi and Goa Gil 

Write, Produced and Mastered by Francisco Vasconcelos
Cover Arte by Koala Brito

Buy here

Weird Science (Paz/Guerra)

forthcoming Opus Obscurum Album Debut 2025 Auspex Records !

[228] Dimensional Puddle -preview- [forthcoming Album Auspex Records]

@xblackphillipx x @braioo

the infamous world
in a caotic breath
we walk in this flames and ruins.

Black Phillip x Braio - Infamous

“Alguém me disse que antigamente o nanquim era extraído do polvo.
Me parece que o polvo desprendia sua tinta quando se sentia ameaçado.
Creio que, quando escrevo, eu devolva ao nanquim sua função primitiva.
Eu sou como o polvo.”

Dissolving Hymns [Tribute to Lourenço Mutarelli]

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Ignoto (140 BPM)

Τⵀ Ժ𝚎รቲⲄⵀሃ ԺᴉԺลⵎቲᴉⵎลし ᴘลቲቲ𝚎Ⲅηร ลηԺ ลししⵀሡ η𝚎ሡ ᴉԺ𝚎ลร ቲⵀ รんᴉη𝚎 ሡᴉቲん ቲん𝚎 ŲηᴉԛŲ𝚎 รᴘลⲄҟร ⵀ⨏ ⵎⲄ𝚎ลቲᴉʊᴉቲሃ ᴉร ቲん𝚎 ⩋ลᴉη Ⲅ𝚎ลรⵀη ⵀ⨏ Ⅿ𝚎ቲลⵎⵀⲄቲ𝚎⨉ 𝚎⨉ᴉรቲ𝚎ηⵎ𝚎․ Ⅿ𝚎ቲลⵎⵀⲄቲ𝚎⨉ ⩋𝚎ลηร; ቲⵀ Ⲅ𝚎ลⵎん Ⱃ𝚎ሃⵀηԺ ቲん𝚎 しᴉ⩋ᴉቲร ⵀ⨏ ቲん𝚎 ⰓⲄลᴉη̹ 𝘨ⵀᴉη𝘨 Ⱃ𝚎ሃⵀηԺ 𝚎ʊ𝚎Ⲅሃቲんᴉη𝘨 ᴉร ቲん𝚎 ᴉη⨏ᴉηᴉቲሃ ⵀ⨏ รⵀŲηԺ ลηԺ ⵎⲄ𝚎ลቲᴉʊᴉቲሃ

https://linktr.ee/metacortexrecords

https://www.metacortexrecords.com/

METACORE 2019
MetaCore Festival organized by Metacortex Records will take place between the dates of 5 – 9 June 2019 in Turkey! 
We invite music lovers to this off-center, extraordinary gathering, with a line-up from the edges of Darkpsy and experimental. In this ritual that will take 5 days with 30 live acts and 20 dj performances, the sonic Funktion One stage will be set up by Amygdala. Sound System & Solutions that will also allow us to listen different types of Darkpsy with Producers and Djs from all around the world.For more info check our pages: 

https://www.metacorefestival.com


Metacortex Records