Name: Aeon "Aeons Black" by Metal Blade Records in darc
Duration: 3 min 42 s
Description: Aeon "Aeons Black" from the album "Aeons Black".

D£\_ $0mr€', <Bajio- Dezcratopultechazco>.../¡/![@ragua(Paltoplachezcato)*Del Monte`¿¿!!??

this sound similiar to scourge of iron by cannibal corpse to you guys? 

darc

Carcass - Heartwork

Split down the middle flesh and bone spare nothing as the land of desert takes a toll. Meek and nimble, shadow fills the spaces. She listens to the spider. Consuming the fifth leg. Blinded by spear. Stop interrupted. By the wrath of man. Bearing life like light, vines and trees silent and strong. In the wordless chamber, communication deprivation. Recognize the disposal, unleash life everlasting. Meek and nimble, shadow fills the spaces. She listens to the spider. 

Lead To The Desert

Album: Tyrant
Release
EU: 14.11.2014
UK: 17.11.2014
NA: 18.11.2014

AVERSIONS CROWN - The Glass Sentient

Death - Suicide Machine (Remastered)

"The Architect of Flesh" - This track reveals the full extent of Crowe’s curse. Through the Codex Umbralis, his body becomes more than a vessel—it is remade as a living temple for the entity. Each scar, each wound, each murder was not random but part of a grand design: the construction of a gateway through flesh itself. The lyrics shift between Crowe’s horrified awareness and the entity’s triumphant proclamation, with Abberline beginning to realize that his partner’s body has been transformed into the ritual’s foundation. The tragedy deepens: Crowe is no longer simply possessed, but restructured, his humanity overwritten into architecture for something that wants to step fully into the world.

[Intro]
[CROWE]
Through time's deep cracks, the syllables creep,
Older than stars, in shadows they sleep.
Tongues forged in ash, etched deep in stone,
I form their shapes—but not alone.

[Verse 1]
[CROWE]
My veins they ink the script unseen,
My skin’s the parchment where gods convene.
Dreams carve diagrams in red,
Ancient glyphs where blood has bled.

I thought the words could give me sight,
Instead they claimed my shape outright.
The marrow twists, the tendons bind,
A temple raised from flesh and mind.

[Pre-Chorus]
[CROWE]
I thought I searched, but I was found,
A vessel forged, a soul now bound.
The Codex spoke, the lines were sown—
It carved a frame that’s not my own.

[Chorus]
[CROWE]
The architect of flesh claims and binds,
My blood the blueprint, my bones the lines.
The architect of flesh, design complete,
Through me it builds what can’t be beat.

[ENTITY]
Flesh is mine… design complete…

[Post-Chorus]
[CROWE]
Carved in marrow… etched in breath…
Life remade… through living death.

[Verse 2]
[CROWE]
Its script carved deep in bone and vein,
An edifice built through sacred pain.
My heart tolls like a chapel’s bell,
My skull the doorway, my ribs the shell.

It spoke in tongues my lips betrayed,
Each vow a stone the temple laid.
I was the seeker, now I’m clay—
Shaped by hands that won’t decay.

[Pre-Chorus]
[CROWE]
I thought I searched, but I was found,
A vessel forged, a soul now bound.
The Codex claimed, the patterns pressed—
It made my body manifest.

[Chorus (Variation)]
[CROWE]
The architect of flesh, no will, no choice,
My frame the altar, my throat its voice.
The architect of flesh, design fulfilled,
The door now opens, the blood is spilled.

[ENTITY]
Blood is spilled! Flesh is mine!

[Bridge]
[ABBERLINE] “What curse is this?”
[ENTITY] (Your partner’s skin)

[ABBERLINE] “He bleeds, he breaks—”
[ENTITY] (He builds, he makes.)

[ABBERLINE] “This path consumes!”
[ENTITY] (Through him I bloom!)

[ABBERLINE] “His soul, undone—”
[ENTITY] (The work begun!)

[Breakdown
[ENTITY]
Not man, not god—but what survives,
A temple built from living lives.
No silence left, no voice, no rest—
Only the Codex, carved in flesh.

[Final Chorus]
[CROWE]
The architect of flesh—I can’t resist,
Each breath a stone, each wound its fist.
The architect of flesh—design aligned,
Through me it builds, through me confined.

[ENTITY]
Through you confined… design aligned!

[Extended Outro]
[CROWE]
These hands were mine… (no longer mine…)
This breath was mine… (lost to design…)
This life was mine… (crossed the line…)
The temple stands… and I’m confined.

[ENTITY]
“Zorath’nim… Mor’thak keleth…”

Heartbeat slows, silence.


The Architect of Flesh

Black Breath - Slaves Beyond Death

The Faceless God

Produced by The Black Dahlia Murder, Mark Lewis, Jason Suecof
Mixed by Jason Suecof
Mastered by Alan Douches
Published by Universal Music - Z tunes

The Black Dahlia Murder “This Mortal Coil” (ft. Jeff Walker) (dB007)

DOWNLOAD A FREE INSTRUMENTAL VERSION OF THIS TRACK - http://soundcloud.com/basickrecords/7-horns-7-eyes-divine-amnesty 

Progressive atmospheric death metallers 7 HORNS 7 EYES will be releasing their debut full-length album, Throes Of Absolution, across Europe on April 23, 2012 via Basick Records.

Featuring a guest appearance by Jeff Loomis (ex-Nevermore), the album has been produced and mixed by 7H7E’s guitarist, Aaron Smith at his own Envisage Audio studio. Jens Bogren (Opeth, Amon Amarth) mastered the outing; guitars were re-amped by Andy Sneap (Megadeth, Killswitch Engage), whilst Travis Smith (Nevermore, Katatonia) crafted the artwork.

Press opportunities for 7 HORNS 7 EYES are available, so please contact lisa@holdtightpr.com to schedule.

ORDER: http://store.basickrecords.com/artist/7-horns-7-eyes

FIND OUT MORE ABOUT 7 HORNS 7 EYES 
http://www.facebook.com/7horns7eyes 
http://www.youtube.com/7horns7eyesOfficial 
http://www.7horns7eyes.bigcartel.com/ 
http://basickrecords.bandcamp.com/album/convalescence-ep 
http://www.basickrecords.com/bands/7_horns_7_eyes

7 HORNS 7 EYES - Divine Amnesty

uy at Relapse - http://bit.ly/DyingFetusStore
Buy at iTunes - http://bit.ly/DyingFetusiTunes

DYING FETUS - New Album 'Reign Supreme' coming June 17th 2012 on CD/Deluxe CD/LP/Digital via Relapse Records! 

Follow Dying Fetus online:
http://www.facebook.com/dyingfetus
http://www.twitter.com/DyingFetusBand
http://www.dyingfetus.bandcamp.com
http://www.myspace.com/dyingfetus

Follow Relapse Records online:
http://www.relapse.com
http://www.facebook.com/relapserecords
http://www.relapserecords.bandcamp.com
http://www.twitter.com/relapserecords
http://www.myspace.com/relapserecords

Dying Fetus - Subjected To A Beating

Anthology

Obituary - Don't Care

Aeon "Aeons Black" from the album "Aeons Black".

Aeon "Aeons Black"

Cattle Decapitation "One Day Closer to the End of the World" from the album "Death Atlas"

Death Atlas

Cattle Decapitation "One Day Closer to the End of the World"

Metal Maniacs is pleased to premiere and stream the title track from ROTTING CHRIST's newest album, "Kata Ton Demona Eaftou" on Season of Mist Records.

Rotting Christ - 04 Kata Ton Demona Eaftou

Unreleased track, recorded in 2009.

Line up :
Vindsval - Guitar, voices
GhösT - Bass
KlK - Drums


Anthracite

Download the entire EP - "Reanimated Monstrosity" for FREE via Bandcamp! http://strychnia.bandcamp.com/album/reanimated-monstrosity


Awaken the beast
No turning back or defeat
Reanimated monstrosity 
Rise to slay the weak! 

Rise! 
Slay the fucking weak! 

No longer dormant, awaken the beast 
Return of supremacy at it's finest 
No turning back now, no chance of defeat 
Here to reclaim our domination 

Wreak havoc across the globe
Crush, structures collapsing from force
Burn, paths of a destructive blaze
Kill, all who stand unworthy

(John Gallagher):
*Spinal cord submission, dissecting the nerves
*Carving out the throat
*Sever the resistance, and smother every corpse
*Both friend and foe

Rise!
Slay the fucking weak!

(John Gallagher):
*Flooding of endless pain
Finally setting in
*Refuse to stand down
And feel the wrath 
*Flooding of endless pain
Finally setting in
*Refuse to stand down
And feel the wrath 

Feel the wrath!

Crush through the opposition, churning debris
Death to the enemy, a slaughter regime 
Smash through the competition, sickening beast
Death to the enemy, a slaughter regime   

Death! 

Awaken the beast
No turning back or defeat
Reanimated monstrosity
Rise to slay the weak!

(John Gallagher):
*Unleashing the violence through desecration 
*Bringing back the pain!
Pain!

Reanimated Monstrosity (Featuring John Gallagher of Dying Fetus)

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Aeon "Aeons Black"

Metal Blade Records

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