Daily Drops

Inhumation

Allegaeon "Inhumation"

musique : Deepman https://soundcloud.com/deep-man-2-121969062
texte, voix et tankdrum : luciole langevine

Les vieilles âmes ont une lumière qui sonde, dedans, dehors, profonde, qui remue et désarme. Les vieilles âmes.
Les vieilles âmes, au supplice d'un monde qui creuse sa propre tombe de souffrance et de larmes. Les vieilles âmes.
Les vieilles âmes parfois perdent courage face à l'avidité qui nous mène au naufrage. Les vieilles âmes.

frenglish translation :
Old souls have a light that probes, inside, outside, deep, that moves and disarms. Old souls.
Old souls, tormented by a world that digs its own grave of suffering and tears. Old souls.
Old souls sometimes lose heart in the face of greed that leads us to shipwreck. Old souls.

Les Vieilles Âmes - Feat Deepman

3 hour flip.
Original Track - https://youtu.be/WbpZVKvDkFk?si=0VF446w-L1UKrz_y
Vox & Lyrics - https://www.looperman.com/acapellas/detail/21744/poom-pow-115bpm-pop-acapella

Loop Diggers SRC 134 Gino's Diary 6 - Frank Zozky Poom Pow (Looperman)

an anxious mind

Tattoo

Black Flag - Slip it in
The CVLT Nation Sessions

Sacred Followers - Slip It In

Always the vanguard of purist-yet-boundless black metal, W.T.C. PRODUCTIONS is proud to present the debut album of SHRINE OF INSANABILIS, Disciples of the Void. Although literally emerging from nothingness earlier this year, SHRINE OF INSANABILIS are no mere acolytes, instead evincing a master's knowledge across their debut album. Never more aptly titled, Disciples of the Void comprises six testimonies to the fiery aspiration for enlightenment through inconceivable nothingness. These testimonies are also manifested into this world by their corresponding sigils. SHRINE OF INSANABILIS vividly portray these visions through a heaving mass of obsidian black metal, forever rising and falling, surging and merging, offering glimpses of glory and valleys of despair in equal measure. Like most W.T.C. PRODUCTIONS, Disciples of the Void is impeccably recorded - bold, full-bodied, even Technicolor - with mixing & mastering done by Patrick Engel at Temple of Disharmony, and finished off with David Glomba (Teitanarts) cover art truly deserving of its malefic contents. Blinding darkness, unbearable silence, and incureable madness, all displayed for everyone to experience: this is a raging beginning on a path through the Void.

Format: CD, LP (at a later point in 2015, in co-operation with Fallen Empire), Digital
Genre: black metal
Catalogue Nr.: W.T.C.136

Tracklist
1.End All
2.Ruina
3.Acausal Paths
4.(...........)
5.Invocation
6.Still Of This Earth
7.Cycles And Circles
8.Acerbus
9.Omega

Credits
All songs summoned from the void by Shrine of Insanabilis.
All artwork by David Glomba. Mixed and Mastered by Patrick W. Engel
at Temple of Disharmony in February 2015.

Shrine of Insanabilis - Still Of This Earth

Departure Delayed

Torture

Snake Charmer

Drowning Pool "Snake Charmer"

The Blackening

Wolves

The More Things Change...

Down To None

Lyrics: 
[Verse 1: Mike Shinoda (with Chester Bennington)]
(Ohh..)
Riding with the head full of buckets of red
And what I said still stuck in my head
But misled thinking the things that you would make you never wanna come back
But an on front attack
So you could never run from that
Being trapped in this with you
Something that I never wanted to do
But through it all, you got to see
That where I want to be is over the pen again
Letting it out of me
In the center of the day, in a dream
Seeing all my thoughts
Getting lost in between
Realizing one not the way that it seems
And the killing of the killer with a head full of screams

[Chorus: Chester Bennington]
I wanna live in another place
Where no one can say that I live for them
(Start seeing it's not meant to be for me)
I wanna be in the energy, not with the enemy
A place for my head

[Verse 2: Mike Shinoda]
We're gonna be crushed when it all falls apart
Knowing no matter how low
Hoping that you won't know the strain it puts to me
Seeing what you've done inconsequently
I've run away, just hidden again
Within the boundaries of an anguish
Don't want me to say this
But you're dragging me down
Lost in the chaos, being tossed around
Singing again to myself, a head full of hectic
Hope that someday you'll regret this
Everything's the wrong place, the wrong time
Adding to the panic in my confine
Singing again to myself, a head full of hectic
Hope that someday you'll regret this
Everything's the wrong place, the wrong time
Adding to the panic of my confine

[Chorus: Chester Bennington]
I wanna live in another place
Where no one can say that I live for them
(Start seeing it's not meant to be for me)
I wanna be in the energy, not with the enemy
A place for my head

[Refrain: Chester Bennington]
You try to take the best of me
Go away
You try to take the best of me
Go away
You try to take the best of me
Go away
You try to take the best of me
Go away
You try to take the best of me
Go away
You try to take the best of me
Go away
You try to take the best of me
Go away
You try to take the best of me
Go away

[Chorus: Chester Bennington]
I wanna live in another place
Where no one can say that I live for them
(Start seeing it's not meant to be for me)
I wanna be in the energy, not with the enemy
A place for my head

[Bridge: Chester Bennington]
Take
A
Way

[Outro: Mike Shinoda]
Singing again to myself, a head full of hectic
Hope that someday you'll regret this
Everything's the wrong place, the wrong time
Adding to the panic in my confine
(Ahhh!)
Singing again to myself, a head full of hectic
Hope that someday you'll regret this
Everything's the wrong place, the wrong time
Adding to the panic in my confine
(Ahhh!)

Esaul ("A Place For My Head" HT Website 2000 Demo) - Hybrid Theory (Linkin Park)

Serpenthyne

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Allegaeon "Inhumation"

Metal Blade Records

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