Name: Blood Ceremony "Children of the Future" by Metal Blade Records in FAV
Duration: 4 min 10 s
Description: "Children of the Future" from Blood Ceremony's self-titled album.

reminds me of the Christmas song patapan during the intro .... then the vocals start and it gets worse...

jethro tull just called,he's sueing for copy right infringement

Windhand "Feral Bones" (Live 2013-12-13 Tempe, AZ)

BongCauldron is the fourth band chosen to be "band of the month" by the stonerrock.eu-Team in February 2014.

Read all about Bong Cauldron & Interview right here http://www.stonerrock.eu/?p=10521

Bong Cauldron - Pissed Up

Temnee - Astrodiving EP (2014)
[Russia, Tver]

Temnee are:
Alexander Bogomolov
Evgenii Mikhalchenko 

Astrodiving

Stoned Jesus is back with a new song entitled "Molerats"! Originally written and performed by Moscow noise-rock punks Vagiant, it was reworked by StJ with intention to become a "Here Come the Robots" 7"" B-side. Some time passed, Vagiant is Fudger now, a 7" idea is postponed, #StJesusThirdLP is about to be finished soon, and "Molerats" is finally available! It could be either an experiment or a perfect teaser of what to expect from Ukrainian trio these days: musicianship is much tighter, arrangements are more complex, and the sonic pallette (once again by REVET Sound Studio) is near-flawless. Will this one make it onto album? Who knows...

Stoned Jesus - Molerats

Recorded and mixed by Pieter Nyckees at Shellshock Studio 
Mastered by Kris Belaen at CCR Studio 

Artwork by Rinus Fleurbaey (Vanity Tattoo Studio)

2 - Winter Blues

Rollins Band - Turned Inside Out

Wild Woman in my Dreams

DARVAZA - The Silver Chalice 7"EP available via Terratur Possessions exclusively, September 15th at Prague Death Mass where they will perform their debut gig. BEWARE! 

DARVAZA - The Silver Chalice

"Children of the Future" from Blood Ceremony's self-titled album.

Blood Ceremony "Children of the Future"

Nachtsam

After some silent months that have went over to silent years, German Metallers CHAPEL OF DISEASE now present their highly anticipated new album “...And As We Have Seen The Storm, We Have Embraced The Eye”!

Starting in 2008 as a band dwelling in the raw death metal sounds from the late 80s, CHAPEL OF DISEASE released their debut “Summoning Black Gods” in 2012. Three years later it would soon become obvious that strictly following a certain genre would eventually lose its attraction to the band. With their 2015 full-length “The Mysterious Ways Of Repetitive Art” the band would find their way of mixing up sounds to create something unique.

With “...And As We Have Seen The Storm, We Have Embraced The Eye” CHAPEL OF DISEASE follow that path, yet disregarding any genre specific expectations even more and putting all the effort in simply making diversified, enthralling heavy music. The outcome is a record somewhere between the atmosphere of black and death metal, including riffing from the golden days of the 70s and soundscapes of the synthie 80s.

Album 2018

Chapel Of Disease - 05 - 1.000 DIFFERENT PATHS

From the album, Pinnacle of Bedlam, out Feb. 15 (EU) and February 19, 2013 (NA) via Nuclear Blast Records!

As Grace Descends

SUFFOCATION - As Grace Descends

Put It To The Torch

HATEBREED - Put It To The Torch

Pre-Order from Relapse: http://bit.ly/InterArma
Pre-Order on Bandcamp: http://interarma.bandcamp.com/

Inter Arma - 'Sky Burial' Coming March 19, 2013 - N. America, 
March 15 - Germany/Benelux/Finland, March 18 - UK/World

http://www.facebook.com/INTERARMA
http://interarma.bandcamp.com/


http://www.Relapse.com
‪http://www.facebook.com/RelapseRecords‬
‪http://www.relapserecords.bandcamp.com‬

Pre-Order on Bandcamp

Inter Arma - 'sblood

Angeli Mortis De Profundis

BELPHEGOR - Angeli Mortis De Profundis

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Blood Ceremony "Children of the Future"

Metal Blade Records

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